Kupite štampanu reprodukciju Panoramic View of a River with Low-lying Meadows, Jan van Goyen, in or after 1644

Q: Koje teme istražuje Panoramic View of a River with Low-lying Meadows, Jan van Goyen, in or after 1644?

river landscape, dutch golden age, panoramic view, meadows, watercraft, atmospheric sky, nature

Osnovne informacije

Artistic style: Dutch Golden Age, Tonalism
Year: 1644 or after
Notable elements or techniques: Low horizon, repoussoir, limited palette
Subject or theme: River landscape and panoramic view
Title: Panoramic View of a River with Low-lying Meadows

Opis umetničkog dela

In addition to many panoramas with a town in the distance, Van Goyen painted several extensive views in the first half of the 1640s in which buildings play only a minor role.4 In this river landscape the horizon is exceptionally low, even for Van Goyen, with the sky taking up almost four-fifths of the picture surface. The rigid planar structure is broken by a repoussoir in the form of two figures on a mound with a young tree and a few bushes. Van Goyen generally used such foreground motifs in the early 1640s.5 The date on this painting has caused a certain amount of confusion. It was read as 1641 in the 1903 catalogue of the Van Goyen exhibition and in other important publications, which is fully in line with Van Goyen’s stylistic development towards landscapes with fewer and fewer repoussoirs. However, dendrochronological examination in 1971 and again in 1995 showed that the tree from which the panel came could not have been felled before 1642.6 One possibility is that the date was simply read incorrectly, as so often happens with Van Goyen;7 another is that some of the digits are abraded. On the evidence of an infrared photograph taken in 1987 it was suggested that the final digit may originally have been a 5.8 That infrared reflectogram is not very convincing though, and there seems to have been some wishful thinking involved when it was interpreted. It is also possible that the signature and date are not autograph, but examination under the stereo microscope did not provide any firm evidence of that. It is true that the signature was added after the paint had dried, and in a colour not found anywhere else in the painting, but there are other instances of that in Van Goyen’s oeuvre.9 All the same, there is cause for doubt, particularly because of the somewhat angular shape of the rather upright letters and numbers.10 Taking everything into account, a date of 1644 or shortly afterwards seems plausible. This places the picture in the same period as Van Goyen’s panoramic views in the vicinity of Haarlem (SK-A-3249 and SK-A-4044). which makes the artist’s development less linear than was thought. In 1890 this painting was in Paris with the art dealer Charles Sedelmeyer, who played an important part in reestablishing Van Goyen’s reputation with his 1873 exhibition on the artist in Vienna, and with the large number of Van Goyens he had from the 1870s on.11 A mirror-image version of this work that Beck calls a copy is not a copy but a compositionally related landscape that was probably executed by a follower of Van Goyen.12 Gerdien Wuestman, 2007 See Bibliography and Rijksmuseum painting catalogues See Key to abbreviations and Acknowledgements This entry was published in J. Bikker (ed.), Dutch Paintings of the Seventeenth Century in the Rijksmuseum Amsterdam, I: Artists Born between 1570 and 1600, coll. cat. Amsterdam 2007, no. 96.

Srodna umetnička dela

Biografija umetnika

Jan Josephszoon van Goyen: Život utkan u pejzaž

Rani život i obuka

Rođen 13. januara 1596. godine u Lajdenu, u Holandiji, Jan Josephszoon van Goyen istakao se kao ključna figura holandskog slikarstva zlatnog doba.
Svoju prvu umetničku školu prošao je u Lajdenu, pre nego što je svoje znanje unapredio pod mentorstvom Esaiasa van de Velde u Harlemu. Ova temeljna obuka bila je presudna za njegov dalji umetnički razvoj.

Umetnički stil i razvoj

Van Goyenov stil je odmah prepoznatljiv po svojoj jednostavnost, suptilnim tonalnim varijacijama i upotrebi ograničene palete – prvenstveno sivih, braon i zelenih tonova.
Odbacio je tada popularne, raskošnije obojene i detaljne pejzaže, pionirski postavljajući temelje za realističniji i atmosferski pristup slikarstvu.
Njegova rana dela pokazuju uticaj Van de Veldea, ali je ubrzo razvio sopstveni prepoznatljiv stil fokusiran na dočaravanje same suštine holandskog pejzaža.

Plodna umetnička karijera i značajna dela

Van Goyen je bio neverovatno plodan umetnik, stvarajući procenjeno 1.200 slika i preko 1.000 crteža tokom svoje dugog puta.
Među njegovim najznačajnijim delima nalaze se: Rečni pejzaž sa vetrenjačom, koji predstavlja vrhunski primer njegovih tonalnih pejzaža, kao i Ribari pored obale jezera, koji svedoči o njegovoj sposobnosti da prikaže mirne vodene predele.
Učestalo je slikao scene reka, jezera, dina i prostranih neba, uspešno beležeći jedinstven karakter holandskog ruralnog predela.

Uticaji i nasleđe

Iako je bio pod uticajem Van de Veldea, sam Van Goyenov rad postao je izuzetno uticajan za buduće generacije.
Direktan uticaj ostavio je na umetnike kao što je Jan Steen, koji je bio jedan od njegovih učenika.
Njegov naglasak na realizmu i atmosferskim efektima otvorio je put kasnijim pejzažnim slikarima.

Finansijske poteškoće i kasni život

Uprkos svom umetničkom uspehu, Van Goyen se tokom celog života suočavao sa značajnim finansijskim problemima.
Uključivao se u različite poslovne poduhvate, uključujući spekulaciju tulipanima (tokom čuvene „tulipmanije“) i investicije u nekretnine, ali se često nalazio duboko u dugovima.
U vreme svoje smrti 27. aprila 1656. godine u Hagu, navodno je bio u dugovima od 18.000 guldena.

Istorijski značaj

On je uspešno dočarao duh Holandije 17. veka, odražavajući njeno rastuće prosperitet i neraskidivu vezu sa zemljom.
Njegove inovativne tehnike i realistični prikazi nastavljaju da inspirišu umetnike i očaravaju publiku i danas.

Jan Jozefszoon Van Goyen

1596 - 1656 , Holandija

Osnovne informacije

Birth Date: 13. januar 1596.
Birth Place: Lejden, Holandija
Death Date: 27. april 1656.
Influenced: Jan Stin
Influenced By: Esajas van de Velde
Movement: Slikarstvo holandskog zlatnog doba
Name: Jan Josafson van Gojen
Nationality: Holandski
Notable Works:
- Rečni pejzaž sa vetrenjačom
- Ribari pored obale jezera

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