Compra una lámina de Oedipus Cursing His Son Polynices

The bodies of four people are locked together through dramatic gestures and poses against a dark background in this nearly square painting. The two men have pale, peachy skin and the two women have ash-white skin, and together they almost fill the composition. A man with a white beard and hair wears a short-sleeved brown garment and sits to the right of center. His body faces our left and both of his arms reach straight out at shoulder height. His head juts forward and his bulging eyes appear white. He points at a younger man kneeling in front of him with his left hand. Near the left edge of the canvas, the younger man’s body also faces our left as he kneels on his left knee. His body leans forward over his right knee, which is bent so that foot is flat on the ground. His head is thrown back and his right hand, on our left, crosses his body and is raised as if to shield his face. His other arm extends so the raised flat of his hand is close to the old man’s face. The young man has dark hair and wears a tight-fitting, short-sleeved, golden yellow tunic. One woman with long blond hair rests her hands and leans her forehead onto the old man’s knee in the lower right corner. The second woman stands behind the pair of men with her arms spread wide so one hand reaches over the shoulder of the old man, and her other hand nearly touches the younger man’s head. She has long, curly brown hair, and she looks at the older man with her lips parted. Both women wear white and pale gray garments. There is the suggestion of blue sky beyond some trees along the left edge of the composition but the rest of the background is deep in shadow.

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Biografía del artista

Early Life and Education

Johann Heinrich Füssli, a Swiss painter, draughtsman, and writer on art, was born on February 7, 1741, in Zurich, Switzerland. He was the second of eighteen children to Johann Caspar Füssli, a portrait painter. Füssli received a classical education at the Collegium Carolinum in Zurich, fostering an early appreciation for artistic principles and historical studies. This rigorous training laid the foundation for his later explorations into both classical and fantastical themes. His upbringing within a family deeply rooted in art provided him with invaluable insights and connections that would shape his career trajectory.

Artistic Career and Influences

Füssli’s artistic journey commenced with his relocation to London in 1764, where he encountered Sir Joshua Reynolds, who became a pivotal mentor, encouraging him to dedicate himself entirely to painting. This marked a significant turning point, propelling him away from initial plans for a clerical career. Subsequently, Füssli spent eight years immersed in Italy, a period of intense study and artistic development. He meticulously examined the works of masters such as Titian, Caravaggio, and Mannerists, absorbing their techniques and stylistic approaches. These influences profoundly shaped his own distinctive style, characterized by dramatic lighting, dynamic compositions, and an exploration of emotional intensity.

Supernatural Themes and Literary Inspiration

A defining characteristic of Füssli’s oeuvre is his fascination with the supernatural and the dreamlike. His paintings frequently depicted scenes imbued with otherworldly elements, nightmares, and fantastical creatures—a hallmark of the emerging Romantic movement. Notably, he created a series of works inspired by John Milton's epic poems, envisioning a “Milton Gallery” intended to rival Boydell’s Shakespeare Gallery. This ambition reflected his deep engagement with literary narratives and his desire to translate imaginative worlds onto canvas. His most famous work, *La Pesadilla* (The Nightmare), exemplifies this style, capturing the terror and disorientation of a dream state with remarkable intensity.

Notable Works, Legacy, and Museums

Füssli’s artistic legacy extends through numerous significant paintings, including “Titania, Bottom & Fairies,” a vibrant depiction of Shakespeare's *A Midsummer Night’s Dream*, showcasing his ability to infuse literary scenes with visual drama and symbolic richness. His association with the Royal Academy, where he held positions as Professor of Painting and Keeper, further cemented his influence on subsequent generations of British artists, including William Blake. Füssli’s works are now housed in prestigious museums worldwide, such as the Kunsthaus Zürich (Switzerland), which boasts a comprehensive collection of his paintings, including *La Pesadilla*, and the Albertina in Vienna (Austria), where one can admire his watercolor piece, “Teiresias Foretells the Future to Odysseus.” His exploration of psychological depth and emotional intensity continues to resonate with art lovers today. Recommended Reading:

Titania, Bottom & Fairies by Johann Heinrich Füssli
Henry Fuseli - Wikipedia

View more of Füssli’s works on ArtsDot: Johann Heinrich Füssli | 12 artworks

Johann Heinrich Füssli

1741 - 1825 , Suiza

Datos clave

Artistic Movement Or Style: Romanticismo, Neoclasicismo
Artists Or Movements Influenced By This Artist: ['William Blake']
Artists Who Influenced This Artist:
- Titian
- Caravaggio
Date Of Birth: 7 Feb 1741
Date Of Death: 16 Abr 1825
Full Name: Johann Heinrich Füssli
Nationality: Suizo
Notable Artworks:
- La Pesadilla
- Titania y Bottom
Place Of Birth: Zúrich, Suiza

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