Los pollos (Chickens)
Acrílico sobre lienzo
Arte de pared
Documentary Photography
1979
Museo Nacional de Mujeres en las Artes
Graciela Iturbide (1942 –)
Graciela Iturbide (nacida en 1942) es una fotógrafa mexicana celebrada por sus imágenes en blanco y negro poéticas que exploran culturas indígenas, identidad y rituales. ¡Descubre su obra icónica!
Museo Nacional de Mujeres en las Artes (Washington, D.C., Estados Unidos de América)
Descubre el Museo Nacional de Mujeres en las Artes en Washington, D.C., hogar de una colección icónica de siglos de creatividad femenina, y explora una poderosa narrativa que reclama la historia a través del arte.
Los Pollos (Chickens), Juchitán: A Portrait of Resilience
Graciela Iturbide’s “Los Pollos (Chickens),” created in 1979 and currently housed at the Brooklyn Museum, transcends mere documentation; it's a profound meditation on rural Mexican life and the enduring spirit of Juchitán de Zaragoza, Oaxaca. This striking black-and-white gelatin silver print captures a woman carrying a bundle of chickens atop her head—a commonplace sight in this indigenous Tzotzil community—yet Iturbide elevates this everyday activity into an emblem of strength, perseverance, and connection to the land.
Style and Technique: Minimalism as Revelation
Iturbide’s signature style is characterized by uncompromising minimalism. She eschews elaborate compositions or dramatic lighting, opting instead for a direct gaze that confronts the viewer with unflinching honesty. The photograph's stark tonal range—deep blacks punctuated by subtle gradations of gray—amplifies the image’s emotional impact and draws attention to the woman’s figure as the central element. Her posture exudes confidence and determination, conveying a sense of dignified resilience against the backdrop of a challenging environment.
Historical Context: Oaxaca's Tzotzil Culture
Juchitán de Zaragoza is renowned for its vibrant Tzotzil culture—a tradition deeply rooted in Catholicism and characterized by elaborate textiles, ritual dances, and communal solidarity. “Los Pollos” speaks to this cultural heritage, portraying a woman who embodies the values of her community: hard work, generosity, and unwavering faith. The photograph was taken during a period of significant social change in Mexico, as indigenous communities wrestled with modernization pressures while striving to preserve their unique identities.
Symbolism: Chickens as Carriers of Tradition
The chickens themselves serve as potent symbols within Tzotzil cosmology. They represent fertility, sustenance, and the continuity of ancestral traditions—elements crucial to maintaining cultural cohesion. Carrying these chickens symbolizes not merely economic necessity but also a commitment to upholding the customs and beliefs that define Juchitán’s identity. Iturbide's masterful framing emphasizes this symbolic significance, transforming an ordinary task into a visual representation of enduring values.
Emotional Impact: A Moment Frozen in Time
"Los Pollos" resonates with viewers on an emotional level—eliciting feelings of empathy and admiration for the woman’s unwavering spirit. Iturbide's photograph compels us to contemplate the beauty and dignity inherent in rural life, reminding us that resilience and connection to tradition can flourish even amidst adversity. The image’s quiet grandeur captures a fleeting moment frozen in time, offering a glimpse into the soul of Juchitán de Zaragoza and cementing Iturbide’s place as one of Mexico's most influential documentary photographers.
Detalles de la obra
- Título: Los pollos (Chickens)
- Artista: Graciela Iturbide
- Año: 1979
- Formato: Formato vertical
- Estado de derechos de autor: Protegido por derechos de autor
- Dónde verla: Museo Nacional de Mujeres en las Artes
- Técnica y materiales: Acrílico sobre lienzo
- Tipo de técnica o medio: Arte de pared
- Propósito: Acento cromático
- Palabras clave: blanco y negro , fotografía documental mexicana , arte contemporáneo
Datos clave
- Title: Los pollos, Juchitán
- Notable elements or técnicas: Estrechas líneas verticales de líquido
- Dimensions: 35.4 × 27.6 cm
- Subject or theme: Vida cotidiana rural
- Artistic style: Minimalismo
- Medium: Gelatina sobre plata
- Location: Colección Museo Nacional de Arte Contemporáneo