プレビュー
シェアする
シェアする
詳細を見る
ダウンロード
似ている作品
X線調査
スライドショー
統計情報The Baptism of Christ
詳細を見る
ジークレー／アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (
手描きの絵画を購入 デジタル画像販売へ切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
The Baptism of Christ
ジークレー／アートプリント
複製画のサイズ
-
合計金額
$ 62
関連作品
アーティストの略歴
Jean-Baptiste Lemoyne II: Life and Legacy
Early Life and Training
Jean-Baptiste Lemoyne II (1704 – 1778) was a celebrated French sculptor, primarily known for his expressive portrait busts and statues. Born in Paris, France, he initially pursued a career as an engraver, studying with Laurent Cars and working for the printseller Gabriel Huquier. This early experience provided him with foundational skills that would later inform his sculptural practice.
Artistic Development and Influences
Lemoyne began creating portraits in both oil and, increasingly, pastel during the 1740s. His career developed somewhat in the shadow of Maurice Quentin de la Tour, considered the master of French pastel portraiture. A notable event illustrating this dynamic occurred at the Salon of 1750, where Lemoyne exhibited a pastel portrait *of* La Tour, only to find La Tour exhibiting his own self-portrait – perhaps a deliberate demonstration of artistic superiority.
- Early Influences: Laurent Cars (engraving), Gabriel Huquier (printselling).
- Key Influence: Maurice Quentin de la Tour (pastel portraiture).
Academic Recognition and Major Works
Lemoyne made his Salon debut with a pastel portrait in 1746 and achieved full membership in the Académie Royale de Peinture et de Sculpture in 1753. His acceptance was secured through portraits of fellow artist Jean-Baptiste Oudry and sculptor Lambert-Sigisbert Adam, both now housed at the Louvre Museum.
- Notable Sculptures:
- Portrait bust of Robbé de Beauveset (1765)
- Hygie, déesse de la santé
- Mademoiselle Dangeville as Thalia (1771)
- Bust of Mademoiselle Clairon (1761)
- Louis XV
Style and Artistic Characteristics
Lemoyne’s work is characterized by a remarkable ability to capture the personality and likeness of his sitters. His portrait busts, in particular, are noted for their realism, theatricality, and attention to detail. He skillfully blended elements of Baroque drama with the emerging Neoclassical aesthetic, creating sculptures that were both emotionally engaging and technically refined.
Travels and Later Life
After 1779, Lemoyne ceased exhibiting at the Paris Salons but continued to receive commissions. His clientele reveals extensive travel throughout France – including Orléans, Toulouse, Bordeaux, and Lyon – and potentially even further afield, with possible visits to Turin, Rome, Spain, Hamburg, Poland, Russia, and England.
He died in Amsterdam in 1778, largely unknown according to some biographical accounts. Despite this relative obscurity at the end of his life, Lemoyne’s contributions to French sculpture remain significant.
Historical Significance
Jean-Baptiste Lemoyne II occupies an important position in the transition from the Rococo to Neoclassical styles. His portrait busts provide valuable insights into 18th-century French society and artistic tastes, and his technical skill continues to be admired by scholars and art enthusiasts alike. He represents a pivotal figure in the development of sculptural portraiture during a period of significant cultural change.
jean baptiste ii lemoyne
1704 - 1778 , France
基本情報
- Birth Date: 1704
- Birth Place: Paris, France
- Death Date: 1778
- Influenced By: Maurice Quentin de la Tour
- Movement:
- Baroque
- Rococo
- Neoclassical
- Name: Jean-Baptiste Lemoyne II
- Nationality: French
- Notable Works:
- Portrait bust of Robbé de Beauveset
- Hygie, déesse de la santé
- Mademoiselle Dangeville as Thalia
- Bust of Mademoiselle Clairon
- Louis XV