period

pokret

1. Monument to Bishop Benozzo Federighi — Luka Dela Robija, 1453

vibe

1. The Coronation of the Virgin — Mariotto di Nardo

teme

1. Monument to Bishop Benozzo Federighi — Luka Dela Robija, 1453
2. Candelabrum-Bearing Angel — Luka Dela Robija, 1448
3. San giorgio e il drago, (1926) — arturo martini

ključne reči

1. Cantoria: fourth top relief (detail) — Luka Dela Robija, 1431
2. Candelabrum-Bearing Angel — Luka Dela Robija, 1448
3. Monument to Bishop Benozzo Federighi — Luka Dela Robija, 1453

ton

1. Cantoria: fourth top relief — Luka Dela Robija, 1431
2. The Coronation of the Virgin — Mariotto di Nardo
3. Конструкција (Крестијанство) — Barbara Hepworth, 1966
4. Candelabrum-Bearing Angel — Luka Dela Robija, 1448

primarna boja

1. The Cortona Altarpiece (The Annunciation) — Фра Анђело, 1433
2. Cantoria: fourth top relief (detail) — Luka Dela Robija, 1431
3. Конструкција (Крестијанство) — Barbara Hepworth, 1966
4. Madonna and Child — Lorenzo Veneziano, 1372
5. Concert of Angels and Nativity (detail) — Матијас Гриневалд, 1515
6. The Virgin Illuminated (detail from the Concert of Angels from the Isenheim Altarpiece) — Матијас Гриневалд, 1516
7. San giorgio e il drago, (1926) — arturo martini
8. The Holy Trinity and the Apostles — Pjetro Perudžino, 1507
9. Sculpture-morte — Марсел Дјушан
10. Monument to Bishop Benozzo Federighi — Luka Dela Robija, 1453
11. Madonna and Child — Benedeto Da Majano, 1487
12. The Descent of the Holy Ghost — Tiziano
13. Untitled (Sculpture of Créole Villa) — Jasmin Džosef, 1957
14. Candelabrum-Bearing Angel — Luka Dela Robija, 1448
15. Cantoria: fourth top relief — Luka Dela Robija, 1431
16. The faun terracotta — Pierre Puget
17. Sculpture with Colour (Deep Blue and Red) — Barbara Hepworth, 1940
18. Oval Sculpture — Barbara Hepworth, 1943

ostalo

1. Lamentation over the Dead Christ — Đovani Dela Robia, 1514
2. Ascension of Christ — Luka Dela Robija, 1446
3. Mother And Child 4 — Хенри Моор
4. Tomb Altar of St Fina (detail) — Benedeto Da Majano, 1477
5. The Annunciation — Ел Греко, 1603