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Triptych of Cassurrães, São Pedro (left panel)

Magnificent Triptych of Cassurrães by Gaspar Vaz (1540). Witness St. James's devotion in this exquisite 16th-century painting. Hand-painted reproduction available.

Discover Gaspar Vaz de Caminha (1540-1501), a Brazilian knight & early artist. Known for his wood masterpieces like 'Christ at the Home of Martha and Mary,' blending spiritual themes with Renaissance influences. Explore his legacy & works!

Масляная репродукция ручной работы

Картина маслом на холсте в выбранном вами размере и раме, написанная на заказ нашими художниками. (Перейти к печати Перейти к печатиПерейти к цифровым изображениям Перейти к цифровым изображениям)

P118B $10
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P118W $10
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P508JH $12
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P805H $10
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P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
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W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

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Общая стоимость

$ 263

reproduction

Triptych of Cassurrães, São Pedro (left panel)

Техника репродукции

Размер репродукции

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Итоговая стоимость

$ 263

Painting representing St. James the Greater, sitting on a rock in the centre of the composition, wrapped in a red cloak and exhibiting the insignia of a pilgrim, the scallop shell, the hat and the staff. The apostle appears with a halo, in an allusion to his saintliness. The act of reading is reinforced by the rhetorical presence of the index finger of his left hand, which is pointing to a page in the Holy Scripture. In the background, with a hesitant perspective, is a representation of a rocky and wild landscape, consisting of scrubland. Just as happens in the panels alluding to St. Bartholomew and St. James, which were also destined for the altarpiece of the parish church in Cassurrães, one can identify the typical formula employed by Gaspar Vaz, especially in the physiognomic characterisation of the faces, in the gnarled fingers and toes, or in the more rapid and simplified pictorial execution of the painting as a whole.- St. Bartholomew is holding his personal attribute, the flaying knife, from which hang the chains that shackle the demon lying at his feet. He also holds the Book of the Gospels, towards which he has directed his gaze. In the conception of the figure, in the physiognomic characterisation of the face, and in his long, gnarled fingers and toes, one can identify the formula followed by Gaspar Vaz and his inimitable tendency to follow the personalised painting style of his master.- Sitting at a raised point in the terrain painted in brown tones, St. Peter is wearing a green tunic and a red cloak. With his grey hair and beard framing his heavily absorbed face, which seems like a caricature, he displays the open Book, while holding the key to heaven in his other hand, his own personal attribute. Just like the figures of St. Bartholomew and St. James from the same altarpiece, the figure closely follows the human types created by Vasco Fernandes in the large altarpieces that he painted for Viseu Cathedral. However, there are some perceptible differences in the conception of their form and in the technical procedures followed, which clearly point to this being the work of Gaspar Vaz, his main collaborator.

Биография художника

early life and artistic pursuits

gaspar vaz de caminha, a knight by title, was born in 1540 in mogi das cruzes, brazil. his life took an intriguing turn when he accompanied pedro álvares cabral to india in 1500 as a secretary to the royal factory. this pivotal journey would later influence his artistic expressions.

artistic contributions and notable works

gaspar vaz de caminha is best known for his masterpiece, christ at the home of martha and mary, created in 1540 using wood as his medium. this piece not only showcases his skill but also offers a glimpse into his spiritual inclinations.
  • medium: wood
  • year: 1540
  • location: india, during his tenure with pedro álvares cabral

museological significance and preservation

though the details of gaspar vaz de caminha's life are sparse, his artwork has been preserved and showcased in various museums. for instance, the new hall art collection (cambridge, united kingdom) is one such institution that has contributed to the conservation of art pieces like gaspar vaz de caminha’s.
  • museum: the new hall art collection
  • location: cambridge, united kingdom
  • notable collections: over 400 artworks from renowned artists

tragic end and lasting legacy

gaspar vaz de caminha’s life was cut short in a riot in calicut, india, at the end of 1501. despite his untimely demise, his artwork continues to inspire and intrigue art enthusiasts worldwide.
  • year of passing: 1501
  • location of passing: calicut, india
  • lasting impact: his artwork remains a testament to his skill and artistic vision

further exploration and resources

for more insights into gaspar vaz de caminha’s life and works, explore the following links: - [https://ArtsDot.com/@/gaspar-vaz-de-caminha](https://ArtsDot.com/@/gaspar-vaz-de-caminha) - a comprehensive overview of his artistic contributions. - /en/art/show/art-d3alr5-en/ - discover the new hall art collection, featuring gaspar vaz de caminha’s notable piece. delve into the enigmatic world of gaspar vaz de caminha and uncover the mysteries behind his timeless masterpieces.
gaspar vaz de caminha

gaspar vaz de caminha

1540 - 1501 , Brazil

Основные сведения

  • Artistic Movement Or Style: Renaissance/Early Brazil
  • Artists Or Movements Influenced By This Artist: ['']
  • Artists Who Influenced This Artist: ['']
  • Date Of Birth: 1540
  • Date Of Death: 1501
  • Full Name: Gaspar Vaz de Caminha
  • Nationality: Brazilian
  • Notable Artworks: ['Christ at the Home of Martha and Mary']
  • Place Of Birth: Mogi das Cruzes, Brazil
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