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Section of a Poem Scroll with Underpainting of Lotus

  • 制作日1615
  • 寸法33.0 x 58.0 cm

Hon'ami Kōetsu (1558-1637) was a pivotal Japanese artist of the Rinpa school, renowned for calligraphy, lacquerware, pottery & painting. Inspired by Heian aesthetics, his work profoundly influenced generations of artists and embodies the spirit of ea

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合計金額

$ 62

reproduction

Section of a Poem Scroll with Underpainting of Lotus

ジークレー/アートプリント

複製画のサイズ

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合計金額

$ 62

Kōetsu’s innovative calligraphic style is celebrated for the way in which it plays with a reader’s expectations. Sometimes he inscribes kana characters in complex archaic forms so that they resemble kanji (Chinese characters); other times, he renders kanji in such an abbreviated and delicate manner that at first glance they resemble kana. A characteristic of his handwriting is the sudden and conspicuous variations in widths of strokes (which, according to orthodox brush styles, would usually be more modulated). Kōetsu was also a master of the art of “scattered writing” (chirashigaki) in which columns of text were rendered in varying lengths to create an attractive arrangement on the page. This work originally was part of a much longer handscroll and has been remounted as a hanging scroll. The three waka (thirty-one-syllable court verse) are from the famous anthology One Hundred Poems by One Hundred Poets (Hyakunin isshu), compiled by Fujiwara no Teika in the early thirteenth century as a guide to poetry composition. The poems read, from right to left, as follows: Hito wa isa kokoro mo shirazu furusato wa hana zo mukashi no ka ni nioikeru Though people’s feelingsmay have changed,in this place from my past,the plum blossomsstill have the scent of long ago. [signed] Ki no Tsurayuki (ca. 872–945) Natsu no yo wa mada yoi nagara akenuru o kumo no izuko ni tsuki yadoruramu While evening lingers onthis summer night,dawn has already arrived—where, amid the clouds,could the moon be hiding? [signed] Kiyowara no Fukayabu (active early 10th century) Shiratsuyu no kaze ni fukeishiku aki no no wa tsuranuki tomenu tama zo chirikeru Glistening drops of dew,scattered by the windacross autumn plains,appear like unstrung jewelsscattered everywhere. [signed] Fun’ya no Asayasu (active late 9th century) —Trans. John T. Carpenter

アーティストの略歴

early life and influences

hon'ami kōetsu, a celebrated japanese painter, was born in 1558 in kyoto, japan. his family, renowned for their expertise in sword polishing and connoisseurship, had served the imperial court and notable warlords of the sengoku period, including oda nobunaga and toyotomi hideyoshi.

artistic contributions

kōetsu's artistic journey began with his involvement in the rinpa school of painting, which he significantly influenced. his groundbreaking works, created during a time of warfare and political turmoil in japan, had a profound impact on japanese art. notably, kōetsu's collaboration with the painter tawaraya sōtatsu resulted in numerous decorated pieces.

notable works and legacy

key art movement: the rinpa school of painting, which kōetsu inspired, is characterized by its use of mineral pigments and organic materials on silk or paper.

museums and collections

artistic legacy: kōetsu's influence on japanese art is undeniable. his pioneering work in the rinpa school has inspired generations of artists, cementing his place in the annals of art history.

references:

conclusion:

hon'ami kōetsu's profound impact on japanese art is a testament to his innovative spirit and artistic genius. his legacy continues to inspire artists and art enthusiasts alike, making him an integral part of japan's rich cultural heritage.
hon'ami kōetsu

hon'ami kōetsu

1558 - 1637 , Japan

基本情報

  • Artistic Movement Or Style: Rinpa school
  • Artists Or Movements Influenced By This Artist: ['Ogata Kōrin']
  • Artists Who Influenced This Artist: ['Kobori Enshū']
  • Date Of Birth: 1558
  • Full Name: Hon'ami Kōetsu 本阿弥 光悦
  • Nationality: Japanese
  • Notable Artworks:
    • White Raku
    • Writing Box with Pontoon Bridge
  • Place Of Birth: Kyoto, Japan