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Volume 6, page 715 / Report of the tithes collected during the year 1809

Explore the art of Luis Ángel Peralta Ramírez (1988), a Nicaraguan artist known for 'Volume 6, page 715 / Report of the tithes collected during the year 1809'. Discover unique works & artistic insights.

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Печать (жикле) или холст музейного качества с быстрыми сроками изготовления и широким выбором вариантов отделки. (Купить картину ручной работы Купить картину ручной работыПерейти к цифровым изображениям Перейти к цифровым изображениям)

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Общая стоимость

$ 62

reproduction

Volume 6, page 715 / Report of the tithes collected during the year 1809

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Итоговая стоимость

$ 62

An accounting of the tithes on crops and livestock produced by each of the Pueblo de San José citizens during 1809, including wheat, corn, beans, surplus, cattle and horses. Names listed: Dionisio Bernal, Juan Ruiz, Antonio Buelna, Tiburcio Vásquez, Claudio Alvires, Marcos Chabolla, José María Martínez, Antonio Aseves, Antonio Soto, Francisco Castro, Ygnacio Castro, Dolores Mesa, Nicolás Mesa, José Larios, Plácido Calif, Francisco González, Francisco Valencia, Francisco Sevilla, Macario Castro, Viuda Grasiana, Ydem. Nicolasa Lisalde. Those from San Francisco: Don Pedro Amador, Miguel Pacheco, Bartolomé Pacheco, Ramón Bojórquez, Justo Altamirano, Joaquín Bernal, Manuel Higuera. Note: 9 quintales and 4 reales in cash were reimbursed from the surplus and 1 quintal and 6 reales for the chickens Everything else remains on hand. Pueblo of San José, November 30, 1809.Luis Peralta

Биография художника

A Life Etched in History: The Art of Luis Ángel Peralta Ramírez

Born in Managua, Nicaragua, in 1988, Luis Ángel Peralta Ramírez occupies a fascinating intersection of worlds – the rigorous discipline of professional football and the delicate precision of historical art reproduction. While widely recognized as a footballer currently playing for Deportivo Walter Ferretti, Peralta Ramírez’s artistic endeavors reveal a profound connection to his nation's past, specifically through meticulously recreated documents detailing colonial-era tithes. This duality—athlete and artist—offers a unique perspective on cultural preservation and the power of visual storytelling. His work isn’t about creating something entirely new; it is about resurrecting fragments of history, making them accessible and prompting reflection on Nicaragua's complex heritage.

Unearthing the Past: The ‘Report of Tithes’ Series

Peralta Ramírez’s artistic focus centers around reproductions of historical records, most notably his work based on “Volume 6, page 715 / Report of the tithes collected during the year 1809.” These aren't simply copies; they are painstaking recreations that demand a deep understanding of calligraphy, paper aging techniques, and the very inks used in the original documents. The subject matter itself is compelling: records of *tithes*, essentially religious taxes levied during Spanish colonial rule. These reports offer a glimpse into the economic realities of the time, revealing who paid what, and by extension, painting a picture of social stratification and power dynamics within 19th-century Nicaragua. His dedication to accuracy extends beyond mere visual replication; he strives to capture the texture of history itself, imbuing each piece with a sense of authenticity that transcends its status as a reproduction. The choice of this specific subject matter suggests an interest in exploring themes of colonial legacy and economic control.

Influences and Artistic Development

Determining direct artistic influences on Peralta Ramírez is challenging given the unique nature of his work. However, it’s reasonable to assume a strong grounding in Nicaraguan history and archival research played a pivotal role in his development. The meticulous detail evident in his reproductions suggests an appreciation for traditional document preservation techniques – skills likely honed through access to historical archives or mentorship from conservators. It's also possible that the discipline required in professional athletics—focus, precision, repetition—translates directly into his artistic practice. While not formally trained as a painter in the conventional sense, Peralta Ramírez demonstrates an innate understanding of materials and techniques necessary to convincingly recreate these historical artifacts. His work can be seen as part of a broader movement towards reclaiming and preserving Central American history through visual means, though he stands out for his singular focus on colonial-era economic records.

Historical Significance and Cultural Impact

Peralta Ramírez’s contribution lies not in groundbreaking stylistic innovation but in the act of *revival*. By recreating these “Report of Tithes” documents, he brings to light a previously obscure aspect of Nicaraguan history, making it accessible to a wider audience. These records, often confined to archives and academic study, become tangible objects that invite closer examination. His work prompts questions about colonial power structures, economic exploitation, and the enduring impact of historical events on contemporary Nicaragua. The act of reproduction itself is significant, challenging traditional notions of artistic originality and highlighting the importance of preservation and documentation. Furthermore, his dual identity as a footballer adds another layer of intrigue—a public figure engaging with complex historical themes, potentially sparking conversations beyond the art world. His work serves as a reminder that history isn't just found in textbooks; it’s embedded within documents, artifacts, and the stories they tell.

Looking Ahead

While Peralta Ramírez continues his career as a footballer, his artistic pursuits offer a compelling avenue for future exploration. Expanding beyond the “Report of Tithes” series—investigating other historical records or exploring related themes through different mediums—could further solidify his position as a unique voice in Nicaraguan art. The potential to incorporate digital technologies alongside traditional techniques could also open new possibilities for engaging with history and reaching broader audiences. Ultimately, Luis Ángel Peralta Ramírez’s story is one of unexpected intersections – a testament to the power of passion, dedication, and the enduring importance of preserving cultural heritage.
luis ángel peralta ramírez

luis ángel peralta ramírez

1988 - , Nicaragua

Основные сведения

  • Date Of Birth: 1988
  • Full Name: Luis Ángel Peralta Ramírez
  • Nationality: Nicaraguan
  • Notable Artworks: ['Volume 6, page 715 / Report of the tithes collected during the year 1809']
  • Place Of Birth: Managua, Nicaragua