periodo

movimiento

1. The Time of Roses — r.b.a john william godward, 1916
2. Athenais — r.b.a john william godward, 1908
3. a classical lady — r.b.a john william godward, 1908
4. The Sweet Siesta of a Summer Day — r.b.a john william godward
5. The Belvedere — r.b.a john william godward
6. A Tryst — r.b.a john william godward, 1912

vibra

temas

1. Charles X Distributing Awards To Artists Exhibiting — François Joseph Heim
2. Charles X Distributing Awards — François Joseph Heim

palabras clave

matiz

color principal

1. CHARLES X DISTRIBUANT DES RECOMPENSES AUX ARTISTES EXPOSANTS DU SALON DE 1824 AU LOUVRE, LE 15 JANVIER 1825 — François Joseph Heim
2. Charles X Distributing Awards — François Joseph Heim
3. mrs charles kettlewell in neo classical dress — Frederick Goodall
4. Charles X Distributing Awards To Artists Exhibiting — François Joseph Heim
5. a classical beauty with a peacock fan — r.b.a john william godward
6. Charles X Distribuyendo Premios en el Salón de 1824 — Jean-Auguste-Dominique Ingres, 1827
7. Private View of the Old Masters Exhibition, Royal Academy, 1888 (includes Sir John Everett Millais, 1st Bt George Richmond William Powell Frith Sir Lawrence Alma Tadema Frank Holl Sir Edward John Poynter, 1st Bt Sir William Quiller Orchardson Frederi.... — Henry Jamyn Brooks, 1889
8. venus binding her hair — r.b.a john william godward
9. Untitled (448) — Carlos Saenz De Tejada
10. a classical lady — r.b.a john william godward, 1908
11. Charles V Distributing Awards to the Artists at the Close of the Salon of 1824 — François Joseph Heim, 1827
12. mischief — r.b.a john william godward
13. The Golden Asses — Tomás Patch
14. The Belvedere — r.b.a john william godward

otros

1. Distribution of prizes to the artists at the end of the Show — Pierre Cartellier
2. The Royal Academicians in the General Assembly by Henry Singleton — Benjamin West
3. The Trial Of Queen Caroline — Jorge Hayter
4. Trial Of Queen Caroline — Jorge Hayter
5. A Classical Beauty 2 — r.b.a john william godward
6. Midsummer — Albert Joseph Moore, 1887