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Inscription on the Sweet Spring in the Jiucheng Palace\n\nImage 1

  • Дата создания1100
  • Размеры28.0 x 13.0 cm

Discover Ouyang Xun (557-641), a renowned Tang dynasty calligrapher and politician known for his mastery of regular script, influential inscriptions, and contributions to Chinese art and culture. Explore his legacy today.

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The calligraphy of Inscription on the Sweet Spring in the Jiucheng Palace has been regarded as “the best inscription written (in regular script) under the heaven”. The stele was erected in the sixth year of the Zhenguan reign of the Tang dynasty (632). The inscription was composed by the upright and well-known remonstrant official Wei Zheng, and the standard calligraphy was written by one of the four masters of the early Tang, Ouyang Xun.The stone stele is currently listed as an important cultural relic of the Shaanxi province. It is stored at the Linyou County Museum in Shaanxi. The rubbing of the Inscription collected by the Art Museum is dated to the Southern Song period. It was treasured by scholars and literati from the Qing to early Republican periods and for instance colophons written by the prominent epigraphist Weng Fanggang are found on the rubbing. From Qing to contemporary times, the piece was collected by Wang Lingwen, Kong Jigan, Huang Yunchao, Luo Yuanjue and Dr. J. S. Lee’s Bei Shan Tang. Lee donated the piece to the Art Museum in 1992.Since the stele of the Inscription was erected in the Tang dynasty, countless rubbings were produced that seriously damaged the stele surface. In early Ming, some strokes on the stele were thickened by carving. In the Qing dynasty, overall characters have become scrawny and the original calligraphy was no longer attainable from the stone stele. According to the staff of the Linyou County Museum, at least 60 to 70% of the characters on the stele had been retouched by later generations. This further juxtaposes the significance of the rubbing version in the Art Museum collection.In 2016, the piece was listed in the “National Catalogue of Precious Ancient Books”.

Биография художника

The Architect of the Brush: The Life and Legacy of Ouyang Xun

In the golden era of the early Tang dynasty, a period defined by both political upheaval and unparalleled cultural flowering, there emerged a figure whose brushstrokes would become the very heartbeat of Chinese identity. Ouyang Xun, born in 557 AD in Changsha, was far more than a mere scribe; he was a scholar-official whose intellectual rigor and artistic precision bridged the gap between the administrative duties of the state and the spiritual depths of calligraphy. Raised within a distinguished lineage of government officials, his early life was steeped in the classical traditions of Confucianism. This foundation of scholarly discipline provided him with the tools to not only master the complexities of language but to infuse them with a structural integrity that would later define an entire era of Chinese art.

As he ascended through the imperial ranks—serving as an Imperial Doctor under the Sui dynasty and later as a censor and scholar at the prestigious Hongwen Academy—Ouyang Xun’s life became a tapestry of political service and artistic devotion. His career was marked by a profound commitment to the stability of the Tang empire, often acting as a moral compass within the court. Yet, it was in the quiet, focused moments of calligraphy that his true influence took root. He did not merely write; he engineered characters. His mastery of the regular script, or kaishu, transformed the medium from a tool of communication into a vessel for philosophical expression, characterized by a unique balance of strength and elegance.

The Precision of Regular Script and Artistic Mastery

To observe the work of Ouyang Xun is to witness a masterclass in structural equilibrium. His signature style is renowned for its "bone" structure—a term used by connoisseurs to describe the internal strength and vitality of each stroke. Unlike styles that favor fluid, sweeping motions, Ouyang’s regular script demands an almost architectural precision. Each character is composed with a deliberate sense of tension and release, where the weight of the ink and the sharpness of the edges create a visual rhythm that feels both eternal and alive. This technique was not merely an aesthetic choice but a reflection of his Confucian values: clarity, order, and righteousness.

His most celebrated achievement, the Inscription on the Sweet Spring in the Jiucheng Palace, stands as a monumental testament to this skill. Often hailed as "the best inscription written in regular script under heaven," this work exemplifies how his calligraphy could transcend the stone it was carved upon. Through his brush, the landscape of the palace and the essence of the spring are captured in the very architecture of the characters themselves. Similarly, works such as Bu Shang Studying demonstrate a contemplative serenity, where the complexity of the strokes never obscures the profound emotional depth and intellectual clarity that he sought to convey.

A Lasting Impression on Global Culture

The historical significance of Ouyang Xun extends far beyond the borders of ancient China. His influence acted as a cultural conduit, shaping the aesthetic sensibilities of neighboring nations for centuries. One of his most subtle yet profound legacies lies in the Kaiyuan Tongbao cash coin; the calligraphy he inscribed upon this currency became so iconic that it influenced the design of coinage in Japan, Sogdia, and Vietnam. Even in the modern era, traces of his genius remain visible, such as the characters extracted from his Zongsheng Temple Inscription which found their way into the branding of contemporary Japanese media.

Though legends occasionally whispered of his unconventional appearance, no myth could overshadow the supernatural intellect and artistic brilliance that defined him. Ouyang Xun remains one of the "Four Great Calligraphers of the Early Tang," a title that honors his role in establishing a standard of beauty that continues to inspire artists today. His life serves as a reminder that true art is not an escape from reality, but a profound engagement with it—a way to impose order upon chaos and to leave an indelible mark on the soul of civilization.

Основные сведения

  • Artistic Movement Or Style: Tang dynasty calligraphy
  • Date Of Birth: 557
  • Date Of Death: 641
  • Full Name: Ouyang Xun
  • Nationality: Chinese
  • Notable Artworks:
    • Inscription on the Sweet Spring in the Jiucheng Palace
    • Bu Shang Studying, Running Regular Script
  • Place Of Birth: Changsha, China