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Rendgenski snimak
SlajdoviDress worn by Harriet Walter
1981
226.0 x 35.0 cm
Royal Shakespeare Company
Pročitaj više
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. (
Kupi ručno naslikanu sliku Kupi digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (1 септембар)
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Kompletno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Garancija povrata novca od 100%
Popust pri grupnoj kupovini
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Dress worn by Harriet Walter
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Konačna cena
$ 62
Srodna umetnička dela
Biografija umetnika
Maria Elena Björnson: A Visionary of Stagecraft
Maria Elena Björnson (1949-2002) stands as a singular figure in the realm of theatre design, recognized globally for her transformative contributions to opera and ballet. Born in Paris to Norwegian parents—the granddaughter of celebrated playwright Bjørnstjerne Bjørnson who garnered the Nobel Prize in Literature—Björnson’s artistic lineage instilled within her an appreciation for storytelling and visual grandeur from a young age. Raised primarily in London, she honed her craft through rigorous academic pursuits at Lycée Français and Byam Shaw School of Art before graduating from Central Saint Martins College of Arts & Design. These formative experiences cemented her dedication to crafting immersive environments that breathed life into theatrical narratives. Björnson’s career blossomed during a period of remarkable innovation in British theatre, where she quickly established herself as a sought-after collaborator. Her designs for the Royal Shakespeare Company showcased her versatility and artistic sensibility, tackling diverse genres with meticulous attention to detail. However, Björnson achieved international acclaim when she spearheaded the production of Andrew Lloyd Webber’s “The Phantom of the Opera,” securing Tony Awards for Best Scenic Design and Costume Design—a feat unparalleled in its time—and a Drama Desk Award for Outstanding Set Design and Costume Design. This monumental success solidified her reputation as a master of creating unforgettable visual experiences. Furthermore, Björnson's involvement with Trevor Nunn’s “Aspects of Love” garnered critical acclaim and cemented her legacy as a champion of theatrical artistry. Her inventive set designs and costumes captivated audiences alike, earning her further accolades—a Tony Award for Best Scenic Design and Drama Desk Awards for Outstanding Set Design and Costume Design—demonstrating her unwavering commitment to elevating the art form. Beyond these celebrated productions, Björnson’s influence extended to numerous other projects, including “The Seagull” and “A Midsummer Night's Dream,” where she consistently delivered breathtaking visual interpretations of classic literature. Björnson was honored as "Designer's Designer" for The Observer in 1990, a testament to her discerning eye and collaborative spirit—a role that demanded she consider the aesthetic needs of every production she undertook. Her work transcended mere decoration; it served as an integral component of storytelling, shaping perceptions and enhancing emotional resonance. Maria Elena Björnson’s enduring impact on theatre design remains undeniable, securing her place among the most influential figures in contemporary stagecraft.- Notable Achievements: Tony Awards for “The Phantom of the Opera” and “Aspects of Love”; Drama Desk Awards for “The Phantom of the Opera” and “Aspects of Love”; Design recognition for numerous Shakespeare productions.
- Influences: Björnson’s artistic vision drew inspiration from her family history—particularly Bjørnstjerne Bjørnson's literary legacy—and from a deep understanding of theatrical conventions.
maria elena björnson
1949 - 2002 , France
Osnovne informacije
- Artistic Movement Or Style: Theatre Design
- Artists Or Movements Influenced By This Artist: ['Opera Design']
- Artists Who Influenced This Artist: ['Bjørnstjerne Bjørnson']
- Date Of Birth: 1949
- Date Of Death: 2002
- Full Name: Maria Elena Björnson
- Nationality: Norwegian-Romanian
- Notable Artworks:
- The Phantom of the Opera
- Aspects of Love
- Place Of Birth: Paris, France
