Zeitraum

Bewegung

Stimmung

1. In the Gardens of the Villa Albani — Christoffer Wilhelm Eckersberg, 1813
2. LE PORT DE DRAGOR (DANEMARK) — Christoffer Wilhelm Eckersberg

Themen

Schlagworte

Tonwert

1. View of the Via Sacra, Rome — Christoffer Wilhelm Eckersberg, 1814
2. Morning Toilette — Christoffer Wilhelm Eckersberg, 1837
3. A Nude Woman doing her Hair before a Mirror — Christoffer Wilhelm Eckersberg, 1841
4. Das Sitzende Nackten Modell — Christoffer Wilhelm Eckersberg, 1839
5. VUE INTERIEURE DU CLOITRE DE SANTA MARIA NOVELLA A FLORENCE — Auguste de Forbin

Hauptfarbe

1. Entrance to a House, Capri — Sir Frederic Lord Leighton, 1859
2. UN ANCIEN PAQUEBOT DANOIS ALLANT VENT ARRIERE — Christoffer Wilhelm Eckersberg
3. The Monastery of San Lorenzo Fuori le Mura (school of Eckersberg) — Christoffer Wilhelm Eckersberg, 1816
4. VUE INTERIEURE DU CLOITRE DE SANTA MARIA NOVELLA A FLORENCE — Auguste de Forbin
5. LE PORT DE DRAGOR (DANEMARK) — Christoffer Wilhelm Eckersberg
6. In the Gardens of the Villa Albani — Christoffer Wilhelm Eckersberg, 1813
7. Korrumpiertes Öl Jerry — Banksy
8. Interior of a Renaissance Church — Dirck van Delen
9. View of the Garden of the Villa Borghese in Rome — Christoffer Wilhelm Eckersberg, 1814
10. Haarlem the interior of the nieuwe kerk seen from the south west — Pieter Jansz. Saenredam
11. Crypt of San Martino ai Monti, Rome (detail) — François Marius Granet, 1806
12. The nave and choir of the Mariakerk in Utrecht, seen from the west — peter saenredam, 1641
13. Church Interior — Pollok Sinclair Nisbet

andere

1. Corredor de la casa de la mina de Mellado en Guanajuato — Eugenio Landesio
2. A Church Interior with Figures — Hendrik Van Steenwijck Der Jüngere
3. Mendel Levin Nathanson's Elder Daughters, Bella and Hanna — Christoffer Wilhelm Eckersberg, 1820
4. Church Interior — daniel de blieck, 1656
5. LE MODELE (TRINE NIELSEN) — Christoffer Wilhelm Eckersberg
6. The Nathanson Family — Christoffer Wilhelm Eckersberg, 1818
7. Interior of the Nieuwe Kerk in Haarlem — Pieter Jansz. Saenredam, 1653