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SlajdoviThe travels of Marco Polo Series
Painting
1980
17.0 x 15.0 cm
Lee Ungno Museum
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The travels of Marco Polo Series
Tehnika reprodukcije
Dimenzije reprodukcije
-
Konačna cena
$ 263
Opis umetničkog dela
A Journey Between Worlds: Interpreting Marco Polo's Echoes
This captivating piece draws its rich thematic wellspring from The travels of Marco Polo Series, a monumental body of work conceived by the masterful Korean-French artist, Yi Eungro. Far more than a mere depiction, this painting functions as a visual memoir—a dreamlike cartography of an unknown world viewed through the sophisticated lens of East Asian perspective meeting European curiosity. The very essence of the series speaks to cultural exchange and the boundless yearning for discovery. When one gazes upon it, one is not simply looking at paint on canvas; one is traversing the imagined routes between continents, a dialogue rendered in pigment.
The Visionary Landscape and Exotic Fauna
The composition itself is an intricate tapestry of life and mystery. Dominating the foreground, or perhaps emerging from the dense foliage, is a magnificent yellow dragon accented with vibrant red—a creature steeped in potent symbolism across Asian cultures. This mythical beast shares its space with a scattering of placid cows and several elegantly rendered horses. The arrangement feels both spontaneous and meticulously orchestrated, suggesting a moment captured deep within an exotic forest setting. It is this juxtaposition—the powerful mythic animal alongside the familiar domesticate—that lends the scene its captivating narrative tension.
Mastery in Perspective: East Meets West
Technically, the painting showcases Yi Eungro’s unique genius for blending disparate artistic traditions. The artist employs a distinctive bird's-eye view, characteristic of grand East Asian landscape painting, which allows the viewer to survey vast distances. Notice how the triangular forms—suggesting distant islands or receding mountain ranges—diminish in scale as they move toward the horizon, creating an exquisite illusion of deep space and profound distance. Interspersed among these natural elements are small architectural red figures, deliberately drawn to evoke unfamiliar East Asian structures as perceived by a European traveler. This careful melding of perspectives is the hallmark of the series.
Symbolism and Emotional Resonance for the Modern Collector
For the collector or designer seeking an object imbued with narrative depth, this reproduction offers more than mere decoration; it offers contemplation. The dragon symbolizes power and fortune, while the journey itself speaks to personal exploration and the embracing of the unknown. Owning this piece is inviting a sense of global wanderlust into your space. It whispers tales of ancient trade routes, cultural misunderstanding, and ultimate artistic synthesis. Its vibrant yet harmonious palette ensures it serves as an immediate focal point, lending an air of sophisticated, worldly romance to any interior setting.
Srodna umetnička dela
Biografija umetnika
**Rani život i obrazovanje**
Lee Ungno, poznat i kao Yi Eungro, bio je francuski slikar i grafičar korejskog porekla, rođen u Seulu, Južna Koreja, 1904. godine. Njegovo ranije doba obeležilo je kratko školovanje u školi Hongseong Botong Hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), nakon čega se od 1920. godine potpuno posvetio proučavanju slikarstva pod mentorstvom Yeomjae Song Tae-hoe.**Umetnička karijera u Koreji i Japanu**
Umetnička put Lee Ungnoa počeo je ozbiljno kada se 1922. godine preselio u Seul, postajući šegrt slavnog kaligrafa, slikara i fotografa Haeganga Kim Gyu-jina. Prvenstveno je učio slikanje "četiri gospodara" u prepoznatljivom „Haegang stilu“. Posebno je značajno njegovo inko slikarstvo bambusa, mukjuk (묵죽, 墨竹, bambus u tušu), koje je osvojilo nagradu na 3. godišnjoj korejskoj izložbi umetnosti. Tokom perioda kolonizacije, Lee Ungno je sukcesivno osvajao priznanja na istim izložbama, ali je u sebi nosio viziju da istočnjački slikari tušem moraju modernizovati svoj stil. Početkom 1ref30-ih godina, Lee je počeo stvarati pejzaže u tehnici tuša pod uticajem novih, modernih istočnjačkih stilova, prožetih naturalističkim prikazima pronađenim u zapadnjačkim slikarskim pravcima.**Međunarodno priznanje i kasniji život**
Nakon temeljnog školovanja u tradicionalnom slikarstvu tušem u Koreji od 1920-ih do 1930-ih, Lee je postepeno počeo eksperimentisati sa tehnikama zapadnjačkog slikarstva u Japanu. Njegova dela iz 1950-ih predstavljaju kreativne pokušaje spajanja istočnjačkih medija i poteza četkicom sa zapadnom perspektivom i formama. Godine 1958. Lee Ungno se preselio u Francusku, gde je potpuno utvrdio svoj položaj kao apsolutni umetnik apstrakcije. Najpoznatiji je po svojim serijama kolaža od tuša i papira, apstraktnim slovima i slikama mnoštva ljudi (crowd paintings) koje su razvijene tokom njegovog boravka u Francuskoj.- Pogledajte Yi Eungroova dela na ArtsDot: [https://ArtsDot.com/@/yi-eungro](https://ArtsDot.com/@/yi-eungro)
- Istražite Musée National Jean-Jacques Henner, muzej koji poseduje ogromnu kolekciju umetničkih dela, uključujući i ona inspirisana istočnjačkim stilovima: [https://ArtsDot.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia](https://ArtsDot.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia)
- Saznajte više o Ilkhanid pokretu u umetnosti, koji takođe spaja istočnjačke i zapadne uticaje: /sr/art/show/art-d3cq2m-sr/
- [https://ArtsDot.com/@/yi-eungro](https://ArtsDot.com/@/yi-eungro)
- [https://en.wikipedia.org/wiki/yi_eungro](https://en.wikipedia.org/wiki/yi_eungro)
I Ungro
1904 - 1989 , Južna Koreja
Osnovne informacije
- Artistic Movement Or Style: Istočno i zapadno ekspresionizam
- Artists Or Movements Influenced By This Artist: ['Haegang stil']
- Artists Who Influenced This Artist: ['Yeomjae Song Tae-hoe']
- Date Of Birth: 12. januar 1904.
- Date Of Death: 10. januar 1989.
- Full Name: Yi Eungro (Lee Ungno)
- Nationality: Korejsko-francuski
- Notable Artworks: ['Kompozicija']
- Place Of Birth: Seul, Južna Koreja
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