period
- Knežeći muški golotinja, viđen sa zadnje strane
- Nude Child with Open Arms
- Muški akt, gledano s leđa (recto)
- Male Nude Study (red chalk)
- Nude Rider Mounting a Horse and a Male Nude (verso)
- Grupacija tri muška nude (recto)
- Dve studije nude (recto)
- Male Nude, Seen from the Rear (verso)
- Male Nude, Seen from the Rear (recto)
- Nikola Petrović s Crvenom Kapa
- Sitting Male Nude (recto)
- Četiri studije za razaputog Hamana (recto)
- Стајање Мушки Хладноћени Голо Супротно
- Studies of Arms and Hands (recto)
- Male Nude, Seen from the Rear (recto)
- What a golden beak!
pokret
teme
- Стајање Мушки Хладноћени Голо Супротно
- Dve studije nude (recto)
- Studies of Arms and Hands (recto)
- Grupacija tri muška nude (recto)
- Četiri studije za razaputog Hamana (recto)
- Male Nude, Seen from the Rear (recto)
- Knežeći muški golotinja, viđen sa zadnje strane
- One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Study for St John the Baptist
- Male Nude Study (red chalk)
- Male Nude, Seen from the Rear (recto)
- Male Nude, Seen from the Rear (verso)
ključne reči
ton
primarna boja
- Četiri studije za razaputog Hamana (recto)
- Стајање Мушки Хладноћени Голо Супротно
- Male Nude Study (red chalk)
- Studies of Arms and Hands (recto)
- Aguarda que te unten
- One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Figure studies of a male youth
- Male Nude, Seen from the Rear (recto)
- Dve studije nude (recto)
- Nude Rider Mounting a Horse and a Male Nude (verso)
- Sistine Chapel-Male Figure
- Knežeći muški golotinja, viđen sa zadnje strane
- Kneeling Male Nude
- Nikola Petrović s Crvenom Kapa
- Nude Child with Open Arms
- Study for St John the Baptist
- Male nude
- Muški akt, gledano s leđa (recto)
- Male Nude, Seen from the Rear (verso)
- Grupacija tri muška nude (recto)