период

движение

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583

атмосфера

1. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
2. R: Rearing horse and heads of horses, lion and man. V: Notes and diagrams on astronomy and geometry and horse — Леонардо да Винчи, 1503
3. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки

темы

1. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
3. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
4. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
5. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
6. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
7. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
8. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
9. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки
10. Angelica and Medoro — Джованни Баттиста Тиеполо, 1745
11. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573

ключевые слова

1. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
2. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
4. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
5. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
6. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
7. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
8. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Барокки
9. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
10. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573

тон

1. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
2. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки, 1595
3. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барокки, 1579
4. Кони и солдаты — Леонардо да Винчи, 1503
5. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573

основной цвет

1. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки
2. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
3. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
4. Кони и солдаты — Леонардо да Винчи, 1503
5. Study of two figures (verso) — Гуерчино (Il Guercino)
6. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Барокки
7. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Барокки
8. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барокки, 1579
9. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
10. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
11. Studies for the Death of Empedokles — Салватор Роса, 1666
12. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
13. Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
14. Studies for the Death of Empedokles — Салватор Роса, 1666
15. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки, 1595
16. Studies for the figure of Christ in the painting Noli me tangere — Федерико Барокки
17. R: Rearing horse and heads of horses, lion and man. V: Notes and diagrams on astronomy and geometry and horse — Леонардо да Винчи, 1503
18. Study for the figure of Diogenes in the — Рафаэль Кокси, 1510
19. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
20. Angelica and Medoro — Джованни Баттиста Тиеполо, 1745
21. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
22. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
23. The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade — Пьетро да Кортона
24. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барокки, 1579

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