Bartolini Salimbeni Coat of Arms
アンドレア・デッラ・ロッビア(1435 – 1525)
アンドレア・デッラ・ロッビア(1435-1525):鮮やかな錫釉テラコッタの浮彫で知られるフィレンツェ・ルネサンスの彫刻家。信心深い宗教作品、聖母子像、建築装飾などを探求。イタリア美術における重要人物です。
プラド美術館(フィレンツェ, イタリア)
フィレンツェのバージェロ宮殿で、ルネサンス彫刻の中心地へ!ドナテッロやミケランジェロの傑作を鑑賞し、イタリア美術の粋を堪能してください。 イタリア フィレンツェ Museo Nazionale del Bargello ドナテッロのダビデ像 大きい 美術・彫刻美術館 1865 古代ローマの彫刻 1 Museo Nazionale del Bargello のコレクションの中心は何ですか?
Bartolini Salimbeni Coat of Arms by ROBBIA, Luca di Andrea della
Luca della Robbia’s “Bartolini Salimbeni Coat of Arms” stands as a testament to the Florentine Renaissance’s obsession with meticulous detail and symbolic representation—a captivating emblem of familial prestige crafted in glazed terracotta. Executed around 1521-1523, this garland exemplifies Luca's signature style: an astonishing mastery of color and texture achieved through innovative ceramic glazing techniques that elevated terracotta sculpture to new heights of artistic expression. The piece resides within the Palazzo Bartolini Salimbeni’s Collezione Roberto Casamonti, showcasing its enduring beauty and significance as a cornerstone of Florentine decorative art.- Subject Matter: The garland is dominated by an abundance of fruits—lemons, pears, plums, cucumbers—and foliage—green leaves—arranged in a radial composition reminiscent of classical ideals of harmony and balance. These elements are interwoven with directional markings (N, S, E, W), subtly referencing astrological influences and reinforcing the overarching theme of prosperity and virtue.
- Style: Luca della Robbia’s work embodies the Mannerist aesthetic—characterized by stylized forms, exaggerated proportions, and a deliberate departure from Renaissance naturalism. However, unlike many contemporaries, Luca's approach retains an inherent charm rooted in observation and refined craftsmanship. The garland’s contours are fluid and graceful, reflecting the organic nature of its constituent elements.
- Technique: Luca della Robbia pioneered a revolutionary glazing technique—the omission of enamel on the face and hands of his sculptures—a bold innovation that prioritized realism while maximizing durability. This method involved applying thin layers of glaze to specific areas of terracotta, creating striking contrasts between luminous color and matte texture. The meticulous carving process ensured exceptional precision, capturing every nuance of form with remarkable accuracy.
- Historical Context: Created during Alessandro de’ Medici's reign—a period marked by political intrigue and artistic patronage—the garland reflects the prevailing cultural climate of Florence. It speaks to the values of nobility, lineage, and civic virtue—themes central to Renaissance humanist thought. Luca della Robbia’s workshop produced numerous similar garlands for prominent families and institutions, establishing him as a leading figure in Florentine ceramic art.
- Emotional Impact: The garland exudes an aura of opulent grandeur and serene contemplation. Its vibrant colors evoke memories of springtime—a symbol of renewal and fertility—while its carefully crafted textures invite tactile appreciation. Viewing this artwork inspires awe at the skill of Luca della Robbia and transports us back to a golden age of artistic innovation, reminding us of the enduring power of beauty and craftsmanship.
作品詳細
- 作品名: Bartolini Salimbeni Coat of Arms
- 作家: アンドレア・デッラ・ロッビア
- 制作年: 1523
- 技法: Square
- 著作権の状態: パブリックドメイン
- 展示場所: プラド美術館
- 制作時期: Mature Renaissance
- 主要な色: White
- 用途: Accent
- キーワード: italian renaissance , relief sculpture art , lemon sculpture art
作品詳細
- Subject or theme: Abundance, Fertility, Heraldry
- Title: Bartolini Salimbeni Coat of Arms by ROBBIA, Luca di Andrea della
- Location: Palazzo Bartolini Salimbeni
- Movement: Renaissance
- Year: 1523
- Notable elements or techniques: Radial composition; Gilding highlights
- Influences: Luca della Robbia


