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スライドショーLandscapes with the Chinese Literati Su Shi and Tao Qian
1795
171.0 x 373.0 cm
The forbidding precipice painted on the left screen suggests a site on the Yangzi River where the Chinese poet Su Shi, also known as Dongpo (1037–1101), composed his famous “Ode on the Red Cliff.” The gentler scene on the right screen, depicting a scholar and attendants in a hut in a willow grove, is meant to represent the Chinese poet-recluse Tao Qian, or Tao Yuanming (365–472), at his country retreat. The artist seems to have set up an explicit contrast between the two scenes—Su’s forced exile (wild) against Tao’s self-imposed exile (calm). Born to a samurai-class family near the capital, Nagasawa Rosetsu chose the life of a painter, studying in the Kyoto studio of Maruyama Ōkyo (1733–1795). Labeled one of the “Three Eccentrics” of the Edo period, he often exhibited a turbulent, bravura brush style and unconventional treatment of subject matter.
長沢露青（1754 – 1799）
丸山派の巨匠、長沢露青（1754-1799）をご紹介！日本伝統の技法と西洋的な写実主義を融合させた独自のスタイルは、情緒豊かな風景画や愛らしい動物画で知られています。彼の革新的な芸術世界をぜひご覧ください。
作品詳細
- 作品名: Landscapes with the Chinese Literati Su Shi and Tao Qian
- 作家: 長沢露青
- 制作年: 1795
- 作品サイズ: 171.0 x 373.0 cm
- 技法: Panoramic
- 著作権の状態: パブリックドメイン
- カラーパレット: Earthy
- 彩度: Vivid
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