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The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient sources in sacred figurations – typical of the Counter-Reformation – the saints are represented here together for the first time in the modern age, after the cult by the stonecutters in the Middle Ages had led to the exclusion of the four Roman saints. In the panels the figures of the martyrs are captured in different poses and inhabit their own space with relative ease; the shadows cast by the figures and the apse cavities contribute to defining an overall spatial effect, to which the lost frame was also supposed to contribute.

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Biografija umetnika

early life and training

antonio badile iii, an italian painter from verona, was born in 1517. he was the grandson of giovanni badile da verona, a renowned painter of the 15th century. antonio's training under his uncle francesco badile and giovanni francesco caroto laid the foundation for his future success.

artistic influences and style

antonio was known for being the master of paul véronèse and giovanni battista zelotti, his beau-frère. his work was also influenced by the brescian painter alessandro bonvicino (il moretto). this eclectic mix of influences resulted in a unique style that blended elements of the italian renaissance with the veronese tradition.

notable works and legacy

some of antonio's most notable works include:

saints cecilia, tiburtius, valerian (castelvecchio museum, verona, italy), a triptych showcasing his attempt to absorb renaissance innovations within a linear, gothic style.
retablo of san nazaro, featuring the madonna and saints (1540), demonstrating his mastery of composition and color.
résurrection de lazare in the chapelle de la sainte-croix, église de san bernardino, showcasing his skill in capturing dramatic scenes.

these works can be found on ArtsDot.com, a platform offering handmade oil painting reproductions and prints on canvas of famous artworks.

museums and collections

antonio's works are preserved in various cities across the veneto region. for more information on his art and to explore other notable artists, visit the museum parrocchiale (verolanuova, italy) or browse through ArtsDot's extensive artist profile: antonio badile iii.

conclusion

antonio badile iii's contributions to the veronese painting tradition are undeniable. his unique blend of influences and mastery of composition have left a lasting impact on the art world. to delve deeper into his works and those of other renowned artists, explore ArtsDot's comprehensive art database.

antonio badile iii

1517 - 1560 , Italy

Osnovne informacije

Artistic Movement Or Style: High Renaissance
Artists Or Movements Influenced By This Artist:
- Leonardo da Vinci
- Savonarola’s style
Artists Who Influenced This Artist:
- Cosimo Rosselli
- Raphael
Date Of Birth: March 28, 1472
Date Of Death: October 31, 1517
Full Name: Fra Bartolomeo”
Nationality: Italian Renaissance
Notable Artworks:
- Vision of St Bernard
- Portrait of Savonarola
Place Of Birth: Savignano di Prato, Tuscany

Polyptych of the Four Crowned Saints, Nicostratus

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