There goes a man deep in sorrow, like the river underground
1972
34.0 x 51.0 cm
Iziko South African National Gallery
ジークレー/アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 ( 手描きの絵画を購入
デジタル画像販売へ切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
There goes a man deep in sorrow, like the river underground
ジークレー/アートプリント
複製画のサイズ
-
合計金額
$ 62
関連作品
アーティストの略歴
The Crucible of Alexandra and the Awakening of a Vision
Thamsanqa Mnyele was born into the turbulent heart of South Africa, in the Alexandra Township of Johannesburg. His early years were shaped by the stark realities of apartheid, a landscape where social injustice was not merely a political concept but a daily, breathing presence. As the son of a minister and a domestic worker, Mnyele moved through a world defined by struggle, yet it was within the classrooms of the Rorke's Drift Art Centre in Natal that his latent talent began to find its voice. Here, amidst the rising tension of the sixties, he encountered the burgeoning energy of the Black Consciousness Movement, an intellectual current that would forever tether his artistic hand to the cause of liberation.A Canvas of Resistance and the Medu Spirit
His journey took him far beyond the borders of South Africa, notably to the Swedish Lutheran Art Centre, where a year of immersion provided him with new technical perspectives that he would later fuse with African identity. This period was transformative, allowing him to absorb international artistic currents while deepening his commitment to the resistance. By 1979, Mnyele had become a central figure in the Medu Art Ensemble, working alongside luminaries like the poet Wally Serote. His work during this era was far more than mere decoration; it was a visual manifesto. Through bold, vibrant colors and expressive, urgent brushstrokes, he captured the psychological weight of oppression and the indomitable resilience of the human spirit. His art functioned as a medium for news, a tool for propaganda, and a sanctuary for the collective memory of a people fighting for their dignity.The Final Stroke: A Legacy of Unyielding Courage
The trajectory of Mnyele’s life was inextricably linked to the liberation struggle, leading him to Botswana and eventually into the heart of the conflict in Angola. In June 1985, the artist's life was tragically cut short during a siege by South African forces, an event that silenced his hand but amplified his message. Mnyele did not merely paint the struggle; he lived it, famously declaring that the role of the artist was to learn, to teach others, and to ceaselessly search for ways and means for achieving freedom. Today, his legacy remains etched in the history of South African art—a poignant reminder that true creativity often flourishes most brilliantly when it is used to illuminate the darkest corners of injustice.thamsanga mnyele
1948 - 1985 , South Africa
基本情報
- Artistic Movement Or Style: Black Consciousness
- Artists Or Movements Influenced By This Artist: ['Black Consciousness']
- Artists Who Influenced This Artist: ['Alexis Preller']
- Date Of Birth: December 10, 1948
- Date Of Death: June 14, 1985
- Full Name: Thamsanga Mnyele
- Nationality: South African
- Notable Artworks: ['There goes a man deep in sorrow, like the river underground']
- Place Of Birth: Alexandria, South Africa

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。