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Portrait of Captain James Cook

John Webber (1751-1793): English artist of Captain Cook's voyages. Renowned for Pacific landscapes, portraits & documenting 18thC exploration. Works in major museums.

John Webber (1751-1793): English artist of Captain Cook's voyages. Renowned for Pacific landscapes, portraits & documenting 18thC exploration. Works in major museums.

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Основные сведения

  • Title: Portrait of Captain James Cook
  • Year: 1780
  • Influences: British Romantic Painting
  • Subject or theme: Exploration; Nautical portrait
  • Movement: Romanticism
  • Notable elements or techniques: Detailed depiction of Cook's uniform and telescope.
  • Artistic style: Realistic portraiture

Тест по искусству

В каждом вопросе только один правильный ответ.

Вопрос 1:
What was John Webber’s profession?
Вопрос 2:
Who commissioned John Webber to paint Captain James Cook's portrait?
Вопрос 3:
Where was the painting created during Cook’s third voyage?
Вопрос 4:
What is notable about the style of this portrait compared to other portraits of Cook?
Вопрос 5:
What is the likely reason for the painting’s posthumous creation?
This essay originally appeared in New Zealand Art at Te Papa (Te Papa Press, 2018). John Webber was born in London, the son of a Swiss sculptor. He was schooled in Berne and Paris before returning to London in 1775 for further study at the Royal Academy. Although relatively unknown at this time and without influential friends or patrons, Webber’s fate was determined at the Academy’s exhibition the following spring, when his work caught the notice of Daniel Solander, the botanist on Captain James Cook’s first voyage. Solander arranged Webber’s introduction to the Admiralty, and a few months later he was aboard the Resolution as it departed from Plymouth on Cook’s third and final voyage. This is one of three known portraits of Cook by Webber (a fourth was presented to the Tahitian chief Tu, later Pomare I, at Matavai in 1777, and last recorded by Captain Vancouver when he visited Tahiti in 1798). The others, in the National Portrait Gallery, London, and the National Portrait Gallery, Canberra, are dated 1776 and 1782 respectively. Unlike those paintings, the date of Te Papa’s work is uncertain. A romantic but unsubstantiated story claims that it was painted prior to Cook’s departure on his third voyage and given by him to his wife Elizabeth as a going-away present. Given its similarity to the Canberra picture, it seems more likely that it is a posthumous work, memorialising but not idealising Cook, who had been killed in Hawai‘i in 1779. The austere, even forbidding-looking, captain is depicted in his naval uniform, standing on the shore with a telescope in his hand. The painting was certainly in the possession of Elizabeth Cook for a time, though, and in 1829 was given by her to Cook’s nephew, passing to his descendants who sold it in the mid-nineteenth century. The New Zealand government purchased the painting in 1960 from Canon T Harrison Park, of Marton-on-Cleveland, Yorkshire, and it arrived in the country with much fanfare. Cook had travelled, in his own words, ‘farther than any other man has been before me, but as far as I think it possible for a man to go’.1 This portrait — which is in constant demand for international loans — has done the same. William McAloon 1 Cited in JC Beaglehole (ed.), The journals of Captain James Cook on his voyages of discovery, vol. II : The voyage of the Resolution and Adventure, 1772–1775, Hakluyt Society, London, 1961, p. 322. Text originally created for Tūrangawaewae: Art and New Zealand exhibition at Te Papa, March 2018. A rare portrait of Captain Cook, gifted to his grieving widow. Artist John Webber sailed with British explorer James Cook on his third voyage to the Pacific. This portrait is based on studies he made before Cook’s death in Hawai‘i in 1779. It is one of just a handful of images of Cook painted from life, by someone who knew him well. After the voyage, Webber presented the portrait to Cook’s widow, Elizabeth – apparently at her husband’s wish. It probably offered her little comfort: Cook’s expression is austere, even grim. He kōwaiwai kiritangata murimate, i peitatia mō te pouaru. I tonoa pea tēnei kōwaiwai kiritangata o James Cook hei koha mō tana hoa wahine, mō Elizabeth, i te tau 1776. I mate a Cook i Hawai’i i tana haerenga tuatoru ki Te Moana-nui-a-Kiwa, i mua i te whakatutukitanga o te kōwaiwai kiritangata. I tukuna e te ringatoi, e John Webber, tēnei kōwaiwai kiritangata ki te pouaru a Cook. I ora te pouaru mō te rima tekau mā ono tau whai muri mai i te rironga o Cook. I tino mōhio a Webber ki a Cook. Ahakoa tērā, ehara te kōwaiwai kiritangata i te mea whakamauru. He aroha-kore he manawa kino te āhua o Cook.

