periodo

movimiento

1. Sef-portrait — Olga Boznańska, 1906
2. Guirnalda frente a un Espejo — Pierre-Auguste Renoir, 1877
3. Portrait of a girl - Zofia Sokołowska — Olga Boznańska, 1900
4. Portrait of the Painter Walter Leistikow — Lovis Corinth, 1900
5. Un caballo bayo oscuro en un paisaje — Sir Alfred James Munnings
6. Sketches of dogs — Olga Boznańska, 1930
7. The interior of Olga Boznańska — Olga Boznańska, 1908
8. Portrait of Gabriela Reval, French writer — Olga Boznańska, 1912

vibra

temas

1. Portrait of the Painter Walter Leistikow — Lovis Corinth, 1900
2. Portrait of a girl - Zofia Sokołowska — Olga Boznańska, 1900
3. Portrait de Ambroise Vollard — Paul Cézanne

palabras clave

matiz

color principal

1. Portrait of Gabriela Reval, French writer — Olga Boznańska, 1912
2. Barona R. fon Engelharta portrets — Janis Rozentāls, 1901
3. Portrait de Ambroise Vollard — Paul Cézanne
4. Cabeza de una campesina Brabantina con sombrero oscuro — vincent willem van gogh
5. Jean Baptiste Alexandre al crucifijo: Retrato de Jean Baptiste Alexandre — Amedeo Modigliani
6. Portrait Of Dr Edward Meyer — Lovis Corinth
7. Portrait of the Painter Walter Leistilow — Lovis Corinth
8. Portrait of the Painter Walter Leistikow — Lovis Corinth, 1900
9. The interior of Olga Boznańska — Olga Boznańska, 1908
10. Portrait of Miguel de Unamuno — José Manuel Losada
11. Portrait of Leon Piniński — Leon Wyczółkowski, 1899
12. Sef-portrait — Olga Boznańska, 1906
13. Les dieux obscurs (Dark Gods) — Max Ernst
14. Portrait of a girl - Zofia Sokołowska — Olga Boznańska, 1900
15. Sketches of dogs — Olga Boznańska, 1930
16. Head of a Peasant Woman with Dark Cap 2 — vincent willem van gogh
17. Cathedral of Pisa — Olga Boznańska, 1905
18. Portrait of Paul Nauen — Olga Boznańska, 1893
19. Retrato de Ambroise Vollard — Paul Cézanne, 1899
20. Guirnalda frente a un Espejo — Pierre-Auguste Renoir, 1877

otros

1. Retrato del profesor Eduard Meyer — Lovis Corinth, 1910
2. Aceite Corrupto Jerry Petróleo Crudo — Banksy
3. Portrait of Willy Russ — Ferdinand Hodler, 1911