Заказать репродукцию Title (Original): Plan de Madras et du Fort St. Georges pris par les François le 21 septembre 1746

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Основные сведения

Year: 1746
Subject or theme: Fall of Madras and French military siege
Dimensions: 16 x 32 cm
Artistic style: Cartographic engraving
Medium: Black and white engraving
Title: Plan de Madras et du Fort St. Georges

A printed edition of Louis Paradis de la Roche’s plan of the Fall of Madras, providing context to the accompanying manuscript map. This printed version of Louis Paradis de la Roche’s map was engraved for Jacques-Nicolas Bellin and appeared in Abbé Prévost’s Histoire générale des voyages (Paris, 1758), a popular book on global exploration and colonial affairs.It explains the operations leading to the Fall of Madras in September 1746. The ‘Renvoy’ (Reference) on the printed map identifies 51 key aspects of the action (lettered A to Z to identify sites in Madras, while those lettered a to x identify aspects of the attacking French forces). These include: A) Fort St. George; B) The Governor’s House; F) the powder magazine; M) the ‘Ville Noir’ (the part of the city inhabited by Indians, partially destroyed by French artillery); V) the houses of the British residents; and Y) houses intentionally burnt by the British prior to the French siege.The action follows with: c) hospital destroyed by the French; e) houses intentionally destroyed by the British, so as not to be used by the French as cover; g) the first camp of the French army; h) the second camp of the French army; o) a great Hindu temple; q) the place of the landing of the French troops brought by the Comte de Bourdonnias; r) Bourdonnias’ three vessels, the Phenix, l’Achille and the Bourbon; t) supporting ships; and x) small landing vessels. After a two-day siege, the French secured the surrender of Fort St. George on September 9, 1746, although they would not occupy the entire city of Madras until September 21.

Биография художника

Louis Paradis de la Roche: Cartographer of Colonial India

Louis Paradis de la Roche (1701-1748) stands as a fascinating figure in the annals of 18th-century French art and military history. Born in Landau in der Pfalz, France, he emerged from a lineage steeped in engineering prowess—his father served as a military engineer—a heritage that profoundly shaped his own trajectory toward a life dedicated to precision and observation. While biographical details remain scarce, evidence suggests a formative education focused on the practical arts of surveying and mapmaking, skills honed during his early career within the Compagnie française des indes orientales, France’s ambitious trading company venturing into the vast expanse of colonial India.

Early Life & Career: Paradis’s familial connection to military engineering instilled in him a disciplined mindset and an aptitude for technical pursuits. Though specifics regarding his upbringing are elusive, it is understood that he received training mirroring that of his father, preparing him for service within the Compagnie française des indes orientales.
Service with the Compagnie Française des Indes Orientales: Joining this influential organization marked a pivotal moment in Paradis’s life. He was dispatched to India, where he undertook diverse projects—ranging from fortifications to topographical surveys—demonstrating his versatility and commitment to advancing scientific knowledge alongside military preparedness.
The Fall of Madras: A Masterpiece of Cartographic Detail: Paradis’s most enduring legacy resides in his meticulously crafted plan of the siege of Madras, undertaken in 1746. This ambitious undertaking wasn't merely a depiction of military strategy; it was an attempt to comprehensively document the events unfolding on the battlefield. Printed alongside a manuscript map, the plan served as invaluable context for understanding the strategic considerations guiding French forces during this crucial confrontation.

Artistic Contributions & Technique

Paradis’s artistic contribution transcends mere technical skill; it embodies a commitment to conveying complex information with remarkable clarity and accuracy. His plan of Madras exemplifies his mastery of cartographic technique—a discipline characterized by meticulous measurement, precise drafting, and the skillful application of perspective to represent three-dimensional space on a two-dimensional surface. Like many artists of his era, Paradis drew inspiration from classical traditions, particularly those emphasizing geometric rigor and idealized representation. Comparisons with Karl Pavlovich Bryullov’s monumental painting “Genserich’s Invasion of Rome” illuminate shared stylistic sensibilities—a dedication to capturing the grandeur and drama of historical narratives through carefully considered composition and color palettes.

Cartographic Precision: Paradis's plan showcases a profound understanding of cartographic principles. The detailed depiction of fortifications, troop positions, and terrain features underscores his commitment to conveying factual information with unparalleled accuracy—a hallmark of the era’s finest mapmakers.
Influence of Classical Tradition: Similar to Bryullov's artistic endeavors, Paradis’s work reflects a fascination with classical ideals of beauty and proportion. This stylistic influence contributed to the overall aesthetic quality of his maps, elevating them beyond mere functional instruments.

Museum Collections & Historical Significance

Louis Paradis de la Roche's artistic legacy continues to resonate within museum collections worldwide. Notably, his plan of Madras resides in the musée flaubert - d’histoire de la médecine in rouen, france—a testament to its enduring value as a historical artifact and visual record of military conflict. Furthermore, it graces the château de vaux-le-vicomte, a baroque masterpiece showcasing an impressive assemblage of artworks by luminaries such as Charles le Brun. Paradis's contribution to the documentation of colonial India underscores his role in shaping our understanding of European expansion during the Enlightenment—a period marked by intellectual curiosity and artistic innovation.

louis paradis de la roche

1701 - 1748 , France

Основные сведения

Artistic Movement Or Style: Cartography
Artists Or Movements Influenced By This Artist: ['Karl Pavlovich Bryullov']
Date Of Birth: 1701
Date Of Death: 1748
Full Name: Louis Paradis de la Roche
Nationality: French
Notable Artworks: ['Plan of the Fall of Madras']
Place Of Birth: Landau in der Pfalz, France

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