period

pokret

vibe

1. No. 27 Scenes from the Life of Christ: 11. Expulsion of the Money-changers from the Temple (detail) (12) — Đijoto Di Bondone, 1304
2. Funeral (detail) — Дучио, 1308
3. MaestÓ (back, central panel), The Crucifixion — Дучио

teme

1. Christ Taking Leave of the Apostles — Дучио, 1308
2. Funeral (detail) — Дучио, 1308
3. St Matthew (detail) — Кимбаве, 1280
4. MaestÓ (back, predella), Temptation on a Pinnacle of the Temple — Дучио
5. MaestÓ (front, predella), The Prophets Ezekiel — Дучио
6. MaestÓ (back, central panel), The Crucifixion — Дучио
7. MaestÓ (front, crowning panels), The Funeral Procession. Detail — Дучио
8. MaestÓ (front, central panel, detail), Angels and Saints — Дучио

ključne reči

ton

primarna boja

1. Burial — Дучио, 1308
2. Untitled (583) — Benvenuto Benvenuti
3. The Annunciation (detail) (12) — Melchior Broederlam, 1393
4. MaestÓ (back, predella), Temptation on a Pinnacle of the Temple — Дучио
5. St Matthew (detail) — Кимбаве, 1280
6. MaestÓ (front, crowning panels), The Funeral Procession. Detail — Дучио
7. La Maestá 2 — Дучио
8. No. 27 Scenes from the Life of Christ: 11. Expulsion of the Money-changers from the Temple (detail) (12) — Đijoto Di Bondone, 1304
9. Perugia towers — Benedetto Bonfigli
10. Crucifixion, Museo dell'Opera del Duomo, Siena. — Дучио
11. Alhambra (Court of the Myrtles) — Horhe Aperli
12. MaestÓ (front, central panel, detail), Angels and Saints — Дучио
13. Crevole Madonna — Дучио
14. Funeral (detail) — Дучио, 1308
15. MaestÓ (front, predella), The Prophet Malachi — Дучио
16. etto The Piazzetta- Looking South — Каналето, 1727
17. Pompeji Have — Тивадар Цонтвари Костка
18. MaestÓ (back, central panel), The Crucifixion — Дучио
19. Christ Taking Leave of the Apostles — Дучио, 1308
20. A Study of Architecture, Florence — Джон Сингер Сергент, 1910
21. MaestÓ (front, predella), The Prophets Ezekiel — Дучио
22. MaestÓ (front, predella), The Prophet Isaiah — Дучио

ostalo

1. Rostov Veliky. Hierarch's towers. — Nikola Roerić, 1903
2. Cloister of S. Onofrio — Умберто Боћони, 1904