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The Wine Connoisseurs, Jacob Duck, c. 1640 - c. 1642

  • 制作日1642
  • 寸法45.0 x 72.0 cm

Explore the works of Jacob Duck (1600-1667), a Dutch painter known for realistic scenes of soldiers, everyday life & interiors. Discover his art at museums worldwide.

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合計金額

$ 263

reproduction

The Wine Connoisseurs, Jacob Duck, c. 1640 - c. 1642

複製技法

複製画のサイズ

-

合計金額

$ 263

作品解説

Four men and a woman are standing in a remarkably brightly lit cellar with casks lining the right wall. Scattered throughout the room are attributes associated with the wine trade: funnels, a spigot, a hose, a corkscrew, pitchers and buckets. The officer in the foreground is holding a glass of wine up to the light and is giving it an appraising look. Like so many other works by Jacob Duck of Utrecht, this painting betrays the influence of Pieter Codde. It is above all the sober palette, smooth execution and attention to the rendering of textures that recall the work of the Amsterdam master (cf. SK-A-4844), although Duck’s distinctive palette of greenish brown tints differs from Codde’s. Elements that are frequently found in Duck’s compositions are the L-shaped room and the carefully depicted still lifes in the foreground. The subject of a wine cellar is rare in 17th-century Dutch painting. Duck depicted it on at least one other occasion.4 Standing in that painting are three men, one of whom is appraising wine while another laughs and makes a gesture towards the viewer that is difficult to interpret. Rosen associated these two works by Duck with one of the few other paintings of the subject, by Nicolaes Knüpfer, now in Utrecht.5 The similarities between the wine cellars of these two Utrecht artists are so great that one of them probably influenced the other. The dress of the officers in the Rijksmuseum work matches the fashion of the second half of the 1630s. Recent dendrochronological examination has shown, however, that the painting has to be placed a little later, and the date in the early 1640s proposed by Rosen is plausible.6 Duck quite often repeated figures in his paintings.7 The officer examining the wine is the mirror image of the man in his other wine cellar, and the officer with the cape over his shoulder in the middleground puts in other appearances in the artist’s oeuvre.8 It is remarkable that nothing has ever been written about the iconography of Duck’s Wine Connoisseurs, for as in his other wine cellar he appears to be making a joke. The woman in the background, who is probably a prostitute, judging by the feathers in her hair, appears to be laughing at the man with the glass. Whereas in other cases one can argue whether a woman is pregnant or is merely wearing loose-fitting clothes, the woman in this work is clearly expecting a child.9 The combination of the pregnant woman and the man in the foreground who is holding the clear liquid up to the light makes it difficult not to think of scenes of doctors examining urine. However, there are no such scenes in Duck’s oeuvre, so one can only conjecture whether the association was intentional. Gerdien Wuestman, 2007 See Bibliography and Rijksmuseum painting catalogues See Key to abbreviations and Acknowledgements This entry was published in J. Bikker (ed.), Dutch Paintings of the Seventeenth Century in the Rijksmuseum Amsterdam, I: Artists Born between 1570 and 1600, coll. cat. Amsterdam 2007, no. 61.

アーティストの略歴

The Gilded Precision of a Dutch Master

In the vibrant, bustling landscape of the seventeenth-century Netherlands, few artists captured the quiet drama of existence with as much technical finesse and observational grace as Jacob Duck. Born in Utrecht around 1600, Duck’s journey into the world of fine art was not born from a traditional painter's studio, but rather from the meticulous workshop of a goldsmith. Having mastered the intricate craft of metalwork by the age of nineteen, he brought a unique, jeweler-like precision to his canvases. This early training in goldsmithing instilled in him an unparalleled eye for detail, a quality that would later allow him to render the glint of a soldier's armor, the texture of a tavern cloth, or the subtle sheen of a wine glass with breathtaking realism.

His transition from precious metals to pigments began in earnest when he entered the studio of Joost Cornelisz Droochsloot. Under this mentorship, Duck moved beyond the rigid boundaries of craft and embraced the fluid storytelling of genre painting. As he matured, his artistic footprint expanded across the great cultural hubs of the Dutch Golden Age, from the industrious streets of Haarlem to the sophisticated atmosphere of The Hague. Throughout his travels, he absorbed the atmospheric brilliance of masters like Rubens and the dramatic, light-piercing shadows of Rembrandt. This synthesis of influences allowed him to master chiaroscuro, using deep shadows to push his figures forward into the viewer's space, creating a sense of intimacy that makes his scenes feel less like distant histories and more like captured moments in time.

A Window into the Golden Age

The true soul of Jacob Duck’s oeuvre lies in his profound dedication to the "everyday." While many of his contemporaries sought glory in grand mythological epics or sweeping historical narratives, Duck found divinity in the mundane. He was a chronicler of the human condition, finding profound narrative weight in the simplest of settings. His work often oscillates between two distinct yet equally captivating realms: the camaraderie of the military and the conviviality of civilian life.

In his celebrated guardroom scenes, Duck provides a window into the lives of the burgeoning military class of the Dutch Republic. These paintings—often featuring officers playing cards, soldiers resting, or men sharing quiet moments of reflection—do more than just depict military life; they capture the social shifts of an era following the Eighty Years' War. Through his brush, we see the tension between duty and leisure, the camaraderie of the barracks, and the subtle psychological depth of men caught in the stillness between conflicts. His ability to render the heavy fabrics of uniforms and the stark, dramatic lighting of a dimly lit guardroom creates an immersive experience that resonates with historical gravity.

Beyond the barracks, Duck’s artistry flourished in the depiction of domestic interiors and bustling public spaces. He possessed a remarkable talent for composing scenes of tavern life, market stalls, and private rooms where the light falls softly upon everyday objects. In these works, one might encounter:

  • The Intimacy of Interiors: Quiet, contemplative scenes where figures are lost in thought or engaged in subtle domestic tasks.
  • Social Conviviality: Lively gatherings in taverns, filled with the warmth of conversation and the sensory richness of food and drink.
  • Genre Narratives: Small, poignant stories captured in a single frame, such as a gypsy fortune-teller or a couple sharing a private moment.

Legacy and Artistic Significance

The historical significance of Jacob Duck lies in his ability to elevate the common experience to the level of high art. By focusing on the textures of reality—the way light hits a pewter mug or the weary expression on a soldier's face—he contributed to the humanist spirit that defined the Dutch Golden Age. He did not need grand legends to move his audience; he relied on the truth of the visible world.

Though he eventually returned to Utrecht, where he passed away in 1667, his influence endured through the enduring power of his imagery. Today, his works reside in some of the world's most prestigious institutions, including the Hermitage Museum, serving as vital touchstones for anyone seeking to understand the social fabric of the seventeenth century. Duck remains a master of the small-scale epic, proving that within the confines of a single room or a quiet corner of a tavern, an entire world of human emotion and historical truth can be found.

Jacob Duck

Jacob Duck

1600 - 1667 , Netherlands

基本情報

  • Artistic Movement Or Style: Dutch Golden Age
  • Artists Or Movements Influenced By This Artist: ['Genre Painting']
  • Artists Who Influenced This Artist: ['Joost Cornelis Droochloot']
  • Date Of Birth: 1600 Utrecht Netherlands
  • Date Of Death: 1667
  • Full Name: Jacob Duck
  • Nationality: Dutch
  • Notable Artworks:
    • The Wine Connoisseurs
    • Dividing the Spoils
    • The Distraint
  • Place Of Birth: Utrecht Netherlands