period

pokret

vibe

teme

1. Folding screen with Calligraphy of the Poem (2) — yi gwangsa(圓嶠 李匡師)
2. CALLIGRAPHY IN RUNNING SCRIPT — kang youwei
3. Folding screen with Calligraphy(東宮玉帳山銘) 1 — Samman Lee, 1830
4. Model Calligraphies from the Chunhua Era (Chunhua ge tie) Quanzhou version, part of juan 6-8\n\nImage 1 — gustav mahler (text: friedrich rückert), 1100
5. CALLIGRAPHY IN RUNNING SCRIPT — weng fanggang

ključne reči

1. CALLIGRAPHY COUPLET IN XINGSHU — zhou zuoren
2. CALLIGRAPHY IN RUNNING SCRIPT — qian feng
3. Folding screen with Calligraphy(東宮玉帳山銘) 1 — Samman Lee, 1830

ton

primarna boja

1. Folding screen with Calligraphy(東宮玉帳山銘) 5 — Samman Lee, 1830
2. Folding screen with Calligraphy(東宮玉帳山銘) 1 — Samman Lee, 1830
3. CALLIGRAPHY COUPLET IN RUNNING SCRIPT — zeng guofan
4. Folding screen with Calligraphy of the Poem (1) — yi gwangsa(圓嶠 李匡師)
5. Chinese Poem to Celebrate a Senior Monk’s Sixtieth Birthday — duzhan xingying, 701
6. CALLIGRAPHY IN RUNNING SCRIPT — qian feng
7. CALLIGRAPHY IN RUNNING SCRIPT — weng fanggang
8. Calligraphy of the Character — yinyuan longqi, 1671
9. Model Calligraphies from the Chunhua Era (Chunhua ge tie) Quanzhou version, part of juan 6-8\n\nImage 1 — gustav mahler (text: friedrich rückert), 1100
10. An Account of the Final Day of Chinese New Year’s Celebrations, from the Wise Counsel for Social Intercourse — kojima sōshin, 1657
11. CALLIGRAPHY IN RUNNING SCRIPT — zhang yuzhao
12. CALLIGRAPHY COUPLET IN RUNNING SCRIPT — ni yuanlu
13. Three-line Calligraphy — issan ichinei
14. “Time must be cherished, it waits for no one” — Jakushitsu Genkō, 301
15. Folding screen with Calligraphy of the Poem (2) — yi gwangsa(圓嶠 李匡師)
16. Namban folding screens — kanō naizen, 1600
17. CALLIGRAPHY IN RUNNING SCRIPT — kang youwei
18. CALLIGRAPHY COUPLET IN XINGSHU — zhou zuoren
19. Calligraphy Couplet in Xingshu — bao shichen

ostalo

1. CALLIGRAPHY COUPLET IN SEAL SCRIPT — wu dacheng
2. POEM IN CURSIVE SCRIPT — yu youren
3. Folding screen with Calligraphy of the Poem (3) — yi gwangsa(圓嶠 李匡師)
4. Buddhist Maxim on the Saving Power of Amida — reisai gukyoku, 401
5. Folding screen with Calligraphy of the Poem (8) — yi gwangsa(圓嶠 李匡師)