Shiojiri Pass in Shinano Province (Shinano Shiojiritōge)
Utagawa Hiroshige (1797 – 1858)
Descubre la serenidad de Hiroshige (1797-1858), último gran maestro ukiyo-e japonés. Explora sus paisajes icónicos, estilo poético e influencia en el Impresionismo.
Museo de Arte de Indianápolis (Indianápolis, Estados Unidos de América)
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Shiojiri Pass in Shinano Province (Shinano Shiojiritōge): A Vision of Tranquility
Utagawa Hiroshige II’s “Shiojiri Pass in Shinano Province,” created in 1858, transcends mere depiction; it embodies the spirit of Edo Japan and offers a profound meditation on the relationship between humanity and the sublime beauty of nature. Published by Tsutaya Kichizō during a period of significant artistic innovation—a time when Hiroshige II skillfully blended traditional Japanese aesthetics with subtle influences from Western art—this woodblock print remains an enduring testament to his mastery. It’s more than just a landscape; it's a carefully constructed tableau designed to evoke serenity and contemplation.- Subject Matter: The artwork captures the rugged grandeur of Shiojiri Pass, nestled within Shinano Province (modern Nagano Prefecture), Japan. Hiroshige II eschews dramatic vistas typical of his era, opting instead for a contemplative scene featuring a winding path ascending through a valley dominated by towering hillsides and culminating in a distant mountain range bathed in diffused sunlight.
- Style: Characteristic of the Utagawa school—and specifically Hiroshige I’s legacy—the print adheres to established conventions of Japanese landscape painting, prioritizing atmospheric perspective and tonal harmony over detailed realism. The style is marked by a deliberate flatness of color achieved through multiple impressions and masterful use of *bokashi*, a technique that creates subtle gradations of tone – a hallmark of Hiroshige II's artistic vision.
- Technique: This stunning piece exemplifies the meticulous process of woodblock printing. Skilled artisans carved intricate designs into wooden blocks, applying ink with precision, and pressing them onto washi paper to produce prints that retain exceptional clarity and textural nuance. The artist’s careful attention to detail—particularly in rendering foliage and suggesting depth—demonstrates a profound understanding of printmaking techniques.
- Color Palette: Dominantly composed of greens and blues, the palette fosters an atmosphere of tranquility and harmony. Hints of crimson and ochre punctuate the sky and scattered vegetation, adding warmth without disrupting the overall coolness of the scene. The muted beige tone of the pathway serves as a grounding element, emphasizing the path’s journey toward the distant mountains.
- Symbolism & Emotional Impact: Beyond its visual beauty, “Shiojiri Pass” speaks to deeper themes of pilgrimage and contemplation. Hiroshige II's depiction of nature reflects the core tenets of Japanese aesthetics—*wabi sabi*, valuing imperfection and simplicity—suggesting a profound connection between the human spirit and the natural world. Viewing this print inspires a feeling of peaceful solitude, inviting viewers to appreciate the grandeur of landscape while reflecting on the passage of time.
Notable Galleries Featuring Hiroshige II's Work
Prints by Utagawa Hiroshige II can be found in prestigious institutions worldwide, including The Art Institute of Chicago and MFA Boston. These galleries showcase exceptional reproductions that allow visitors to appreciate the artistry and nuance of this iconic landscape print.Further Exploration:
For a deeper understanding of Hiroshige II’s artistic contributions, consider delving into scholarly publications such as “Hiroshige II” by Forbes & Henley (2014) and “Hotei Encyclopedia of Japanese Woodblock Prints.” These resources offer comprehensive analyses of his life, work, and influence on subsequent generations of artists—a captivating journey into the heart of Edo Japan’s artistic landscape.Resources:
* The Art Institute of Chicago: Shiojiri Pass in Shinano Province (Shinano Shiojiritōge), from the series “Thirty-six Views of Mount Fuji (Fuji sanjurokkei)” * MFA Boston: Shiojiri Pass in Shinano Province, Utagawa Hiroshige; PublisherSobre esta obra
- Título: Shiojiri Pass in Shinano Province (Shinano Shiojiritōge)
- Artista: Utagawa Hiroshige
- Año: 1858
- Formato: Portrait
- Estado de derechos de autor: Dominio público
- Ubicación: Museo de Arte de Indianápolis
- Época: 19th Century
- Periodo de creación: Mature Period
- Contexto del corpus: edo aesthetics , tranquil nature
- Paleta de colores: Neutrals
Datos clave
- Medium: Woodblock print
- Title: Shiojiri Pass in Shinano Province
- Location: Private Collection
- Influences: Hokusai
- Subject or theme: Mountain landscape
- Notable elements or techniques: Multiple impressions, Bokashi (color gradation)
- Artistic style: Ukiyo-e


