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It Was Only a Matter of Time Before We Found the Pyramid and Forced It Open

Salvatore Arancio: Italian artist blending ceramic, sculpture & photo-etching to create surreal landscapes re-appropriating found images. Explore dreamlike worlds.

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Salvatore Arancio’s works It Was Only a Matter of Time Before We Found the Pyramid and Forced It Open evoke a sculptural garden in which the sculptures are shaped by forms informed by the petrified trees of the “Lava Trees State Park” in the Hawaii Island, that preserves lava moulds of the tree trunks that were formed after a volcanic eruption in 1790. By using a natural material like clay to recreate the lava trees’ totemic presence and by toning the resulting shapes with iridescent, metallic glazes, the artist’s aim is to create a link to his ongoing fascination about nature as a theatre for rituals, worships and self-induced trance states. Arancio doesn’t hesitate to convene science and make apparent their mystical side decontextualizing the forms that have inspired him and emphasize the strangeness and the evocative power of these natural elements that may recall phallic symbols and esoteric signs.The sculptures were made in collaboration with the Antica Ceramica Gatti of Faenza (Italy) to be presented at the 57th Biennale di Venezia in 2017.

作家の略歴

Salvatore Arancio: Exploring Surreal Landscapes Through Ceramic Sculpture

Salvatore Arancio, born in Catania, Italy, in 1974, is an internationally recognized artist whose practice centers on ceramic sculpture and photo-etching, blending meticulous craftsmanship with a fascination for dreamlike imagery and symbolic representation. His artistic journey began amidst the fertile cultural landscape of Sicily, fostering a deep connection to natural forms and processes that would permeate his subsequent explorations into art history and mythology.
  • Early Influences: Arancio’s formative years were marked by exposure to classical sculpture and Renaissance painting—influences evident in his deliberate use of monumental scale and idealized figures within his ceramic works. Notably, he cites Michelangelo Buonarroti as a pivotal inspiration, recognizing the sculptor's mastery of anatomical precision and expressive gesture.
  • Formal Training: He pursued formal artistic training at Accademia di Belle Arti Pietro Selvaggi in Catania, honing his technical skills while simultaneously cultivating an intellectual curiosity about art theory and visual culture. This grounding in academic tradition provided him with a framework for critically engaging with contemporary artistic trends.
  • Exploration of Surrealism: Arancio’s artistic vision quickly diverged from conventional realism, gravitating toward the surrealist aesthetic championed by artists like René Magritte and Giorgio Morandi. He seeks to transcend literal depiction, employing symbolic gestures and fragmented compositions to evoke emotional resonance and invite contemplation about the subconscious mind.

Ceramic Sculpture: A Dialogue with Nature’s Power

Arancio's sculptural output is characterized by an unwavering commitment to ceramic materials—specifically clay—which he considers a medium capable of capturing both the physicality of form and the intangible essence of emotion. He meticulously researches geological formations, drawing inspiration from landscapes scarred by volcanic eruptions like Hawaii’s Lava Trees State Park. This fascination stems from his belief that nature possesses inherent ritualistic qualities, mirroring archetypal narratives found across cultures.
  • Technique: Arancio employs a combination of traditional ceramic techniques—such as coil building and slab construction—with innovative glazing methods utilizing iridescent pigments to imbue his sculptures with otherworldly luminescence.
  • Conceptual Framework: His works are conceived as meditations on themes of transformation, decay, and regeneration—reflecting the cyclical rhythms of geological time and mirroring human experience.
  • Notable Projects: Collaborations with institutions like Casa Wabi and CCA Andratx have allowed Arancio to experiment with diverse artistic mediums and engage in dialogues with fellow artists from around the globe.

International Recognition & Exhibitions

Salvatore Arancio’s artwork has garnered critical acclaim and been showcased at prestigious venues internationally, including The Whitechapel Gallery in London, Biennale Ceramica – 60° Premio Faenza, Kunsthalle Winterthur, and Centre d’art contemporain La Halle des bouchers. His exhibitions consistently demonstrate a commitment to exploring complex artistic concepts while maintaining an unwavering focus on sculptural form and materiality.
  • Biennale Venezia: Participation in the Venice Biennale cemented Arancio's position as a leading voice within contemporary art, highlighting his ability to synthesize intellectual rigor with aesthetic sensitivity.
  • Solo Exhibitions: Numerous solo exhibitions have allowed him to present his artistic vision independently, fostering dialogue between artist and audience and furthering his exploration of sculptural language.

Ongoing Artistic Pursuit & Legacy

Today, Salvatore Arancio continues to refine his artistic practice, driven by a relentless curiosity about the interplay between art history, mythology, and natural science. His sculptures serve as potent reminders of humanity’s relationship with the environment—inviting viewers to contemplate the enduring power of symbolism and the transformative potential of creative engagement. He remains dedicated to pushing boundaries within ceramic sculpture while upholding the legacy of artistic exploration and intellectual rigor that defines his oeuvre.
salvatore arancio

salvatore arancio

1974 - , Italy

プロフィール概要

  • Artistic Movement Or Style: Surreal landscapes
  • Full Name: Salvatore Arancio
  • Nationality: Italian
  • Notable Artworks: ['It Was Only a Matter of Time Before We Found the Pyramid and Forced It Open']
  • Place Of Birth: Catania, Italy