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BESPLATNE KONSULTACIJE SA STRUČNJAKOM ZA UMETNOST

period

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vibe

teme

ključne reči

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primarna boja

  1. Letter from Darius Sessions to Governor Wanton following Aaron — darius sessions, 1717-1809
  2. Hand Written Slave Document — Виљем Хенри Џонсон, 1832
  3. Deafness letter — Ludvig Van Betoven, 1801
  4. Uroda sa cvecem — Vincent Van Gog, 1888
  5. A sweet morning — Doroti Vordsvort
  6. Volume 3, page 560-561 / Authorizes temporary grazing at Place of the Skulls\n\nPage 1 — Žosé Marija Estudilo I Urkizu, 1809
  7. Volume 3, page 664-665 / Boundaries between jurisdictions of the Town and Mission of San Jose\n\nPage 1 — Žosé Marija Estudilo I Urkizu, 1809
  8. Volume 3, page 574-575 / Orders removal of Mission San José cattle from Place of the Skulls\n\nPage 1 — Žosé Marija Estudilo I Urkizu, 1809
  9. Volume 3, page 662-663 / Discusses selection of alcaldes and regidores; pack train to be sent for corn\n\nPage 1 — Žosé Marija Estudilo I Urkizu, 1809
  10. Volume 3, page 576 / Charges brought by Tiburcio Vasquez — Žosé Marija Estudilo I Urkizu, 1809
  11. Volume 3, page 590 / Mission San José cattle removed from Place of the Skulls — Žosé Marija Estudilo I Urkizu, 1809
  12. Volume 3, pages 659 / Nominations for alcaldes and regidores — Žosé Marija Estudilo I Urkizu, 1809
  13. Volume 3, page 581-584 / Complaints by Mission San Jose that cattle from Pueblo are damaging property\n\nPage 1 — josé joaquín de arrillaga, 1809
  14. The Langlois Bridge at Arles — Vincent Van Gog, 1888
  15. Ogradnja u cvatu, obložena vrkotima — Vincent Van Gog, 1888
  16. Vividly, we took Galich — Казимир Малевић, 1914
  17. American Neutrality Obverse — karl otto götz, 1915
  18. North South — Жоан Миро, 1917

ostalo

  1. Dawn - Bowl with Vivid Glazes — tokuda yasokichi iii
  2. SAVED BY DROWNING (SICILIAN FOUNTAIN 2) — georgia hayes, 2013
  3. World War I Dutch Ivora Neutrality Plate — pieter van der want, 1918
  4. Violet, Black, Orange, Yellow on White and Red — Марк Ротко, 1949
  5. untitled (2295) — Pol Sezan
  6. A Venetian Scene — Џон Хенри Твактман, 1877