のジークレープリントを購入する White Peafowl

A pair of white-feathered peafowl, a male to the right and a female on the left, reveal different personas. As it flaunts its grand tail of gossamer-like feathers, a magnificent white peacock posed grandly on a rocky outcrop directly eyes the viewer. The peahen, much smaller in size and posed subordinately on the ground, looks across a nearly empty pictorial space at its mate. In this example of Nihonga (modern “Japanese painting” using traditional techniques and pigments), we can detect more than two centuries of predecessors in bird-and-flower painting, including the Chinese-style works of the Nagasaki school founded by Shen Nanpin (ca. 1682–1780) and advocacy of naturalism by Maruyama Ōkyo (1733–1795) and his school. Gyokkei also inherited a penchant for meticulous brushwork from his training in the style passed down from his great-grandfather Mochizuki Gyokusen (1692–1755), who established a family studio that assimilated these strands of Japanese, Chinese, and Western painting styles. The artist’s signature on the right mentions that the work was completed on a winter’s day in 1908. We know that Gyokkei created a number of nearly identical compositions after the rave reception for another version of White Peafowl, created in 1900 for the ninth exhibition of the Society for Japanese Painting (Nihon Kaiga Kyōkai), where it won second prize.

アーティストの略歴

Mochizuki Gyokkei (1874–1938): A Master of Rinpa and Nihonga Harmony

Mochizuki Gyokkei was a Japanese artist born in Kyoto in 1874 and died in 1938. He stood as a pivotal figure within the Rinpa school, alongside his father Mochizuki Gyokusen (望月玉泉), marking the fourth generation of their esteemed family studio. This lineage traced its roots back to Gyokusen’s great-grandfather, Mochizuki Gyokusen (1692–1755), who established a unique artistic tradition that skillfully blended elements of Chinese painting—specifically the Kishi school—with innovative approaches gleaned from Western techniques. His formative years were steeped in rigorous training within this family style, honing his mastery of brushwork and establishing him as a descendant of a celebrated artistic lineage.

Early Life & Training: Gyokkei’s upbringing fostered an appreciation for art from childhood, shaping his lifelong dedication to mastering traditional Japanese painting methods.
Influence of Rinpa School: He embraced the Rinpa school's core tenets—bold colors and gold leaf—creating intricate designs that celebrated beauty and conveying profound symbolic meanings.
Engagement with Nihonga Style: Recognizing the evolving artistic landscape, Gyokkei skillfully integrated Western influences into his Nihonga practice, mirroring a broader movement aimed at harmonizing tradition and innovation.

Artistic Style & Technique

Gyokkei’s paintings were characterized by exceptional detail and luminous color palettes—a hallmark of Rinpa aesthetics. He skillfully employed mineral pigments alongside gold leaf, achieving textures that captivated the eye and conveying a sense of ethereal grandeur. Recurring motifs included birds and flowers, meticulously arranged in patterns reflecting Japanese artistic conventions and imbued with symbolic resonance. His approach mirrored the Bunjinga movement’s emphasis on individual expression and personal interpretation, prioritizing emotional depth over mere technical proficiency. Gyokkei's meticulous brushwork and masterful use of color solidified his reputation as a virtuoso within the Rinpa tradition.

Notable Works & Recurring Themes

Among Gyokkei’s celebrated creations is “White Peafowl,” a stunning depiction capturing the bird’s majestic plumage against a backdrop of shimmering gold leaf—a technique emblematic of Rinpa's opulent visual language. This artwork exemplifies his ability to distill complex symbolism into visually arresting compositions, reflecting themes of nobility and transformation central to Japanese artistic thought. Furthermore, his “Kashima Arts” folding screens showcase his masterful command of perspective and spatial arrangement, presenting pine trees as symbols of longevity and resilience—a motif deeply rooted in East Asian iconography.

Legacy & Recognition

Gyokkei’s influence extended beyond his immediate contemporaries, inspiring subsequent generations of artists who continued to honor his artistic heritage. His work resides prominently within museums such as the Forest Lawn Museum in Glendale, California, ensuring that his contributions to Japanese art endure for posterity. He served as a teacher and mentor, nurturing talent and fostering a vibrant artistic community dedicated to preserving the traditions of Rinpa and Nihonga—solidifying his place as one of Japan’s most revered painters.

Mochizuki Gyokkei

1853 - 1928 , Japan

基本情報

Artistic Movement Or Style: Rinpa & Nihonga
Artists Or Movements Influenced By This Artist: ['Shen Nanping']
Artists Who Influenced This Artist: ['']
Date Of Birth: Kyoto, Japan (1853)
Date Of Death: 1928
Full Name: mochizuki gyokkei
Nationality: Japanese
Notable Artworks: ['White Peafowl']
Place Of Birth: Kyoto

White Peafowl

作品解説

アーティストの略歴

手描き油彩複製画

額装オプション

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

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