Mademoiselle Dangeville as Thalia
jean baptiste ii lemoyne(1704 – 1778)
Jean-Baptiste Lemoyne II (1704-1778): French Baroque & Rococo sculptor famed for expressive portrait busts & Versailles statues. Explore his neoclassical masterpieces!
コメディ・フランセーズ(Paris, France)
フランス演劇の粋を体験!コメディ・フランセーズで、歴史と芸術が息づく舞台の世界へ。モリエールやラシーヌの名作から現代作品まで、感動のひとときをお届けします。 フランス エリック・ルーフ パリ コメディ・フランセーズ モリエールの戯曲 広範 劇場博物館 1680 最初に電気照明を使用した劇場だった。 1 コメディ・フランセーズの主な歴史的意義は何ですか?
A Vision of Neoclassical Grace: Mademoiselle Dangeville as Thalia
Jean-Baptiste Lemoyne II’s "Mademoiselle Dangeville as Thalia," sculpted in 1771, is a captivating marble bust that embodies the elegance and intellectual spirit of the late Rococo and early Neoclassical periods. This exquisite work depicts Mademoiselle Dangeville, a celebrated salonnière and musician of her time, transformed into Thalia, the Greek muse of comedy and pastoral poetry. The sculpture transcends a mere portrait; it’s an allegorical representation of artistic inspiration and refined taste, reflecting the cultural values prized by the French aristocracy during the reign of Louis XV. The dark background in the photograph dramatically highlights the luminous quality of the marble, emphasizing Lemoyne's mastery of light and shadow to define form and create a sense of depth.Style & Technique: A Synthesis of Baroque Legacy and Neoclassical Ideals
Lemoyne’s artistic journey is fascinating, bridging the late Baroque with the emerging Neoclassical style. While influenced by the dramatic flair of his predecessors, this bust demonstrates a shift towards greater clarity, restraint, and an idealized representation of beauty – hallmarks of the Neoclassical movement. The meticulous carving reveals Lemoyne's exceptional technical skill. Note the delicate rendering of Mademoiselle Dangeville’s hair, meticulously arranged in an elaborate updo adorned with floral elements, and the graceful drape of the garment that subtly clings to her form. The smooth, polished surface of the marble contrasts beautifully with the folds of fabric, demonstrating Lemoyne's ability to capture both texture and movement within a static medium. His earlier experience as an engraver undoubtedly contributed to his precision and attention to detail in this sculptural work.Historical Context & The Salon Culture
The creation of "Mademoiselle Dangeville as Thalia" is deeply rooted in the vibrant Parisian salon culture of the 18th century. Salons were intellectual hubs where artists, writers, and aristocrats gathered to discuss ideas, showcase art, and enjoy musical performances. Mademoiselle Dangeville herself was a prominent figure within this circle, known for her musical talent and patronage of the arts. Commissioning a portrait as Thalia would have been a statement of her cultural standing and appreciation for classical learning. The choice of Thalia, the muse of comedy, suggests an admiration for wit, intelligence, and artistic expression – qualities highly valued in these sophisticated social settings. The work’s creation coincides with a period where artists like Lemoyne were navigating the transition from the ornate Rococo style to the more austere and rational Neoclassical aesthetic, reflecting broader shifts in European taste.Symbolism & Emotional Impact
Beyond its technical brilliance, the bust carries significant symbolic weight. The transformation of Mademoiselle Dangeville into Thalia elevates her from a mere individual to an embodiment of artistic inspiration and intellectual pursuit. Her serene expression and slightly averted gaze convey a sense of quiet contemplation and inner strength. The classical drapery and hairstyle further reinforce the connection to ancient Greek ideals of beauty and virtue. The overall effect is one of dignified grace, intelligence, and refined sensibility – qualities that continue to resonate with viewers today. Owning a reproduction of this piece allows you to bring a touch of 18th-century Parisian elegance and intellectual depth into your space.作品詳細
- 作品名: Mademoiselle Dangeville as Thalia
- 作家: jean baptiste ii lemoyne
- 制作年: 1771
- 技法: Portrait
- 著作権の状態: パブリックドメイン
- 展示場所: コメディ・フランセーズ
- 動勢: Neoclassicism
- 技法・素材: Acrylic On Canvas
- 制作時期: Mature Period
- コーパスの文脈: highlights skill in marble carving , classical sculpture traditions
作品詳細
- Notable elements or techniques:
- Detailed marble carving
- Serene expression
- Draped garment
- Movement: Neoclassicism
- Artist: Jean-Baptiste II Lemoyne
- Artistic style: Baroque & Rococo
- Subject or theme: Portrait bust, allegory
- Influences: Maurice Quentin de la Tour


