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スライドショーStill Life: Peaches, Apple, and Pear
Baroque
1825
25.0 x 31.0 cm
メトロポリタン美術館
Woodside probably received his training from Philadelphia sign painter Matthew Pratt or one of Pratt’s business partners. In 1805, Woodside opened his own studio in Philadelphia, advertising his services as an ornamental or sign painter. He aspired to less mundane genres, however, and tried his hand at emblematic and patriotic works, animal scenes, miniatures, and copies after English engravings. This work and its companion, "Still Life: Peaches and Grapes" (41.152.1), are among Woodside’s few known still lifes and represent his best efforts as a painter. His arrangement of the fruit in a spare setting bears the stylistic imprint of the Peale family, who established a still-life tradition in Philadelphia in the early nineteenth century.
John A. Woodside（? – ?）
Discover John A. Woodside (1781-1852), a Philadelphia sign painter renowned for his meticulously detailed still life paintings of fruits and game. Influenced by Dutch Golden Age masters and the Peale family tradition, Woodside bridged the gap between decorative arts and fine art in 19th-century America.
メトロポリタン美術館（New York, United States of America）
5千年の芸術と文化を体験！メトロポリタン美術館で、古代エジプトの遺産からルネサンス絵画まで、世界中の至宝を発見。ニューヨークの象徴的な美術館へ。 (229文字)
作品詳細
- 作品名: Still Life: Peaches, Apple, and Pear
- 作家: John A. Woodside
- 制作年: 1825
- 作品サイズ: 25.0 x 31.0 cm
- 技法: Landscape
- 著作権の状態: 著作権保護対象
- 展示場所: メトロポリタン美術館
- 動勢: Baroque
- 制作時期: Mature Period
- コーパスの文脈: peale family tradition , ornamental aesthetic
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