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The travels of Marco Polo Series

Discover this captivating 1980 landscape by yi eungro, featuring a yellow dragon amidst forest life; explore East-meets-West beauty today.

Explora la obra innovadora de Yi Eungro (Lee Ungno): pintor coreano-francés que fusiona estilos oriental y occidental, reconocido por collages de tinta abstractos y pinturas de multitudes.

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P118B $10
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P959ZH $10
P968JZ $12
W106C $8
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Precio total

$ 62

reproduction

The travels of Marco Polo Series

Giclée / Impresión de arte

Dimensiones de la reproducción

-

Precio total final

$ 62

Datos clave

  • Artist: yi eungro
  • Dimensions: 17 x 15 cm
  • Year: 1980
  • Subject or theme: Mysterious landscapes/Travel
  • Title: The travels of Marco Polo Series

Descripción de la pieza

A Journey Between Worlds: Interpreting Marco Polo's Echoes

This captivating piece draws its rich thematic wellspring from The travels of Marco Polo Series, a monumental body of work conceived by the masterful Korean-French artist, Yi Eungro. Far more than a mere depiction, this painting functions as a visual memoir—a dreamlike cartography of an unknown world viewed through the sophisticated lens of East Asian perspective meeting European curiosity. The very essence of the series speaks to cultural exchange and the boundless yearning for discovery. When one gazes upon it, one is not simply looking at paint on canvas; one is traversing the imagined routes between continents, a dialogue rendered in pigment.

The Visionary Landscape and Exotic Fauna

The composition itself is an intricate tapestry of life and mystery. Dominating the foreground, or perhaps emerging from the dense foliage, is a magnificent yellow dragon accented with vibrant red—a creature steeped in potent symbolism across Asian cultures. This mythical beast shares its space with a scattering of placid cows and several elegantly rendered horses. The arrangement feels both spontaneous and meticulously orchestrated, suggesting a moment captured deep within an exotic forest setting. It is this juxtaposition—the powerful mythic animal alongside the familiar domesticate—that lends the scene its captivating narrative tension.

Mastery in Perspective: East Meets West

Technically, the painting showcases Yi Eungro’s unique genius for blending disparate artistic traditions. The artist employs a distinctive bird's-eye view, characteristic of grand East Asian landscape painting, which allows the viewer to survey vast distances. Notice how the triangular forms—suggesting distant islands or receding mountain ranges—diminish in scale as they move toward the horizon, creating an exquisite illusion of deep space and profound distance. Interspersed among these natural elements are small architectural red figures, deliberately drawn to evoke unfamiliar East Asian structures as perceived by a European traveler. This careful melding of perspectives is the hallmark of the series.

Symbolism and Emotional Resonance for the Modern Collector

For the collector or designer seeking an object imbued with narrative depth, this reproduction offers more than mere decoration; it offers contemplation. The dragon symbolizes power and fortune, while the journey itself speaks to personal exploration and the embracing of the unknown. Owning this piece is inviting a sense of global wanderlust into your space. It whispers tales of ancient trade routes, cultural misunderstanding, and ultimate artistic synthesis. Its vibrant yet harmonious palette ensures it serves as an immediate focal point, lending an air of sophisticated, worldly romance to any interior setting.


Biografía del artista

Early Life and Training

Yi Eungro (Lee Ungno), born in Seoul, South Korea in 1904, possessed an innate fascination for painting from a young age. He nurtured this passion during his formative years at Hongseong Botong Hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), where he received foundational instruction in Chinese calligraphy and painting—a tradition deeply rooted in Korean artistic heritage. Recognizing his ambition to excel as an artist, Lee pursued further studies under Yeomjae Song Tae-hoe (예명 송태호), a celebrated calligrapher-painter-photographer who instilled in him the principles of Haegang Style (해강식). This influential style emphasized naturalism and harmonious blending of Eastern brushstrokes with Western perspective.

Artistic Career in Korea and Japan

Lee Ungno’s artistic journey commenced in Seoul in 1922, where he became an apprentice to Kim Gyujin (김규진), a pivotal figure in Korean art. He diligently honed his skills under Kim's guidance, mastering the techniques of portraying the Four Gentlemen—a cornerstone of Haegang Style—known for their serene depictions of bamboo and plum blossoms. His dedication was rewarded when his ink wash painting of a bamboo, Mukjuk (묵죽, 墨竹), garnered recognition at the 3rd Annual Joseon Art Exhibition, securing him a prestigious prize. Throughout the colonial period, Lee consistently achieved acclaim in successive Joseon Art Exhibitions, demonstrating unwavering commitment to artistic excellence. However, he harbored a belief that Korean ink painters needed to embrace innovation and adapt to evolving aesthetic trends—a sentiment that propelled him toward experimentation with Western influences. In the early 1930s, Lee began producing landscapes infused with modern Eastern styles alongside naturalistic elements borrowed from Western painting traditions.

International Recognition and Later Life

Following his intensive training in traditional Korean ink painting during the 1920s and 1930s, Lee Ungno gradually incorporated Western artistic techniques into his oeuvre. His works from the 1950s showcased a daring fusion of Eastern mediums and brushstrokes with Western compositional principles—a testament to his intellectual curiosity and artistic versatility. Seeking inspiration beyond Korea’s borders, Lee relocated to France in 1958, establishing himself as a prominent abstract artist. He achieved lasting renown for his series of ink and paper collages, particularly “Abstract Letters,” which explored the expressive potential of geometric forms and textures. Furthermore, his monumental “Crowd Paintings” captivated audiences with their dynamic representations of urban life—a bold departure from conventional artistic conventions.

Legacy

Yi Eungro stands as a seminal figure in Korean abstract art history, credited with initiating the first generation of Korean artists who embraced experimentation and broadened the scope of Eastern artistic expression within contemporary art. His enduring influence can be observed in subsequent generations of Korean painters who sought to synthesize Eastern aesthetics with Western innovation—a legacy cemented by the Lee Ungno Museum (이응로미술관), inaugurated in Daejeon, South Korea in 2007. This museum meticulously preserves and showcases his artworks alongside related materials, ensuring that Yi Eungro’s contribution to Korean art continues to inspire and educate audiences worldwide.
Yi Eungro

Yi Eungro

1904 - 1989 , Corea del Sur

Datos clave

  • Artistic Movement Or Style: Expresionismo Oriental y Occidental
  • Artists Or Movements Influenced By This Artist: ['Haegang Style']
  • Artists Who Influenced This Artist: ['Yeomjae Song Tae-hoe']
  • Date Of Birth: 1904
  • Full Name: Yi Eungro (Lee Ungno)
  • Nationality: Coreano-Francés
  • Notable Artworks: ['Composición']
  • Place Of Birth: Séoul, Corea del Sur
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