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Emily Kame Kngwarreye with Lily

A poignant portrait of two figures by the ocean captures a serene moment in Jenny Sages' 1993 masterpiece Emily Kame Kngwarreye with Lily, inviting you to explore this evocative piece of contemporary Australian art.

Откройте для себя Дженни Сейджес, австралийскую художницу, лауреата премии Арчибальд. Известна абстрактными пейзажами и портретами в технике восковой живописи. Вдохновлена культурой Кимберли.

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Emily Kame Kngwarreye (Kngwarrey) (c.1910–1996), Anmatyerre artist, was born at Alhalkere, Utopia Station in the Northern Territory. After her ancestral land was appropriated for cattle grazing, she worked as a stockhand. As she grew older she became a leader in women’s ceremonial business, experienced in ceremonial body painting. From 1977 she collaborated in the production of batik, an important industry for the Anmatyerre after they regained land title. She first painted on canvas in 1988. In the course of her brief career she produced thousands of canvases depicting the flowers, roots, dust and summer rains of her country, the translucent colours built up with layered touches of paint to create an illusion of depth and movement. In 1998 a retrospective exhibition of Kngwarreye’s work, Alhalkere – Paintings from Utopia, travelled to three state galleries and the National Gallery of Australia. Ten years later Utopia: The Genius of Emily Kame Kngwarrey, an exhibition of 120 of the artist’s works, showed in Osaka and Tokyo. With that exhibition, Kngwarreye was recognised as one of the very greatest abstract artists of the twentieth century.Jenny Sages (b. 1933) came to Australia as a fifteen-year-old, trained in art in New York and travelled for some years before returning to live in Sydney, where she worked as a commercial illustrator for magazines including Vogue. At the age of fifty she went to the Kimberley, and significant aspects of her life up until that time simply fell away. She gave up commercial illustration to become a full-time artist, concentrating on abstract and landscape works. For more than twenty years she went out annually to ‘walk the land’ with women companions. On one of her early expeditions, she arranged to meet Emily Kngwarreye. Having charmed her way onto a plane with some German curators, she had to wait for four days for the older woman to turn up with her mob. Emily thought Jenny was as old as she was; they were about the same size; and Sages recalls that they sat and talked ‘as two eighty-three-year-olds do’. Sitting with Kngwarreye, Sages poured her impressions onto paper, annotating drawing after drawing with her sitter’s remarks. Back in her Sydney studio, she developed the huge, spare painting that became a foundation work for the Portrait Gallery. Along with it into the collection came the drawings that she made under the ‘talking tree’, capturing the changing expressions on the Anmatyerre woman’s face, her shifts between lively and impassive postures, and the things that she said as she first embraced, then tired of, the process.

Биография художника

Jenny Sages: A Landscape Painter Inspired by Ancient Cultures

Jenny Sages (born 1933 in Shanghai, China) is an Archibald Prize People’s Choice Award winning Australian artist renowned for her distinctive abstract landscape paintings and portraits. Her artistic journey began in Shanghai where she experienced the formative influences of Russian Jewish heritage before relocating to Australia in 1948 following the Second World War. Despite facing challenges including expulsion from East Sydney Technical College, Sages persevered with her studies at Franklin School of Art in New York, establishing herself as a freelance writer and illustrator for Vogue Australia until the 1980s—a period marked by significant creative exploration. A pivotal moment arrived in 1983 when she embarked on a transformative expedition to Kimberley, Western Australia. The breathtaking landscapes and vibrant indigenous culture profoundly impacted her artistic vision, sparking an enduring fascination with Aboriginal traditions and informing her subsequent work. This experience solidified her commitment to capturing the essence of place through layered encaustic wax and pigment—a technique that prioritizes minimal brushwork and allows for a remarkable textural depth. Sages’ artistic evolution unfolded steadily throughout the 1980s and 1990s, culminating in her breakthrough success with *After Jack*, a poignant pencil portrait commissioned by Helen Garner in 2003—a piece that exemplifies her signature style's ability to convey emotion through subtle shading and meticulous detail. Her dedication to capturing human experience is further demonstrated in *Study (b) for portrait of Helen Garner*, which showcases the same expressive approach. Her artistic career gained considerable momentum with awards from prestigious organizations like Kedumba Drawing Award (2006), the Wynne Prize (2005), and the Mosman Art Prize (1994). Notably, she secured the Archibald Prize People’s Choice Award in 2012—a testament to her enduring popularity among audiences. Furthermore, Sages was recognized as a finalist for the Wynne Prize and Archibald Prize multiple times, cementing her position as one of Australia's most respected contemporary artists. Her work continues to be celebrated for its evocative beauty and profound engagement with cultural heritage.

Technique and Style: Wax Pigments and Minimal Brushwork

Sages’ artistic process distinguishes itself through the masterful use of encaustic wax—a technique dating back centuries—combined with powdered pigments. Unlike conventional oil painting, encaustic involves fusing beeswax mixed with resin onto prepared boards, creating a surface that is remarkably stable and receptive to layering colors. This method allows for unparalleled textural control and produces paintings characterized by luminous hues and subtle gradations—a deliberate departure from more assertive brushstrokes. The artist’s preference for minimal brushwork underscores her belief in allowing the wax itself to dictate the visual outcome, resulting in artworks imbued with a serene stillness and an understated elegance.

Notable Works: Landscapes and Portraits

Among Sages' impressive oeuvre are several celebrated pieces that exemplify her artistic vision. *Sages*, created in 2017, is a vibrant graffiti masterpiece rendered in red, yellow & green—a bold statement of color and form reflecting the artist’s fascination with urban environments. Similarly, *Untitled (Study for)* captures a contemplative mood through a detailed pencil portrait of a man's face—demonstrating Sages’ meticulous attention to capturing human expression. Her Archibald Prize-winning portrait *After Jack*, completed in 2012, remains an iconic representation of vulnerability and introspection.

Recognition and Legacy

Jenny Sages has garnered widespread acclaim for her artistic contributions—receiving awards from organizations such as Kedumba Drawing Award (2006), the Wynne Prize (2005), and the Mosman Art Prize (1994). Her work is held in prominent national collections including The National Portrait Gallery and the National Library, Canberra; Art Gallery of NSW; Queensland Art Gallery | Gallery of Modern Art; Northern Territory Museum and Gallery. Moreover, her enduring influence extends beyond the realm of art—she has been featured prominently in documentaries exploring Aboriginal culture and artistic traditions. Her legacy as a pioneering landscape painter and portraitist continues to inspire artists and collectors alike.