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      Wang Yuanqi

      The Fuchun Mountians

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      Wang Yuanqi (1642-1715): Qing dynasty painter & curator of the 'Orthodox School'. Masterful landscapes inspired by Huang Gongwang, blending abstraction & color.
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      The Fuchun Mountians

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      Reading the handscroll from right to left, the viewer first encounters Wang Yuanqi’s inscription: ‘Modelled after [or in the style of, fang] the brush conception (biyi) of Huang Zijiu’s [Huang Gongwang] long handscroll The Fuchun Mountains, Wang Yuanqi.’In the inscription at the end of the scroll, dated 1699, Wang Yuanqi says that he painted this handscroll on the request of his friend Huang Songyan, who admired the Song and Yuan masters. This work is modelled on the style of Huang Gongwang’s (1268–1354) Fuchun Mountains, a famous scroll once owned by Dong Qichang, which entered the Imperial collection in the reign of the Qianlong Emperor (r. 1736–95) of the Qing dynasty and now in the collection of the Palace Museum in Taipei. The Fuchun Mountains are near Hangzhou in Zhejiang province.This handscroll, painted when Wang was fifty-seven years old, belongs to his early style. It is a germination of creative ideas. The brushwork is spontaneous and animated, enriched with subtle tonal and textual gradations of ink. Its sketchiness, inspired by both Huang and Dong, has a childlike quality – an apparent awkwardness highly regarded by scholars as essential to the amateur ideal. According to Wang, fang, or ‘modelled after’ Huang Gongwang’s The Fuchun Mountains, does not mean a slavish kind of imitation such as copying accurately the superficial aspects of a painting. It means a creative kind of imitation in which the follower is inspired by the work of the ancient master to create a new individual style of painting.Wang’s Fuchun Mountains are constructed from a system of semi-abstract forms, activated by dynamic rhythms expressing the creative energy of both artist and nature. These rhythms also evoke the aesthetic emotions analogous to those of music. This formal expression is greatly facilitated by the mobile and temporal character of the Chinese handscroll.Text by Dr Mae Anna Pang © National Gallery of Victoria, Australia

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      Биография художника

      Wang Yuanqi: A Master of Qing Dynasty Landscape

      Early Life and Education

      • Wang Yuanqi (王原祁) was born in 1642 in Taicang, Jiangsu province, China.
      • He came from a family with a strong artistic tradition; his grandfather, Wang Shimin, was a renowned painter of the early Qing dynasty.
      • Yuanqi received rigorous training in painting from his grandfather, laying the foundation for his future artistic endeavors.
      • His style name was 'Mao-ching' and his sobriquet was 'Lu-t’ai'.

      Career as a Court Official

      • Wang Yuanqi rose to prominence as a court official during the Qing dynasty, beginning shortly after its establishment in 1644.
      • He served with distinction and was eventually appointed curator of the imperial collection under the Kangxi Emperor.
      • This position granted him access to a vast array of artworks, further enriching his artistic knowledge and influencing his style.
      • He remained a court official throughout his long career, balancing administrative duties with his passion for painting until his death in 1715 at age 73.

      Artistic Style and Influences

      • Wang Yuanqi is considered one of the “Six Masters of the early Qing period,” also known as the ‘Four Wangs, a Wu and a Yun’.
      • He was a leading figure in the 'Orthodox School' (正统派) of Chinese landscape painting.
      • His landscapes drew inspiration from Yuan dynasty artists who moved away from the highly realistic depictions favored during the Northern Song period.
      • A key influence on his work was Huang Gongwang, particularly in the use of dry brush strokes, ink washes, and a sophisticated approach to color.
      • He skillfully integrated color patterns into his compositions, complementing abstract designs with rhythmic color flows.

      Major Works and Achievements

      • Notable works include Landscape in the Style of Huang Gongwang (1711), currently held in Singapore’s Asian Civilisations Museum.
      • His rendition of Wang Wei's eighth-century hand scroll, The Wang River Villa, is housed in the Metropolitan Museum of Art, New York City.
      • Other significant paintings include “The Fuchun Mountains”, “Landscape for Zhanting” and numerous landscapes after the Four Great Yuan Masters.
      • He excelled at recreating the styles of earlier masters while imbuing his works with a unique personal touch.

      Historical Significance

      • Wang Yuanqi played a crucial role in shaping the development of Chinese landscape painting during the Qing dynasty.
      • His adherence to and refinement of the Orthodox School established a standard for generations of artists.
      • He helped preserve and promote traditional artistic values while also demonstrating innovative techniques in composition and color usage.
      • His work continues to be celebrated for its technical mastery, aesthetic beauty, and historical importance within the context of Chinese art history.
      Wang Yuanqi

      Wang Yuanqi

      1642 - 1715 , China

      Основные сведения

      • Birth Date: 1642
      • Birth Place: Taicang, China
      • Death Date: 1715
      • Influenced By: Wang Shimin, Huang Gongwang
      • Movement: Orthodox School
      • Name: Wang Yuanqi
      • Nationality: Chinese
      • Notable Works:
        • Landscape in the Style of Huang Gongwang
        • Wangchuan Villa
        • The Fuchun Mountians