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The Iris Garden is a stunning etching created by Bertha Evelyn Jaques in 1909. This beautiful piece of art is part of the collection at the Smithsonian American Art Museum in the United States. The etching measures 13 x 23 cm and showcases Jaques' exceptional skill in capturing the beauty of nature.

The Artist and Her Work

Bertha Evelyn Jaques was a talented American etcher and cyanotype photographer. She co-founded the Chicago Society of Etchers, an organization that played a significant role in promoting etching as a popular printmaking technique. Jaques' work is characterized by her attention to detail and her ability to capture the essence of her subjects. Her hand-colored botanical prints and scenes from her foreign and domestic travels are highly regarded for their beauty and technical skill.

Technique and Style

The Iris Garden etching is a prime example of Jaques' technique and style. The piece features a small pavilion with a thatched roof, surrounded by trees and grass. The use of lines and shading creates a sense of depth and dimension, drawing the viewer into the serene atmosphere of the garden. Jaques' work is notable for its attention to detail and her ability to capture the play of light and shadow.

View more of Bertha Evelyn Jaques artwork on ArtsDot.com
Learn more about the Smithsonian American Art Museum on ArtsDot.com
Read about the life and work of Bertha Evelyn Jaques on Wikipedia

The Iris Garden is a beautiful example of Jaques' skill as an etcher and her ability to capture the beauty of nature. This stunning piece of art is a must-see for anyone interested in botanical prints or etching techniques.
The Iris Garden is a testament to Jaques' talent and her contribution to the world of art. Her work continues to inspire and delight audiences today, and her legacy as a pioneering female artist remains an important part of art history.

Биография художника

The Genesis of a Visionary

Born into an environment where sculpture and form were part of the family lexicon, Bertha Evelyn Jaques possessed an early, innate connection to the visual world. Her upbringing, shaped by the artistic legacy of her sculptor father, laid the foundation for a life dedicated to the meticulous observation of nature and light. Through her studies at Wellesley College, she began to weave together the threads of Impressionistic ideals with a burgeoning interest in the emerging photographic sciences. This period of her life was not merely about academic pursuit but about cultivating a unique perspective that would eventually bridge the gap between the ephemeral beauty of a wildflower and the permanent, etched line of a print.

The Alchemy of Light and Line

Jaques’s true mastery lay in her ability to manipulate both the chemical and the physical. She became a pioneer of the cyanotype process, an enchanting method that utilized ultraviolet light and ferric salts to conjure deep, monochromatic blue images directly upon paper. This photographic technique allowed her to capture the delicate anatomy of flora with a precision that felt almost scientific, yet remained deeply romantic. When she turned to etching and drypoint, as seen in works like Castor Bean, she brought a similar level of textural depth to her subjects. Her artistry was a dance between the spontaneous capture of light and the deliberate, painstaking incision of metal. Whether depicting the sun-drenched rural life in A Sunny Corner or the atmospheric grandeur of Venetian canals in Venice Fisherman, her work resonated with a sense of Romantic Realism—a style that celebrated both the truth of the subject and the beauty of its idealization.

A Legacy of Artistic Community

Beyond her individual technical triumphs, Jaques was a formidable force in the American art landscape. In 1893, she played a central role in founding the Chicago Society of Etchers, an achievement that breathed new life into printmaking within the Midwest and established a platform for collaborative experimentation. Her commitment to the arts extended to the preservation of the natural world; as an active member of the Wild Flower Preservation Society, she produced over a thousand botanical images that served as both art and record. Her enduring impact can be seen through her diverse subject matter:

The intricate textures of botanical specimens like the Jack in the Pulpit.
The sweeping, atmospheric landscapes of the American Midwest.
The evocative, light-drenched travel scenes from her journeys through Europe.

Through her travels across the United Kingdom and through the landscapes of Illinois and Wisconsin, she left behind a vast, enduring archive of American life. Her legacy is not found merely in the museum galleries of the Smithsonian or the National Gallery of Art, but in the very way she taught us to look at the world—with an eye for the intricate, the botanical, and the profoundly beautiful.

bertha evelyn jaques

1863 - 1941

Основные сведения

Artistic Movement Or Style: Romantic Realism
Date Of Birth: 1863
Date Of Death: 1941
Full Name: Bertha Evelyn Jaques
Nationality: American
Notable Artworks:
- Venice Fisherman
- Castor Bean
- German Building, Chicago

Iris Garden

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White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

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