The New Image II
Surrealism
1973
51.0 x 38.0 cm
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The New Image II
複製技法
複製画のサイズ
-
合計金額
$ 263
Artist Background
Lillian Desow Fishbein was an American painter who was active with the National Council of Jewish Women, American Jewish Congress, and the Art Institute Associates. Her parents moved to the United States in 1920 from Poland, and she was the first child of a family of nine born in America. She attended Cass Technical High School in Detroit, and was later awarded an art scholarship to Cranbrook in Michigan.Painting Description
The painting features a man with a red hat on his head, appearing to be wearing a long beard and having a somewhat strange or unusual appearance. He is looking directly at the viewer, giving an impression of being aware of their presence. The background features a red hue that complements the man's hat, creating a visually striking scene.The The New Image II painting is part of a series of artworks created by Lillian Desow Fishbein in 1973, which includes The New Image IV, The New Image V, and The New Image VII. These paintings can be found on the ArtsDot website.
Importance of the Painting
The The New Image II painting is a significant work of art that showcases Lillian Desow Fishbein's unique style and technique. It is a great example of her ability to create thought-provoking and visually striking artworks. The painting is also a testament to the artist's contribution to the world of art, and her legacy continues to inspire artists and art lovers today.- Style: Lithography
- Size: 51 x 38 cm
- Date: 1973
- Museum: Smithsonian American Art Museum
関連作品
アーティストの略歴
Lillian Desow-Fishbein: A Pioneer of Surrealist Expression
Lillian Desow-Fishbein (1921 – August 6, 2004) was more than just an American painter; she was a dedicated humanitarian and a quietly influential figure within the mid-20th century art world. Born in Detroit, Michigan, to Polish immigrant parents, her early life instilled in her a deep appreciation for both artistic expression and social responsibility – qualities that would profoundly shape her career and artistic vision. Her journey began with an art scholarship to Cranbrook School, a prestigious institution known for its emphasis on design and the arts, laying the foundation for her distinctive style.
Desow-Fishbein’s work is often categorized as Surrealist Expressionism, though she resisted rigid labels, preferring to describe it as “emotional abstraction.” Her paintings are characterized by a potent blend of dreamlike imagery, symbolic color palettes, and a raw emotional intensity. Early influences included the works of Joan Miró and Max Ernst, artists who similarly explored subconscious landscapes and employed fragmented forms to convey complex emotions. However, Desow-Fishbein quickly developed her own unique voice, moving beyond mere imitation and forging a deeply personal style.
The “New Image” Series: A Turning Point
The 1973 "New Image" series represents the pinnacle of Desow-Fishbein’s artistic development. This collection of ten lithographs—now held in significant collections including the Smithsonian American Art Museum and the Detroit Institute of Arts—marked a decisive shift towards a more overtly expressive and symbolic approach. Each print, executed with meticulous detail and vibrant color, depicts fragmented figures and distorted landscapes, evoking feelings of anxiety, isolation, and spiritual yearning. The series’ central theme – often interpreted as a meditation on identity and displacement – resonated deeply with the social and political climate of the era.
The lithographs themselves are remarkable feats of technical skill. Desow-Fishbein collaborated closely with master printers to achieve the desired effects, utilizing techniques such as drypoint etching and variable ink densities to create a dynamic interplay of light and shadow. The imagery within each print is layered with symbolism; recurring motifs—such as distorted faces, barren landscapes, and solitary figures—suggested themes of loss, alienation, and the search for meaning in a rapidly changing world.
Beyond the Canvas: Activism and Humanitarian Work
While her artistic achievements are undeniable, Desow-Fishbein’s life was also defined by her unwavering commitment to social justice. In 1968, she and her husband, Jack Fishbein, embarked on a deeply moving humanitarian mission to Ethiopia, where they worked tirelessly to raise awareness of the plight of Ethiopian Jews facing persecution. This experience profoundly impacted her artistic practice, informing her later works with themes of empathy, resilience, and the interconnectedness of human suffering.
Her involvement extended beyond this single mission; she was a long-standing member of organizations such as the National Council of Jewish Women and the American Jewish Congress, advocating for civil rights and social reform. This dedication to activism underscored her belief that art could be a powerful tool for promoting positive change in the world.
Legacy and Continuing Relevance
Lillian Desow-Fishbein’s artistic legacy is one of quiet strength and profound emotional depth. Her “New Image” series, with its haunting imagery and symbolic power, continues to resonate with viewers today, offering a glimpse into the anxieties and aspirations of a generation grappling with uncertainty and social upheaval. Her work stands as a testament to the enduring power of art to explore complex human experiences and challenge conventional notions of beauty and representation.
Despite her relatively low profile during her lifetime, Desow-Fishbein’s contributions to American art are increasingly recognized. Her paintings are gaining renewed attention in museums and galleries across the country, ensuring that her unique artistic vision will continue to inspire and provoke thought for generations to come. Her story serves as a reminder of the vital role that artists can play in shaping our understanding of the world and advocating for a more just and compassionate society.
基本情報
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist: ['National Council of Jewish Women']
- Artists Who Influenced This Artist: ['Cranbrook School']
- Date Of Birth: 1921
- Date Of Death: 2004
- Full Name: Lillian Desow-Fishbein
- Nationality: American
- Notable Artworks:
- The New Image II
- The New Image VIII
- Place Of Birth: Detroit, MI

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