Pide una reproducción giclée de Fateh Raj Singhvi carried in a palanquin by his attendants

Before the Age of Profile Pictures: Indian Portraiture A portrait, typically an image of an individual showing a likeness, conveys information about who they are, or perhaps, how they want to be seen. Portraits combine aspects of the “real” and the observed with the idealized and the imaginary, to make for powerful messages about one’s identity and self-image. Before the twentieth century, portraits in India were mainly of kings, politicians, or important teachers—people whose skills, achievements, or contributions were considered worthy of memorializing. It was a high privilege to have one’s portrait made as it required resources to acquire the artistic talent and expensive materials. Numerous portraits of Indian rulers and noblemen survive from after the 1700s. They were included in dynastic or family histories, exchanged as personal and diplomatic gifts, and seen in public and private settings. Through an artist’s eye—and conveyed by clothing, accessories, and settings— portraits emphasized an individual’s character, abilities, status, and role in society. Today, with the easy access to smart phones and social media, portraits as selfies and profile pictures proliferate in ways not seen before. They have become democratized in many respects, as each person can independently control the message and circulate it widely and quickly without the mediation of an artist’s interpretation. Yet, like the paintings on view here, ideas about who we are and what we want others to see about us remain key features of the art of the selfie. , A high-ranking minister at the Jodhpur royal court, Fateh Raj Singhvi is seen here traveling with his impressive entourage. He is the unmistakable focus of the painting: his crowned and seated figure is the largest in size; it is positioned at the center of the image and framed by the palanquin canopy. He is well protected by his private army and his arrival is announced by standard-bearers. Such symbols and protocols are established conventions for Indian rulers. But here, a visual association is made between the power and privileges of royalty and Fateh Raj—who was a minister and not a king. An inscription on this painting’s reverse gives the name of Fateh Raj, and the rendering of his face, although stylized, suggests his distinctive features, giving the portrait a specificity.

Fateh Raj Singhvi carried in a palanquin by his attendants

Descripción de la pieza

Biografía del artista

Reproducción al óleo hecha a mano

Enmarcado de reproducciones

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

Framed

Dimensiones de la reproducción

Personalización de obras

Nivel de maestría del artista

Placas de identificación

Detalles de la placa de bronce grabada

Detalles de la placa de acrílico transparente

Detalles de la placa de acrílico negro

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Producción y entrega urgente

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Envío exprés gratuito a todo el mundo

Lienzo de lino de alta calidad

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Política de devolución de 100 días (solo por defectos)

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Precio total

$ 263

Resumen

Técnica de reproducción

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Artistas de élite

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Cartela

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Personalizar mi obra

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