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      María Teresa Burga Ruiz

      Untitled (contigo….)

      Pioneering Peruvian artist María Teresa Burga (1935-2021) innovated conceptual & media art. Explore her installations, tech-based works & unique perspective on identity & Peru.
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      Pioneering Peruvian artist María Teresa Burga (1935-2021) innovated conceptual & media art. Explore her installations, tech-based works & unique perspective on identity & Peru.
      詳細を見る

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      Untitled (contigo….)

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      作品詳細

      • Notable elements or techniques: Latex medium, Participatory art
      • Influences:
        • Advertising
        • Flyers
      • Title: Untitled (contigo….)
      • Year: 2013
      • Subject or theme: Time
      • Artistic style: Pop Art
      • Artist: María Teresa Burga Ruiz

      アート・クイズ

      各質問の正解は1つだけです。

      問題 1:
      What is Teresa Burga known for pioneering in Peruvian art?
      問題 2:
      Where was Teresa Burga born?
      問題 3:
      What medium did Burga replace her traditional oil painting with?
      問題 4:
      Burga's drawings often featured reproductions of...
      問題 5:
      What is a distinctive characteristic of Burga's series of cubes and prisms?
      Teresa BurgaBorn in Iquitos, Peru, in 1935.She lives and works in Lima, Peru.In a recent interview, Teresa Burga recalls the revulsion that she has always felt about oil painting: “I have loathed oil paint all my life because it’s sticky, it’s dirty, and it never dries because Lima is very humid. So you needed to take a dryer or a heater to your studio. [...] I did not have any patience to be waiting for that oil paint to dry, so that I could put on the second layer, everything would get dirty.” When she was still quite young, Burga moved from her hometown of Iquitos in the Peruvian rainforest to the capital city of Lima, where she completed her art studies at the Universidad Catolica de Lima in 1964. She began her path toward a more experimental art practice by replacing her traditional medium of oil painting with a modern, fast-drying medium, such as latex. In the mid to late 1960s, she took a more radical step, replacing her own hand in the production of a given work by delegating the actual painting to others. This can be seen in her series of cubes and prisms, for example— works with a strong Pop accent that change depending on audience participation. So if the works “came out nice, it was by pure chance,” as Burga affirms. It is this same spirit of a sustained critique of artistic authorship that made Burga one of the pioneers of conceptualist practices in Latin America. Since the beginning she has produced a series of drawings of “time,” annotating each drawing with a meticulously drawn record of the duration it took her to produce it, including breaks taken during the process. It is worth noting that most of these drawings are faithful copies of original images drawn from various sources—advertisements, flyers, posters, and instruction manuals, for example—and with subjects as different as theater plays, police reports, cartoons, female items, or characters of the day. Burga’s Drawings with Eyes Closed (1974) take her countervisuality strategies, already present in the “duration drawings,” to another extreme. These works create a disjunction between producer and receiver, and question the relationship between the contemplated and the imagined. Burga has consistently structured her work around this countervisual program, which is also reflected in her pioneering feminist works such as Autoretrato. Estructura. Informe. 06/09/72 (1972) and Perfil de la mujer peruana (1980–1981). Other works, such as Estructuras de aire (1970) or Paisaje urbano (1978–1979), should be read not as language labs or institutional critiques in the North American sense, but as sensory experiments with concepts. More recently, Burga has been making a series of drawings that are “direct” copies of drawings made by children. The technique is simple but the time and labor are demanding: From the outlines of a reference image the artist carefully fills in the shapes with dots. The technique alludes to pointillism but more specifically refers to the so-called Benday dots used to create photomechanical prints. She thus ironically performs deskilling (the progressive loss of job skills) and the consequent reversal of hierarchies of labor subordination.

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      アーティストの略歴

      María Teresa Burga Ruiz (1935-2021): A Pioneer of Peruvian Conceptual and Media Art

      • Born: Iquitos, Peru, 1935
      • Died: Lima, Peru, 2021

      María Teresa Burga Ruiz, also known as Teresa Burga, was a groundbreaking Peruvian artist whose work spanned multimedia and conceptual art forms. Born in the Amazonian city of Iquitos, her artistic journey led her to become a pivotal figure in Peruvian art history, recognized for her pioneering contributions to media art, technology-based art, and installation art – fields that were nascent in Peru during her active years.

      Early Life and Artistic Development

      • Burga's early life in Iquitos likely influenced her later exploration of identity and social structures within Peruvian society.
      • She began experimenting with various media, moving beyond traditional artistic boundaries to incorporate technology and conceptual frameworks into her practice.
      • The late 1960s and 1970s marked a crucial period in Burga's development as an artist. It was during this time that she produced some of her most significant works, establishing her reputation as a visionary innovator.

      Key Works and Artistic Style

      • Untitled, 14, 15.04.1974: Perhaps Burga's most celebrated work, this series of monochrome drawings exemplifies her minimalist aesthetic and conceptual approach. The stark imagery invites contemplation on time, process, and the nature of representation. View Artwork
      • Peru 73: This abstract ink drawing showcases Burga's exploration of geometric forms and layered structures, reflecting a broader engagement with the social and political landscape of Peru in 1973. View Artwork
      • Untitled (contigo….): Demonstrates her versatility across different mediums. View Artwork
      • Her artistic style is characterized by a reduction to essential forms, often employing monochrome palettes and repetitive patterns. This minimalist approach serves as a vehicle for exploring complex conceptual ideas.

      Influences and Historical Significance

      • Burga's work was influenced by the broader international trends in Conceptual Art and Minimalism that emerged in the 1960s and 70s.
      • She is considered a precursor to media art and installation art in Peru, paving the way for subsequent generations of artists who embraced new technologies and expanded the boundaries of artistic expression.
      • Her exploration of identity, feminism, and social structures within Peruvian society positions her as a significant contributor to Latin American feminist art.
      • Burga's legacy lies in her ability to synthesize conceptual rigor with innovative use of media, creating works that are both aesthetically compelling and intellectually stimulating.

      Legacy and Recognition

      • María Teresa Burga’s work has gained increasing recognition posthumously, solidifying her place as a pivotal figure in Peruvian art history.
      • She is now celebrated for her pioneering spirit and her contribution to the development of contemporary art practices in Peru.
      • Her influence can be seen in the work of younger Peruvian artists who continue to explore themes of identity, technology, and social change.
      María Teresa Burga Ruiz

      María Teresa Burga Ruiz

      1935 - 2021 , Peru

      基本情報

      • Artistic Movement Or Style: Conceptual Art, Media Art
      • Date Of Birth: 1935
      • Date Of Death: 2021
      • Full Name: María Teresa Burga Ruiz
      • Nationality: Peruvian
      • Notable Artworks:
        • Untitled, 14, 15.04.1974
        • Peru 73
        • Untitled (contigo….)
      • Place Of Birth (City And Country): Iquitos, Peru

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