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A PORTRAIT IS ALWAYS (ALSO)A SELF-PORTRAITFor Álvaro Lapa notebooks are portraits. They are elegies, homages to extraordinary writers and they emerged on bus journeys in 1975 when he wasa teacher at a preparatory school. The notebooks are icons, and like icons they represent nothing except a participation in the work of Michaux, Sade, Fernando Pessoa, Mallarmé, Antonin Artaud and Malcolm Lowry. The choice of those being paid homage comes from the passion that Lapa felt for these writers he came to know at different moments in his life, presented to him by Vergílio Ferreira, José-Augusto França or discovered by himself. As they do not represent anything they are fields open to our imagination – why does the Sade notebook have a shape that reminds one of a painting by Barnett Newman? Why does the Michaux notebook look like an outdoor panel? What does the text “Little legs / à la Chinese / ludettes” mean in the Artaud notebook? He stated nothing about these habits, but in the long and beautiful interview he granted to Jorge Silva Melo he noted that these elegies are self-portraits. They are portraits of himself on the shoulders of the writers that Álvaro Lapa admired, with the apparent displeasure of deciding to paint what he could not depict. As he himself stated, there is a snobbish character in this idea of the homage, in the etymological sense of the term: sine nobilitas. Contained in this irony towards himself and on the nature of artistic practice itself is his particular form of seeing painting: for Álvaro Lapa the practice of painting was always a fleeting process, for which virtuosity formed the major barrier. So his paintings are achieved through the use of thought processes coming from literature, philosophy and personal experience, and which therefore are contorted inside the images. Álvaro Lapa’s painting is one in which the rules are those that he himself defined within a process that is asystemic and which always emerges from a fiction of self-depiction: of the place and of himself, as landscapes or as portraits. And for this reason these “notebooks” are fictional portraits that tell the ironic story of his painting as a game of failures and of its recognition. This is why Lapa’s self-portraits are “self self-portraits”. All the others are already self-portraits; those that deliberately intend to be so belong to the unavoidable field of tautology.Delfim Sardo

Биография художника

early life and education

álvaro lapa, a renowned portuguese artist, was born on july 31, 1939, in évora, portugal. he spent his formative years within the culturally isolated environment of this city during the 1940s and 1950s. lapa's interest in art and philosophy began in high school, which laid the foundation for his future endeavors. lapa graduated with a degree in philosophy from the faculty of letters at the university of lisbon, further solidifying his intellectual background. this academic pursuit would later influence his artistic approach, as seen in his works.

artistic career

in 1956, lapa moved to lisbon and began his artistic career as an isolated, self-taught artist. his first solo exhibition was held at galeria 111 in lisbon in 1964, marking the beginning of his professional journey. lapa's work is characterized by a personal mythology, developed over time and structured like an enigma. he experimented with various mediums, including painting, drawing, collage, textile design, and scenography. this versatility showcases his innovative spirit and willingness to explore different artistic expressions.

notable works and collections

* álvaro lapa's works can be found in several notable collections, including the new hall art collection, which features an impressive array of contemporary art pieces. /en/art/show/art-d3alr5-en/ * the ballarat fine art gallery in australia also showcases lapa's work, highlighting his global recognition. /en/art/show/art-d3c369-en/

legacy and later life

álvaro lapa passed away on february 11, 2006, in porto, portugal. his legacy continues to inspire artists and art enthusiasts alike, with his unique approach to art remaining a subject of fascination.

view more of álvaro lapa's works at [https://ArtsDot.com/@/álvaro-lapa](https://ArtsDot.com/@/álvaro-lapa)
explore the new hall art collection and its notable artists at /en/art/show/art-d3alr5-en/
discover more about the ballarat fine art gallery and its collections at /en/art/show/art-d3c369-en/

conclusion

álvaro lapa's life and work serve as a testament to the power of art in transcending time and geographical boundaries. his legacy, now an integral part of portugal's rich cultural heritage, continues to inspire and influence contemporary artistic endeavors.

álvaro lapa

1939 - 2006 , Portugal

Основные сведения

Artistic Movement Or Style:
- Performance art
- Neo-Dada
- Fluxus
Artists Or Movements Influenced By This Artist: ['Beat Generation']
Artists Who Influenced This Artist:
- Pound
- Picasso
Date Of Birth: October 12, 1939
Date Of Death: March 6, 2019
Full Name: Carolee Schneemann
Nationality: American
Notable Artworks:
- Cézanne, She Was a Great Painter
- More than Meat Joy
Place Of Birth: New York City, USA

Caderno de Artaud

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P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

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P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

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W692G $12

W849H $8

W940BG $15

W953PJ $8

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Похожие произведения

Биография художника

early life and education

artistic career