periodo

1. Panorama of the Market Square — johann conrad ochlig or johann conrad ochlich, 1824
2. Nuremberg seen from Tullnau — Friedrich Eibner, 1848

movimiento

vibra

1. Panorama of the Market Square — johann conrad ochlig or johann conrad ochlich, 1824
2. Kazimierz Dolny - A backyard by the Small Market — wacław ujejski, 1960

temas

1. View Of St Antonio, Malta — Edward Lear
2. Nuremberg seen from Tullnau — Friedrich Eibner, 1848
3. Inverness — antonio ponce de santa cruz, 1937
4. Heading for the Gulf — theodore hancock, 1964
5. La trefiladora — Albrecht Dürer
6. Industrial Landscape — Laurence Stephen Lowry, 1955

palabras clave

matiz

1. Panorama of the Market Square — johann conrad ochlig or johann conrad ochlich, 1824
2. Kazimierz Dolny - A backyard by the Small Market — wacław ujejski, 1960

color principal

1. Montelbaanstoren In Amsterdam Sun — Willem Witsen
2. La trefiladora — Albrecht Dürer
3. The Lincoln Cliffs — Charles Webster Hawthorne, 1929
4. Untitled (790) — Laurence Stephen Lowry
5. Panorama of the Market Square — johann conrad ochlig or johann conrad ochlich, 1824
6. View Of St Antonio, Malta — Edward Lear
7. The Grain Warehouse — james patchell chettle, 1931
8. Kursk. After the rain — Aleksandr Deynéka, 1925
9. Le pont de fer en été — raymond dendeville
10. Outbuildings at St James' Hospital, No.3 — edward robert king
11. Kazimierz Dolny - A backyard by the Small Market — wacław ujejski, 1960
12. Inverness — antonio ponce de santa cruz, 1937
13. Untitled (D2X8K9) — Fidelia Bridges, 1867
14. A Portion of Old Greenock (James Weir's Property, 20–22 West Blackhall Street, 1845) — norman macbeth, 1845
15. The Ford — john varley i (the older)

otros

1. Halifax (Bowling Dyke) — claude muncaster, 1925
2. From the Town Hall, Stockholm — Robin Darwin, 1936
3. An Extensive Landscape With Drovers And Sheep On A Track — Thomas Collier
4. A Fine View Of London From Westminster Bridge To The Adelphi — gideon yates
5. Cornhill to Bank, London — gordon hales
6. Outbuildings at St James' Hospital, No.4 — edward robert king