period

pokret

1. Southeastern Wisconsin — larry w schwarm, 1984
2. Foxhole, Korea — dave heath, 1953
3. The Forge\n\nReference Image — andrzej różycki
4. Bending to Earth — rosa maria barba, 2015
5. Uncle Jerry and Mary (from series, Chinatown) — eve sonneman, 1969
6. Tire Sign, from the Kansas Documentary Survey Project — larry w schwarm, 1974
7. Bul-yi Kim, Actor, Angels alley in Itaewon, 1993 — Oh, Hein-Kuhn, 2010
8. View from I 405, Carson, from the Los Angeles Documentary Project — john humble, 1980

vibe

teme

ključne reči

ton

primarna boja

1. Autolandscape, Illinois — elaine mayes, 1971
2. Oil Field Roughneck, from the Wyoming Documentary Survey Project — Penny Diane Wolin, 1979
3. Agriculture. Plant life Propagating — Frans Bendžamin Džonston, 1900
4. February (above Tan y Foel) III — darren hughes
5. Uncle Jerry and Mary (from series, Chinatown) — eve sonneman, 1969
6. Matisse 1944 — Анри Картие-Бресон
7. Riverside — Ma Kelu
8. Paul Nadar, Photographie Prise Le 26 Décembre 1888 — Félix Nadar, 1888
9. The Forge\n\nReference Image — andrzej różycki
10. Bul-yi Kim, Actor, Angels alley in Itaewon, 1993 — Oh, Hein-Kuhn, 2010
11. Union Pacific Railroad Representative, from the Wyoming Documentary Survey Project — Penny Diane Wolin, 1979
12. View from I 405, Carson, from the Los Angeles Documentary Project — john humble, 1980
13. Limestone, Chase County, from the Kansas Documentary Survey Project — larry w schwarm, 1974
14. Wyoming WPA Guide, from the Wyoming Documentary Survey Project — Penny Diane Wolin, 1979
15. Moscice 2 — wilhelm sasnal, 2005
16. Southeastern Wisconsin — larry w schwarm, 1984
17. Foxhole, Korea — dave heath, 1953
18. 4 H, Chase County, from the Kansas Documentary Survey Project — larry w schwarm, 1974
19. Bending to Earth — rosa maria barba, 2015

ostalo

1. Stubbled field — Исаак Ильич Левитан, 1885
2. Autolandscape, Southern California — elaine mayes, 1971
3. Zito — Berenis Abot, 1937
4. Ant Hill, Delta Colorado, from the portfolio Shadowless Places, Deserts of the Southwest — frank di perna, 1984