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Portrait of Pieter Dircksz Hasselaer (1554-1616), Cornelis van der Voort (copy after), after c. 1610

Admire 'Portrait of Pieter Hasselaer' by Cornelis van der Voort – a captivating 17th-century Dutch portrait. Explore this historical masterpiece & its intriguing story.

Discover the evocative works of Cornelis van der Voort – a Dutch portraitist known for his detailed realism & influential style. Explore his legacy today!

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This bust-length portrait shows Pieter Dircksz Hasselaer, captain in the Amsterdam civic guard, magistrate, merchant, shipowner, one of the founders of the Compagnie van Verre (Company of Distant Lands) in 1594 and director of the Dutch East India Company.3 He was born in Haarlem, where he was an ensign in the civic guard in 1572-73, during the Spanish siege of the city. He was living in Amsterdam in 1583. After the death of his first wife, Aecht Pietersdr van Persijn van Beverwaerde, he married Margriet Benningh. His eldest son was Dirck Hasselaer.4 In the 19th century several attempts were made to attribute this painting variously to Hendrick Goltzius,5 Paulus Moreelse6 and Werner van den Valckert.7 A publication by Van Dam van Isselt in 1919 made it clear that there are three versions of this portrait, the one in Muiden being the superior in quality.8 The Amsterdam work, with its orange flesh tones, the eyes that are much too large and the clumsily painted ruff, is definitely a copy, either of the Muiden portrait or of an earlier version. None of the known versions is signed. At first it was thought that the painting in Muiden was by Werner van den Valckert,9 but nowadays it is attributed to Cornelis van der Voort.10 Van der Voort is indeed the most likely of the two on the evidence of the affinity with the signed portrait of Jan van den Hoek of 1624.11 As yet it is impossible to suggest an attribution for the Rijksmuseum painting. Another problem is the portrait of Hasselaer’s wife Margriet Benningh (SK-A-1245), which is attributed to Nicolaes Eliasz Pickenoy and is regarded as the pendant of this one. That portrait is a copy of the painting hanging in Muiden as the companion piece to the painting of Hasselaer. That Muiden version is dated 1629, and was thus made 13 years after Hasselaer’s death. Margriet’s portrait was evidently painted to accompany an earlier portrait of her husband, although it is worth noting that she is seated considerably closer to the picture plane than Hasselaer. Since the copies in the Rijksmuseum are clearly by different hands, they were probably painted to commemorate different occasions. Gerdien Wuestman, 2007 See Bibliography and Rijksmuseum painting catalogues See Key to abbreviations and Acknowledgements This entry was published in J. Bikker (ed.), Dutch Paintings of the Seventeenth Century in the Rijksmuseum Amsterdam, I: Artists Born between 1570 and 1600, coll. cat. Amsterdam 2007, no. 325.

作家の略歴

A Life Etched in Canvas: The Early Years and Arrival in Amsterdam

Cornelis van der Voort (c. 1576 – buried on November 2, 1624) remains a captivating figure within the annals of early Dutch art, often overshadowed yet undeniably pivotal in shaping the trajectory of portrait painting during the Golden Age. Born around 1576 in Antwerp, amidst the turbulent backdrop of the Habsburg Netherlands and the burgeoning Protestant Reformation, his life was marked by both artistic promise and familial upheaval. His origins trace back to Pieter van der Voort, a cloth weaver, suggesting an upbringing rooted in practical craftsmanship – a foundation that subtly informed Van der Voort’s meticulous approach to his art.

The family's relocation to the Northern Netherlands around 1585, driven by their Calvinist beliefs and seeking refuge from religious persecution, proved transformative. This move brought them to Amsterdam, a burgeoning center of commerce and artistic innovation. It was here that young Cornelis began his artistic journey, though the specifics of his early training remain shrouded in the mists of history. While direct mentorship is elusive, art historians generally believe he honed his skills under the tutelage of masters like Aert Pietersz and, crucially, Cornelis Ketel – a figure whose own influence on Dutch portraiture was profound.

Ketel’s impact is particularly noteworthy; he introduced a new dynamism to group portraits, moving away from static formality towards a more engaging depiction of social interaction. Van der Voort clearly absorbed this innovative spirit, demonstrating an early aptitude for capturing not just likeness but also the subtle nuances of personality and atmosphere.

The Rise of the Regentenstukken: A Genre Defined

Van der Voort’s career truly blossomed in the early 17th century, coinciding with a significant shift in Dutch society. The rise of the ‘regents,’ wealthy individuals who managed charitable institutions known as ‘stichtingen,’ created a new and lucrative market for portraiture. These regenten, often prominent merchants and civic leaders, commissioned portraits not merely to commemorate their status but also to showcase their piety and commitment to the community. Van der Voort recognized this opportunity and swiftly established himself as the leading artist in this burgeoning genre – the ‘regentenstukken.’

Unlike earlier portrait styles that emphasized formality and grandeur, Van der Voort’s regentenstukken were remarkably intimate and psychologically astute. He skillfully captured the weariness of age, the shrewdness of experience, and the quiet dignity of these influential figures. His compositions were carefully arranged to create a sense of depth and realism, utilizing light and shadow to sculpt form and imbue his subjects with a palpable presence.

  • Key Characteristics: Life-size format, full-length poses, intimate interiors, psychological insight, attention to detail.
  • Subjects: Regenten (leaders of charitable institutions), schutters (members of civic militias).

A Master of Light and Shadow: Technique and Style

Van der Voort’s artistic style is characterized by a remarkable command of light and shadow, a technique he employed to create a sense of three-dimensionality and depth within his portraits. He meticulously observed the way light interacted with surfaces – the sheen of velvet, the texture of fabrics, the glint in the eyes – translating these observations onto canvas with astonishing accuracy.

His use of color was equally deliberate, favoring rich, earthy tones that reflected the materials and settings within his compositions. He avoided overly bright or artificial hues, opting instead for a palette that conveyed a sense of authenticity and realism. Furthermore, Van der Voort’s meticulous attention to detail extended beyond mere representation; he subtly incorporated symbolic elements into his portraits, reflecting the social and religious values of his time.

Notably, he is considered one of the first Dutch artists to introduce the full-length format to portraiture, a departure from the more compact compositions favored by many of his contemporaries.

Legacy and Influence: Shaping the Course of Dutch Portraiture

Cornelis van der Voort’s influence on the development of Dutch portrait painting is undeniable. He not only popularized the regentenstukken genre but also established a new standard for realism, psychological insight, and compositional sophistication. His work served as a model for generations of artists, including Rembrandt van Rijn, who clearly drew inspiration from Van der Voort’s innovative approach.

Despite his untimely death in 1624 at the relatively young age of 48, Van der Voort left behind a significant body of work that continues to captivate viewers today. His portraits offer a rare glimpse into the lives and aspirations of a rapidly changing society – a testament to the enduring power of art to illuminate both individual character and collective history.

プロフィール概要

  • Artistic Movement Or Style: Early Dutch Portraiture
  • Artists Or Movements Influenced By This Artist:
    • Rembrandt
    • Van der Weyden
  • Artists Who Influenced This Artist:
    • Aert Pietersz
    • Cornelis Ketel
  • Date Of Birth: c. 1576, Antwerp
  • Date Of Death: 1624, Amsterdam
  • Full Name: Cornelis van der Voort
  • Nationality: Dutch
  • Notable Artworks:
    • Portrait of a Man
    • Regentenstukken
    • Schuttersstukken
  • Place Of Birth: Antwerp, Netherlands