Meni

period

pokret

  1. In Grey — Василий Васильевич Кандинский, 1919
  2. Абстрактна слика 780-1 — Георг Рихтер, 1992
  3. The catacombes — Андре Масон
  4. Прва Абстрактна Ватерколора, Колекција Луда — Василий Васильевич Кандинский, 1910
  5. Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Combat, 1965 — Lee Krasner
  6. Abstraction — Milton Resnick, 1963
  7. SYNESTHESIA — sergio mario illuminato, 2019
  8. Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London feautring Another Storm, 1963 — Lee Krasner
  9. Number — Џаспера Џонса
  10. Purple and Gold Abstract — michele elizabeth field, 2005
  11. Abstract Composition [triptych] — vaclav vytlacil, 1937

vibe

teme

ključne reči

ton

primarna boja

  1. From Line — lee ufan
  2. Landscape Black and White — hale aspacio woodruff, 1967
  3. White Painting — john korner, 1962
  4. Ethereal — marian leven, 2003
  5. Live ammo (Ha! Ha! Ha!) — Рој Лихтенштајн, 1962
  6. Untitled — roger bissière, 1955
  7. Прва Абстрактна Ватерколора, Колекција Луда — Василий Васильевич Кандинский, 1910
  8. In Grey — Василий Васильевич Кандинский, 1919
  9. Color Bath Series The Beloved — robert natkin, 1975
  10. The catacombes — Андре Масон
  11. Purple and Gold Abstract — michele elizabeth field, 2005
  12. Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Combat, 1965 — Lee Krasner
  13. Fish and Children — Li Džung-Seob
  14. Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London feautring Another Storm, 1963 — Lee Krasner
  15. SYNESTHESIA — sergio mario illuminato, 2019
  16. Abstraction — Milton Resnick, 1963
  17. Number — Џаспера Џонса
  18. Light Grey Wall — Јозеф Алберс, 1958
  19. Abstract Composition [triptych] — vaclav vytlacil, 1937
  20. Абстрактна слика 780-1 — Георг Рихтер, 1992
  21. The Sense of Sight — Christopher Le Brun, 1986
  22. (forest landscape) — Emili Kar

ostalo

  1. Night Forms — leslie moore
  2. Abstract 4 — Viktor Vasereli