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self-portrait, 19th century man, intense gaze, dark portraiture, romantic figure, individualism, european art

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Национальный музей современного искусства — Museu do Chiado

Закажите джикле-репродукцию Self-portrait

This image by Cristino, one of the first self-portraits produced by the Romantic generation and a preparatory work for the group painting Cinco artistas em Sintra (Five Artists in Sintra), reveals an innovative approach towards the subject and to individual affirmation, characteristics of the new Romantic attitude. It is in the valorisation of the individual that Cristino, who, with his rebellious tendencies, the critics considered the most visionary and exalted of artists, found his direct connection with Romantic ideals. His elegant features underline the intensity of the look, the vigorous and resolute appearance, in contrast to the darkened backgrounds and bust that highlight a luminous and expressively detailed face. In this self-portrait, Cristino defines the parameters of a new identity, between individualism and egocentrism, idealism and the subject

Биография художника

early life and artistic pursuits

joão cristino da silva, a trailblazer in the realm of portuguese art, was born in lisbon in 1829. his artistic journey commenced at the academia de bellas artes da universidade de lisboa in 1841, where he laid the groundwork for his future endeavors.

turbulent artistic path

noted for his temperamental nature, da silva left the institution in 1847 without completing his courses. this pivotal moment marked the beginning of his eclectic career, which would see him working as an engraver at the arsenal do exército from 1847 to 1849.

rise to prominence

da silva's return to painting paved the way for his eventual rise to fame. he began exhibiting in paris, madrid, and portugal, primarily focusing on landscape painting. his collaboration with tomás da anunciação, whom he considered his true mentor, significantly influenced his work.

cinco artistas em sintra: a masterpiece

da silva's magnum opus, cinco artistas em sintra (five artists at sintra), showcased at the exposition universelle in 1855, was later acquired by king ferdinand ii. this piece not only solidified his reputation but also underscored his unique approach to romanticism.

later life and mental health

da silva's life took a turn for the worse when he became mentally unbalanced, ultimately leading to his demise in 1877 at the convento de rilhafoles psychiatric hospital.

explore da silva's artworks on ArtsDot
discover more about tomás da anunciação's influence on da silva's work
view da silva's self-portrait, a preparatory work for cinco artistas em sintra

key takeaways: * da silva's innovative approach to romanticism set him apart from his contemporaries. * his collaboration with tomás da anunciação significantly influenced his artistic style. * cinco artistas em sintra remains one of da silva's most celebrated works, showcasing his unique perspective on landscape painting.

joão cristino da silva

1829 - 1877 , Portugal

Основные сведения

Artistic Movement Or Style: Pre-Raphaelite
Artists Or Movements Influenced By This Artist: ["Millais' work influenced later Pre-Raphaelites."]
Artists Who Influenced This Artist:
- Holman Hunt
- Rossetti
Date Of Birth: 8 June 1829
Date Of Death: 13 August 1896
Full Name: Sir John Everett Millais, Bt
Nationality: British
Notable Artworks:
- Ophelia
- The Carpenter's Shop
- Autumn Leaves
- Bubbles
- Stella
Place Of Birth: Southampton, England

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Похожие произведения

Биография художника

early life and artistic pursuits

turbulent artistic path

rise to prominence

cinco artistas em sintra: a masterpiece