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Tenzing Rigdol’s figure of Avalokiteshvara stands in a radiant mandorla, burning with the light of his enlightenment or nonexistence, while his eleven heads comment on realms of knowledge and simultaneous realization. His primary hands are held in anjali mudra, the gesture of veneration, and thus the figure makes direct reference to Shadakshari Lokeshvara and, by extension, to the Dalai Lama, who is understood to be an incarnation of Avalokiteshvara. Surrounding the central figure is a background that is structured or perhaps fractured by a grid that refers to both tangka underdrawings and to the design structure of Tibetan carpets. The similarity to carpet design is also evident in the use of graphic, flat color. Texts associated with the veneration of this deity pervade the composition. Because the deity’s face has been omitted, the viewer is denied any direct or charged devotional contact with this divine being, as eye contact is seen as the primary means of accessing the divine. By omitting the eyes, Tenzing Rigdol has effectively taken the image out of a devotional context and forces the viewer to consider it as an independent work of art—the creation of an individual.

Биография художника

Early Life and Education

Born: Kathmandu, Nepal (1982)
Nationality: Tibetan-American
Education: University of Colorado Denver College of Arts & Media – Master's Degree in Philosophy, BA-BFA in Art and Art History. Honorary Doctorate in 2022.
Early life was marked by his parents fleeing occupied Tibet in the late 1960s.
Studied traditional Tibetan sand painting and butter sculpture at the Shekar Chorten monastery in India.
Studied thangka painting under Phenpo Tenthar at the Tibetan Thangka Art School in Kathmandu.

Artistic Development and Influences

Expertise: Primarily known for his expertise in thangka art, blending traditional techniques with modern artistic expressions.
Influences: Philosophy, ongoing human conflicts, political issues. His family's history as refugees significantly influenced his work.
Style: Combines Tibetan heritage with contemporary styles; incorporates elements of American Sign Language (ASL) and personal iconography.
Themes: Cultural identity, displacement, dialogue, environmental pollution, existentialism, ignorance, mindfulness.

Major Works and Projects

"Pin drop silence: Eleven-headed Avalokiteshvara": Acquired by the Metropolitan Museum of Art in 2014; a significant recognition of his contemporary Tibetan art.
20,000 kg of Tibetan Soil Installation: A project involving transporting soil from Shigatse to Dharamshala symbolizing connection to Tibet for displaced Tibetans. Documented in the film "Bringing Tibet Home."
"Biography of a Thought": Site-specific installation at The Metropolitan Museum of Art, exploring Buddhist concepts and incorporating personal iconography.
Poetry Collections: Published three collections – “R”– the Frozen Ink (2008), Anatomy of Nights (2011) and Butterfly’s Wings (2011).

Dialogue Artist Residency (DAR) and Collaborative Efforts

Establishment of DAR: Founded the Dialogue Artist Residency to encourage collaboration between Tibetan and international artists.
Collaboration with Filmmakers: Contributed to the documentary "Bringing Tibet Home" (2013).
Focus on Cultural Exchange: Actively fosters cultural exchange through his residency program and collaborative projects.

Recognition and Historical Significance

Metropolitan Museum of Art Acquisition: His work being acquired by the Met signifies a growing recognition of contemporary Tibetan art within mainstream Western institutions.
Honorary Doctorate from CU Denver: The first Tibetan artist to receive this honor, highlighting his contribution to both artistic and intellectual fields.
Bridging Tradition and Modernity: Rigdol's work is significant for its ability to bridge traditional Tibetan art forms with contemporary concerns, making them accessible to a wider audience while retaining their cultural depth.
Addressing Social and Political Issues: His art serves as a platform for addressing social and political issues relevant to the Tibetan diaspora and beyond.

Tenzing Rigdol

1982 - , Nepal

Основные сведения

Artistic Movement Or Style: Contemporary art, Thangka art
Date Of Birth: 1982
Full Name: Tenzing Rigdol
Nationality: Tibetan-American
Notable Artworks:
- Pin drop silence: Eleven-headed Avalokiteshvara
- Updating Yamantaka
Place Of Birth: Kathmandu, Nepal

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Pin drop silence: Eleven-headed Avalokiteshvara

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Биография художника

Early Life and Education

Artistic Development and Influences