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Moorland Scene, September 1910

  • 寸法51.0 x 61.0 cm

Lucy Kemp-Welch (1869-1958): British painter of horses & rural life, famed for WWI art & 'Black Beauty' illustrations. Explore realistic equine masterpieces!

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (プリント版に切り替え プリント版に切り替えデジタル画像販売へ切り替え デジタル画像販売へ切り替え)

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まとめ買い割引のご案内

合計金額

$ 263

reproduction

Moorland Scene, September 1910

複製技法

複製画のサイズ

-

合計金額

$ 263


アーティストの略歴

Lucy Elizabeth Kemp-Welch: A Life Dedicated to Equine Art

Early Life and Education

  • Born: 1869 in Bournemouth, England.
  • Lucy Kemp-Welch demonstrated artistic talent from a young age, exhibiting her work at just 14 years old.
  • She received formal training at a local art school before moving to Bushey in 1891 with her sister Edith.
  • At Bushey, they studied under the renowned artist Hubert von Herkomer, becoming two of his most favored students.
  • Kemp-Welch quickly established herself within Herkomer’s school, setting up her own studio in an old inn known as ‘Kingsley.’

Artistic Development and Style

  • Kemp-Welch specialized in painting horses, particularly those engaged in work or military service. Her style is characterized by realism, capturing the anatomy and movement of horses with remarkable accuracy.
  • Her early works often depicted rural scenes featuring horses – gypsies, timber hauling, and life in the New Forest were frequent subjects.
  • She developed a distinctive technique for portraying light and atmosphere, adding depth and emotion to her paintings.
  • Influenced by Herkomer’s emphasis on naturalism and direct observation, Kemp-Welch focused on depicting scenes from life rather than relying on studio poses.

Major Achievements and Recognition

  • Royal Academy Exhibitions: Throughout her career, Kemp-Welch had an impressive 61 paintings displayed at the Royal Academy.
  • Colt-hunting in the New Forest (1897) was purchased by the Chantrey Bequest and is now part of the British National Collection at the Tate – a significant early success.
  • In 1914, she became President of the Society of Animal Painters, demonstrating her standing within the artistic community.
  • She illustrated the 1915 edition of Anna Sewell’s Black Beauty, bringing a new visual dimension to the beloved novel.

World War I and Beyond

  • Kemp-Welch's work took on new significance during World War I. She was commissioned by the British Parliamentary Recruiting Committee to create “Forward! Forward to Victory Enlist Now”, a powerful recruitment poster.
  • She also painted scenes at army remount depots, documenting the vital role of horses in the war effort – including “The Straw-ride - Russley Park,” donated to the Imperial War Museum.
  • Her paintings from this period offer a poignant glimpse into the realities of wartime and the sacrifices made by both humans and animals.
  • After 1926, she focused on depicting scenes of gypsy and circus life, continuing her exploration of equine subjects in different contexts.

Legacy and Historical Significance

  • Lucy Kemp-Welch was one of the most successful female artists of her time, achieving recognition in a male-dominated art world.
  • Her paintings provide valuable insights into rural life, working animals, and the impact of war on society.
  • She played an important role in promoting animal welfare through her artwork and illustrations.
  • Though somewhat overlooked after World War II, her work is now being rediscovered and appreciated for its artistic merit and historical significance. She remains a notable figure in British art history.

基本情報

  • Birth_Date: 1869
  • Birth_Place: Bournemouth
  • Death_Date: 1958
  • Influenced_By: Hubert von Herkomer
  • Movement: Realism
  • Name: Lucy Elizabeth Kemp-Welch
  • Nationality: British
  • Notable_Works:
    • Gypsy Horse Drovers
    • Colt-hunting in the New Forest
    • The Straw-ride - Russley Park
    • Forward the Horses
    • Big guns to the front