Биография художника

Early Life and Education

  • Birth and Family: John Webber was born on October 6, 1751, in London, United Kingdom. His father, Abraham Wäber, was a Swiss sculptor who anglicized his name upon moving to London and marrying Mary Quant in 1744.
  • Early Training: Webber received his initial education in Bern, Switzerland, where he lived with his paternal aunt from the age of six. He began his artistic training as an apprentice to Johann Ludwig Aberli, a prominent landscape painter.
  • Studies in Paris: From 1770, Webber continued his studies at the Académie Royale in Paris for four years, focusing on drawing and oil painting. This period honed his skills and broadened his artistic horizons.
  • Return to London: After completing his education abroad, Webber returned to London and further refined his techniques at the Royal Academy.

The Pacific Expedition with Captain Cook

  • Appointment as Artist: In 1776, Webber was selected as the official artist for Captain James Cook's third voyage of discovery in the Pacific. This opportunity arose through a recommendation from Daniel Solander, a botanist who had accompanied Cook on his first voyage.
  • Voyage and Documentation: From 1776 to 1780, Webber meticulously documented the landscapes, people, and cultures encountered during the expedition. He created numerous drawings and watercolors of scenes in New Zealand, Hawaii (then known as the Sandwich Islands), Alaska, and other Pacific locations.
  • First European Contact with Hawaii: Webber became the first European artist to make contact with Hawaii, producing significant visual records of the islands and their inhabitants. His watercolor landscapes of Kauai and Hawaii Island, including Kealakekua Bay and Kowroaa village, are particularly notable.
  • Portraits of Indigenous Peoples: Webber also created portraits of prominent figures like Tereoboo, King of Owyhee, offering valuable insights into the appearance and customs of Pacific Islanders.
  • Illustrations for Admiralty Account: His work was crucial in illustrating the British Admiralty's official account of the expedition, published in 1784. These engravings brought the discoveries of Cook’s voyage to a wider audience.

Career and Artistic Style

  • Exhibitions at the Royal Academy: Following his return to England in 1780, Webber exhibited around 50 works at the Royal Academy between 1784 and 1792. His paintings showcased both landscapes and figures.
  • Recognition and Membership: He was elected an associate of the Royal Academy in 1785 and a full member in 1791, demonstrating his growing reputation within the British art world.
  • Landscape Focus with Figurative Elements: Webber’s artistic style primarily focused on landscapes, often incorporating figures to add narrative or scale. A notable example is “A Party from H.M.S. Resolution shooting sea horses,” exhibited in 1784.
  • Influence of Earlier Masters: While his work reflects the influence of earlier landscape painters like Aberli, Webber developed a unique style characterized by detailed observation and accurate representation of natural environments.

Legacy and Collections

  • Historical Significance: John Webber’s artwork provides invaluable visual documentation of Captain Cook's voyages and the first European encounters with Pacific cultures. His images offer a unique perspective on 18th-century exploration and cultural exchange.
  • Museum Holdings: His works are held in numerous prestigious collections worldwide, including the Anchorage Museum of History and Art (Alaska), the Bishop Museum (Honolulu), the British Museum (London), the National Maritime Museum (London) ,the Bern Historical Museum (Switzerland), and the San Antonio Museum of Art.
  • Enduring Impact: Webber’s paintings continue to be studied by art historians, anthropologists, and scholars interested in the history of exploration, Pacific cultures, and 18th-century art. His detailed depictions offer a glimpse into a pivotal period of global interaction.
  • Death and Remembrance: John Webber died on May 29, 1793, leaving behind a significant artistic legacy that continues to resonate today.
John Webber

John Webber

1751 - 1793 , United Kingdom

Основные сведения

  • Artistic Movement Or Style: Landscape, Portraiture
  • Artists Who Influenced This Artist: ['Aberli']
  • Date Of Birth: October 6, 1751
  • Date Of Death: May 29, 1793
  • Full Name: John Webber
  • Nationality: English
  • Notable Artworks:
    • Ship Cove
    • Cook's Portrait
    • Poedua portrait
  • Place Of Birth: London, UK