период

движение

1. Arrangement in Black The Lady in the Yellow — Уистлер

атмосфера

1. Arrangement in Black The Lady in the Yellow — Уистлер
2. Brown and Gold. Portrait of Lady Eden — Уистлер
3. Lady in Gray — Уистлер, 1883
4. lady in gray — Уистлер
5. Harmony in Pink and Grey: Valerie, Lady Meux — Уистлер, 1881
6. Arrangement in Black, No.5. Lady Meux — Уистлер
7. Eagle Wharf — Уистлер

темы

1. The Little Red Cap — Уистлер, 1890
2. lady in gray — Уистлер
3. Lady in Gray — Уистлер, 1883

ключевые слова

1. The Little Red Cap — Уистлер, 1890

тон

1. Arrangement in Black, The Lady in the Yellow Buskin- Portrait of Lady Archibald Campbell — Уистлер
2. The First Portrait (also known as Portrait of Mother and Child) — Чейз, Уильям, 1888
3. The Little Red Cap — Уистлер, 1890
4. Nocturne in Green and Gold — Уистлер, 1877
5. Photomechanical reproduction in halftone, after Whistler — Уистлер, 1893

основной цвет

1. The First Portrait (also known as Portrait of Mother and Child) — Чейз, Уильям, 1888
2. The Art Student (aka Miss Josephine Nivison) — Роберт Генри
3. Nude with Blak Stockings — Пьер Боннар
4. Edith Stuyvesant Dresser Vanderbilt — Джованни Болдيني, 1900
5. Mother and Child (also known as The First Portrait, Mother and Daughter, His First Portrait) — Чейз, Уильям, 1887
6. Arrangement in Black, No.5. Lady Meux — Уистлер
7. Arrangement in Black The Lady in the Yellow — Уистлер
8. Lady in Gray — Уистлер, 1883
9. Brown and Gold. Portrait of Lady Eden — Уистлер
10. Arrangement in Black, The Lady in the Yellow Buskin- Portrait of Lady Archibald Campbell — Уистлер
11. Death at the Ball — Фэлисьен Ропс
12. Nocturne in Green and Gold — Уистлер, 1877
13. lady in gray — Уистлер
14. Red and Black, The Fan — Уистлер
15. Eagle Wharf — Уистлер
16. Portrait of Rosalie Fitzpatrick Riz'''' — Альфред Генри Мауэр, 1902
17. Wapping, detail — Уистлер
18. The Little Red Cap — Уистлер, 1890

другое

1. Три девушки — Уистлер
2. Portrait of a Lady in a Green Coat — Джон Лавері, 1903
3. Scene on the Mersey — Уистлер
4. The Sea — Уистлер, 1865