プレビュー
プリントを購入
シェアする
シェアする
詳細を見る
ダウンロード
似ている作品
X線調査
スライドショー
詳細を見る
デジタル画像のご注文に付随する特典
高品質なデジタル画像配信を、確かな品質で。
ArtsDot.com を選ぶことは、単に画像を手に入れることではありません。それは、プロの手によって精密に仕上げられ、満足保証が付いた高品質なデジタルアートワークを受け取ることを意味します。ご注文いただいた際に自動的に付随する内容は、以下の通りです：
メールですぐにお届け
ご注文から72時間以内に、高解像度のデジタル画像ファイルがメールでお手元に届きます。すぐにそのままご利用いただけます。
AI技術で最適化されたデジタルファイル
お客様の作品は、高度なAIツールと専門家による手作業の編集を組み合わせてプロフェッショナルに最適化されており、細部のディテール、鮮明さ、そして正確な色再現性を最大限に引き出しています。
一生涯無料の再送サービス
ファイルを誤って削除したり、紛失してしまったりしましたか？ご安心ください。いつでも無料で再送いたします。
輸入手数料は一切かかりません
関税や手数料、配送料を気にすることなく、お気に入りのアートワークをすぐにお楽しみいただけます。デジタルダウンロードは常に免税です。
色彩再現の保証
プロ仕様のツールとカラーマネジメント技術を用いることで、デジタル画像が元の色を最大限に忠実に再現することを保証いたします。
100日間満足保証
ご購入いただいたデジタル画像にご満足いただけない場合は、100日以内であれば、理由を問わず修正または100%の返金対応をさせていただきます。
100% 返金保証
ご満足いただけない場合は、デジタルファイルを受け取ってから100日以内であれば、理由を問わず全額返金いたします。
まとめ買い割引
3枚購入で10%OFF - 5枚購入で15%OFF - 10枚以上購入で20%OFF。クリエイティブなプロジェクト、ギャラリー、エージェンシーに最適です。
Romuald Hazoumè (born in 1962, Porto Novo, Benin), who is of Yoruba origin, grew up in a Catholic family, but remained in contact with the Vodun society of his forbears; this dual cultural heritage finds expression in both his masks and installations. In the mid-1980s, he began an extended series of works made from discarded plastic containers, and in particular from gasoline canisters. After slight modifications, these objects became masks which subtly reveal Hazoumè’s critical vision of political systems. He has said of his work: “I send back to the West that which belongs to them, that is to say, the refuse of consumer society that invades us every day.”Hazoumè’s masks conform more to the recovery of their materials than to Yoruba traditions; however, there are also important links with this heritage. He has said about his masks that he sees them “exiting” or “departing.” “Exiting” the masks, explains the Mali scholar Youssouf Tata Cissé, means that they “recapitulate all the stages of creation.” For example, one of the most important masks in Bambara rituals is the “Whirlwind” mask. It stands for the primordial whirlwind that governed the emergence of life. Hazoumé’s Zanzibrrrrace (2003) suggests a parallel reading and illustrates how the artist draws on the vocabulary of the initiated to give character to his creations. What distinguishes Hazoumè’s assemblages is that they are also specifically tied to his vision of society and global problems. Unlike the traditional masks which tended to strip the wearer of his personality, Hazoumè’s expose the wearer’s true nature. Indeed, his masks can be understood as a modern reinterpretation of the phenomena of trances, revealing without reserve the madness of current events. Hazoumè has extended these themes in his most recent works, monumental installations which address the history of slavery and the present practices of the black market.
関連作品
作家の略歴
Romuald Hazoumè: A Voice of Yoruba Heritage and Critique
Romuald Hazoumè, born in Porto Novo, Benin in 1962, stands as a prominent figure within contemporary African art, recognized for his distinctive approach to sculpture and mask making—a practice deeply rooted in Yoruba traditions. His artistic vision transcends mere aesthetic beauty; it’s imbued with a potent critique of consumer culture and a profound engagement with the legacy of colonialism and slavery. Hazoumè's work powerfully communicates these themes through innovative use of recycled materials, transforming discarded objects into monumental forms that resonate with spiritual significance.- Early Life & Artistic Beginnings: Hazoumè’s formative years were spent in Benin, where he absorbed the rich cultural heritage of the Yoruba people—a tradition characterized by elaborate rituals and symbolic imagery. These influences are immediately apparent in his artistic style, which prioritizes storytelling and conveying complex ideas through visual language.
- The Iconic ‘La Bouche du Roi’ Hazoumè gained international acclaim with his reworking of Gustave Dore’s 1869 engraving “The Slave Ship Brookes.” This ambitious project wasn't simply a reproduction; it was an intervention—a deliberate reimagining that confronted viewers with the brutal realities of transatlantic slavery and its enduring impact on African societies. The monumental sculpture, crafted from reclaimed metal sheeting, serves as a visceral reminder of this history.
Material Innovation & Yoruba Symbolism
Hazoumè’s artistic process distinguishes him from many contemporary sculptors. Rather than relying on traditional materials like stone or wood, he champions the repurposing of discarded items—primarily aluminum cans and scrap metal—to create his sculptures. This decision carries significant symbolic weight, reflecting a core Yoruba belief in reincarnation and the cyclical nature of existence. The artist sees himself as “returning to the West what belongs to it,” namely “the rejection of society of consumption that invades us all.” He argues that these recycled materials embody resilience and transformation—mirroring the spirit of Yoruba cosmology.- Mask Making Tradition: Hazoumè’s artistic journey began in the mid-1980s with a series of masks crafted from repurposed gasoline canisters. These masks are not merely decorative objects; they are conduits for ancestral spirits and instruments of ritual performance—practices central to Yoruba religious life. The artist meticulously replicates traditional mask designs, honoring the heritage of his culture while simultaneously questioning established artistic conventions.
Recognition & Influence
Hazoumè’s work has garnered considerable attention within the international art community and is featured prominently in Jean Pigozzi's Contemporary African Art Collection (CAAC). His commitment to addressing social issues through art—particularly his critique of consumerism—has solidified his position as a leading voice in contemporary African artistic discourse. Hazoumè’s pioneering use of recycled materials has inspired artists globally, demonstrating the transformative potential of artistic practice when driven by ethical considerations and cultural awareness.Concluding Thoughts
Romuald Hazoumè's oeuvre represents more than just skillful craftsmanship; it embodies a profound engagement with history, spirituality, and social responsibility. Through his monumental sculptures and evocative masks—created from humble materials—he compels viewers to confront uncomfortable truths about colonialism, slavery, and the pervasive influence of consumer culture. His artistic legacy continues to inspire artists worldwide, reaffirming the power of art as a vehicle for cultural preservation and critical reflection.
hazoumè, romuald
1962 - , Benin
プロフィール概要
- Artistic Movement Or Style: Contemporary African Art
- Date Of Birth: 1962
- Full Name: Romuald Hazoumè
- Nationality: Beninese
- Notable Artworks:
- La Bouche du Roi
- Atchao
- Zanzibrrrrace
- Place Of Birth: Porto Novo, Benin