〜のジークレープリントを作成 Euridice and her Snake, Two Tango Dancers and St. Francis. Costume design for the artist's ballet "Orphée of the Quat'z Arts"

Q: Euridice and her Snake, Two Tango Dancers and St. Francis. Costume design for the artist's ballet "Orphée of the Quat'z Arts"に著作権は適用されますか？

いいえ、こちらの作品はパブリックドメインに属しています。

Q: Euridice and her Snake, Two Tango Dancers and St. Francis. Costume design for the artist's ballet "Orphée of the Quat'z Arts"ではどのようなテーマが扱われていますか？

ballet, costume design, mythology, surrealism, feminine art, decorative art, symbolism, jazz age

Q: Euridice and her Snake, Two Tango Dancers and St. Francis. Costume design for the artist's ballet "Orphée of the Quat'z Arts" はどこで見ることができますか？

MoMA（ニューヨーク近代美術館）

作品詳細

Medium: Gouache, watercolor, metallic paint, and pencil
Dimensions: 9 1/8 x 15 1/8"
Title: Euridice and her Snake, Two Tango Dancers and St. Francis.
Influences: École des Beaux-Arts
Subject or theme: Mythology; Ballet
Notable elements or techniques: Elaborate costumes; shimmering beads; metallic fabric.
Location: Museum of Modern Art (MoMA), New York City, NY

Florine Stettheimer’s Enchanting Vision of Myth and Modernity

Florine Stettheimer (1871-1944) stands as an extraordinary figure in the annals of American modernist art, a woman who defied categorization and carved out her own distinctive artistic universe. Born in Rochester, New York, Stettheimer’s life was marked by intellectual curiosity and unwavering independence—a rare combination for her era—allowing her to cultivate a singular visual language deeply rooted in both tradition and innovation.

Her artistic output spanned painting, poetry, theatrical design, and costume creation, yet it is arguably her ballet designs that cemented Stettheimer’s legacy. Particularly noteworthy is “Euridice and her Snake,” conceived for Serge Diaghilev’s Ballet Russes in 1912—a collaboration that catapulted Stettheimer onto the international stage and established her as a pioneer of feminist aesthetics.

This monumental artwork exemplifies Stettheimer's signature style: Naïve Art, infused with Expressionist sensibilities. Rejecting academic conventions, Stettheimer embraced bold color palettes, flattened perspectives, and decorative embellishments—techniques reminiscent of Matisse’s celebrated “Luxury, Calmness and Voluptuousness.” The painting isn’t merely a depiction; it's an immersive experience designed to transport the viewer into a fantastical realm.

The composition centers around four figures: Eurydice dancing with a serpent, two tango dancers embodying passion and movement, and St. Francis holding a lamb—symbols of innocence and pastoral serenity. Stettheimer meticulously crafted costumes adorned with shimmering beads and metallic fabric, reflecting the opulent atmosphere of Parisian balls during Diaghilev’s ballet season.

More than just aesthetically pleasing, “Euridice and her Snake” speaks to profound themes of love, loss, and transformation. Stettheimer's deliberate use of color—deep blues dominating the background—creates a theatrical mood, mirroring the grandeur of the ballet itself. The artwork’s emotional impact is palpable: it captures the bittersweet beauty of fleeting moments and celebrates the enduring power of imagination.

The piece resides in the Museum of Modern Art (MoMA), where its vibrant hues and intricate detailing continue to inspire admiration and intrigue. Stettheimer's contribution to ballet history—and her unwavering commitment to artistic freedom—solidifies her place as a visionary artist who dared to reimagine the boundaries of visual expression.