Following the Light of the Sun, I Only Discovered the Ground
The Archaeology of Absence: Deconstructing Modernity
Runo Lagomarsino’s photographic exploration, captured around 2014, presents us with more than just an image of industry; it offers a profound meditation on process, decay, and the monumental weight of human endeavor. The scene unfolds as a vast, monochrome tableau—a construction site or perhaps a meticulously staged ruin—where the remnants of creation lie scattered across a seemingly endless plane. From this high vantage point, the viewer surveys an arrangement of machinery, discarded components, and geometric forms that speak in hushed tones of interrupted ambition. It is a landscape caught between genesis and collapse, forcing us to confront what remains when the grand blueprint has been abandoned.
Composition and Materiality: A Study in Monochrome
The technical mastery evident in this piece lies in its stark commitment to black and white tonality. Lagomarsino strips away the distraction of color, leaving only the pure dialogue between light and shadow, texture and void. The composition is deliberately fragmented; large curved structures anchor the foreground while various rectilinear elements—pipes, containers, vehicles—are strewn across the midground like forgotten artifacts. These shapes, defined by straight lines and hard angles, create a visual rhythm that is both chaotic and deeply ordered. The diffused lighting ensures that textures—the rough grit of concrete against the smooth sheen of metal—become the primary carriers of narrative weight.
Symbolism: Echoes of History and Progress
To view this photograph through the lens of Lagomarsino’s broader artistic concerns is to see a dialogue with history itself. The scattered components suggest not merely an unfinished building, but perhaps the disassembled narratives of progress—the grand, often flawed, stories we tell ourselves about advancement. Given the artist's deep engagement with colonial legacies and geopolitical tensions, this desolate ground can be read as a metaphor for unresolved historical conflicts or aborted social projects. It asks: what is the foundation upon which our current structures are built, and how much of that foundation is merely debris?
Emotional Resonance and Interior Dialogue
For the collector or designer seeking art to anchor a space, this piece offers an unparalleled depth of contemplation. Its emotional impact is one of quiet melancholy mixed with potent potential. It does not shout; it murmurs secrets about impermanence. Imagine this image lending its sophisticated gravitas to a modern loft or gallery setting. The stark geometry and muted palette allow the artwork to act as a powerful, contemplative focal point—a visual pause button in the rush of contemporary life. It invites the viewer to slow down, to trace the lines of what was intended, and to find beauty in the eloquent silence of absence.
ルーノ・ラゴマルシーノ(1977 –)
ルノ・ラゴマルシーノによる、移住、アイデンティティ、文化的遺産を探求する情緒的なインスタレーションと彫刻をご覧ください。人間の経験を反映した詩的な作品で知られるスウェーデン人アーティストです。
ラ・ビエンナーレ・ディ・ヴェネツィア(Venice, Italy)
ヴェネツィア・ビエンナーレ:アート、建築、映画など、現代の創造性を体験!国際的な芸術交流の中心地で、ヴェネツィアの魅力を発見してください。
作品詳細
- 作品名: Following the Light of the Sun, I Only Discovered the Ground
- 作家: ルーノ・ラゴマルシーノ
- 制作年: 2014
- 技法: Landscape
- 著作権の状態: 著作権保護対象
- 展示場所: ラ・ビエンナーレ・ディ・ヴェネツィア
- 動勢: Contemporary Realism
- 技法・素材: Black and White Photography
- 制作時期: Mature Period
- 主要な色: Espresso
作品詳細
- Location: Dia Beacon
- Artist: Runo Lagomarsino
- Artistic style: Minimalism
- Notable elements or techniques: Sound - The Russian Anthem instrumental version
- Movement: Conceptual Art
- Title: Following the Light of the Sun, I Only Discovered the Ground
- Dimensions: Variable projection size


